La casa dei vampiri

"House of Dark Shadows", the first feature based on the fondly remembered Gothic soap opera is both exciting and schlocky - sometimes concurrently. Director Dan Curtis (on a very low budget) took what on television was an extremely lengthy introduction and history of the Barnabas Collins character and crammed all he could of it into a 96 minute film. Most of the television cast are here to recreate their parts, chief among them Jonathan Frid as everyone's favorite Vampire. When surly caretaker Willie Loomis (John Karlen) foolishly frees him from his coffin where he has been sleeping for almost 200 years, Barnabas heads for the Collins family mansion and introduces himself as a cousin from England. Both the matriarch of the family, Elizabeth Stoddard (Joan Bennett) and her brother Roger Collins (Louis Edmonds) welcome him and immediately install him in the "old house" which, in fact, is Barnabas' original home. Though the plot has a few twists not seen in the series, the story is still pretty familiar.Sure enough, Barnabas soon has his way with Elizabeth's daughter Carolyn (Nancy Barrett)and she becomes one of his first victims. Although such familiar characters as Professor Stokes (Thayer David) Jeff Clark (Roger Davis) young David Collins (David Henesy) and Todd Jennings (Donald Briscoe) appear, their functions are relatively brief. The two chief supporting females upon whom the plot really turns are Maggie Evans (Kathryn Leigh Scott) the beautiful governess who bears a striking resemblance to Josette Du Pres, Barnabas' first love, and Dr. Julia Hoffman (Grayson Hall) an old family friend writing a history of the Collins family. For seemingly different reasons, both are attracted to Barnabas, and both get more than they bargained for when they become involved with him. The film is fast-paced, predictably gory, and occasionally unintentionally humorous, with loopholes big enough to drive a hearse through. Fans of the show will have a definite edge over new viewers because little is done to introduce the uninitiated to the characters (most of whom quickly go under the tooth anyway) and background of the story.It's also a shame that the still-beautiful Bennett has little to do. Still, it's sincerely acted by all, boasts a superior score by Robert Cobert (much of it recycled from the series),and some beautiful photography. "House of Dark Shadows" is one place you'll want to explore.

In 1966, the soap opera Dark Shadows debuted with a most unusual villain and heartthrob - Jonathan Frid as Barnabus Collins the vampire, freed from his coffin prison of almost two hundred years by Willy Loomis, the Collins handyman in search of the fabled Collins jewels. This is also how he is introduced in the film.

I watched the television show in reruns when it appeared on afternoon TV in 1976. Frid is a most unconventionally attractive man, but he has class and style, and he is most magnetic. Frid introduces himself to the Collins clan as Barnabus, a distant cousin who has been living in England. He takes up residence in "the old house" - the Collins family home as it existed when Barnabus was "alive" - and fixes it up to restore it to its former glory. This allows Barnabus to have his vampire existence without prying eyes. Here as in the TV show, the main line of the plot is that Barnabus becomes attracted to Maggie, a servant to the Collins family, because she is a body double to Josette, the girl he was to have married until his vampire existence and Josette's death got in the way.

This is mainly going to be of interest to people who remember the TV show or who have spent time watching the TV show in the years since it went off the air, because it is there all of the character development is put in place. The original cast, though, does a terrific job of recreating the atmosphere and the magic in the short feature film time frame that they have. There are a couple of odd casting decisions though. Onr of those is Dennis Patrick playing the sheriff here. In the TV show the same actor played Jason McGuire, a shady character and a very hissable villain who blackmailed Elizabeth Collins.

Standouts are John Karlen as Willy Loomis - he is a great modern Renfield without the appetite for insects - and Thayer David as Professor Stokes. He really does remind me of classic Hollywood actor Sydney Greenstreet. Too bad he died so young. But of course, the centerpiece is Jonathan Frid as Barnabus. I believe him when he erupts into uncontrollable anger and violence and I believe him when he is a romantic, marveling at how beautiful the trees look glistening in the sunlight. How is a vampire able to be outside in the daytime? Watch and find out.

This is one of the best horror films of the '70's, and certainly the best vampire flick of that decade. Based on the highly successful supernatural soap opera DARK SHADOWS, this feature film version of the ever popular series recounts the resurrection of Barnabas Collins(Jonathan Frid), a 175-year-old vampire who passes himself off as a modern-day descendant of the Collins clan. While staying at the Gothic Collinwood estate, Barnabas becomes entranced by a beautiful governess(Kathryn Leigh Scott) who bears a striking resemblance to his long-lost love, Josette, and determines to make the young woman his new bride. Few films based on Tv shows work, but HOUSE OF DARK SHADOWS is an exception to that rule and like the TV series on which it is based, HOUSE OF DARK SHADOWS has developed into a cult classic over the years. Like its sequel, 1971's NIGHT OF DARK SHADOWS, the film is currently under restoration. There are several sequences from both films missing. Hopefully, the generally unfavorable opinion of NIGHT will change once all of the missing footage has been recovered, and the film will then rank right up there along with its predecessor like it should.

Movie version of the Gothic soap opera Dark Shadows with better production values. It's a great-looking movie that makes effective use of location shooting. Dan Curtis, creator of the series as well as many other horror-related films and shows for television in the '70s, directs his first theatrical release here. I've always been a big admirer of Curtis, who did more for horror (and television in general) than he seems to get credit for.

The plot for the film comes directly from the TV series. Essentially it retells the story of vampire Barnabas Collins (Jonathan Frid), the show's most popular character, and his quests for a cure and to be with his reincarnated love. I wouldn't call it a scary movie, though some of the outdoors scenes at night do carry a reasonable amount of spooky atmosphere and tension. Also, the old-age makeup used on a character at one point is well-done and creepy. Nice music, as well. Fans of the series will probably find more to like than most but I think there's a lot here to enjoy, even for those unfamiliar with Dark Shadows.

For anyone who enjoys Gothic melodramas, this one is for you. In the late 1960s and early 1970s, producer Dan Curtis was on a roll with his hit afternoon television series Dark Shadows. When the powers that be decided to make a feature film version, most of the original cast members of the daily soap opera were recruited to star in this production. It is worth noting that several of the performers were pulling double duty at the time, since the daily program was churning out new episodes while HOUSE OF DARK SHADOWS was being filmed.

Of course, a feature film version is going to have a much larger budget than its TV counterpart. And it is also going to be made in color, not black and white. Curtis and his crew do a very effective job transferring the basic original ideas to the big screen. In fact, they do not miss a beat introducing vampire Barnabas Collins (Jonathan Frid) and the rest of the inhabitants of Collinwood to celluloid. From the first fade in, it's a bloody good show, and the entire affair is raised a notch or two by the presence of an old pro-- Joan Bennett, doing quite well as matriarch Elizabeth Stoddard Collins, fang you very much!