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Esseri extraterrestri si infiltrano in un'astronave che si schianta su un remoto atollo del Pacifico. Quando una squadra sbarca sull'isola, scoprono che è abitata da mostri mutanti creati da... Leggi tuttoEsseri extraterrestri si infiltrano in un'astronave che si schianta su un remoto atollo del Pacifico. Quando una squadra sbarca sull'isola, scoprono che è abitata da mostri mutanti creati dagli alieni. Gli invasori conquisteranno il mondo?Esseri extraterrestri si infiltrano in un'astronave che si schianta su un remoto atollo del Pacifico. Quando una squadra sbarca sull'isola, scoprono che è abitata da mostri mutanti creati dagli alieni. Gli invasori conquisteranno il mondo?
- Regia
- Sceneggiatura
- Star
- Rico, the guide
- (as Noritake Saito)
Recensioni in evidenza
So, it's calamary, crab cakes, and turtle soup tonight!
The subplot has the puny humans attempting to turn the island into a resort. Aliens hate resorts!
This isn't a bad effort from Mr. Honda, though one shouldn't expect non-stop monster fighting action. It's pretty low-key on that score...
And yet... It's somehow great. What makes it truly great can essentially be summed up in one word. Gezora. Gezora is a giant squid, or an octopus, or perhaps a cuttlefish, or... It really doesn't matter what Gezora is supposed to be, just know that (unlike the giant octopus from "King Kong vs. Godzilla") Gezora is not a slimy creature that flutters and unfurls itself along the ground like an octopus probably would if it could actually move outside of the water. No, my friends, Gezora is rubbery looking and he walks. Let's say that again so that the utter ridiculousness of it can sink in:
Gezora WALKS. On tentacles.
You see, they didn't have access to high-tech animatronics and kaiju films have always had an aversion to stop-motion animation, so, as was custom - it's a guy in a suit. But how does a guy in a suit impersonate the flowing movement of an octopus/squid/cuttlefish on land, you ask?
He doesn't. He walks around, dragging and swinging tentacles with reckless abandon. That, if for no other reason, is why this movie must be seen to be appreciated. Gezora is, by far, my favorite bad kaiju. Yes, even better and far more ridiculous than King Seesar. This may be difficult to believe, but he's even sillier (and more lovable) than Guiron - knife-headed foe of Gamera. You, too, will love Gezora if you just give him a chance - and that chance has arrived as of today, for "Space Amoeba" has been released on DVD.
Huzzah!
Overall, an OK kaiju film that should have featured more monsters, providing that the aliens mentioned that they were trying to mutate a lot of animals to attack Earth. The film contains a pretty exciting "rescue-the-earth" mission, nonetheless.
Grade B
The director is Ishirô Honda of home we all know and love.
Samuel Z. Arkoff as producer (US version)
Salvatore Billitteri as producer (US version)
Fumio Tanaka as executive producer
Tomoyuki Tanaka as executive producer
The standard formula "stay out of the water" film. Well, maybe not formulas as we get to cross over stories of the greedy developer, burnt-out photographer, scientist, female interest, Japanese style monsters, and even space Amoebas.
Everyone's agenda conflicts with each other's agenda. I was rooting for the amoeba. However, they may use bats for sound trouncing.
Lo sapevi?
- QuizThis was the first giant monster film produced after the death of Toho's special effects director, Eiji Tsuburaya, who passed away in January 1970. The effects were directed by Sadamasa Arikawa who, having been promoted to Director of Special Technique, had already handled most of the special effects since Il ritorno di Godzilla (1966) with Teriyoshi Nakano as his chief assistant. Both Arikawa and director Ishirô Honda wanted to include a dedication to Tsuburaya in the film but Toho refused. Arikawa was so disgusted by this that he vowed to never work for Toho again. Director Honda likewise decided to retire from filmmaking due to his disappointment with the direction Toho took their special effects films and the dissatisfaction of working for them.
- BlooperThe lighted eyes on the monster Gezora went dead halfway through filming of the fx. There was no money left in the FX budget to repair them, and they remain unlighted in certain scenes.
- Citazioni
Taro Kudo: I'd say that giant octopus is our monster. Maybe what the natives call Gezora isn't a myth. Tell me Doctor, now what are we going to do? Why do you think he let us go?
Dr. Kyoichi Mida: I don't know, I don't know anything at all. All my knowledge of biology and none of it's any use to me at all.
- Versioni alternativeAmerican International's television release version replaces the original score during the end credits with another section of Akira Ifukube's score that was used during the shipboard sequence.
- ConnessioniEdited into Faces of Horror (1989)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Pentaculus
- Luoghi delle riprese
- Hachijôjima, Giappone(outdoor scenes)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 24 minuti
- Mix di suoni
- Proporzioni
- 2.35 : 1