12 stulev

The best comedy I have seen. The script is based on exceptionally observant novel by Ilf and Petrov and is translated to screen flawlessly. But wait, not only dialog is clever, this film is one of the best (or the best) physical comedies I know. My friend who does not speak Russian enjoyed simply watching acting by superb ensemble of actors. There is not a single false note through entire three hour run. I watch it again and again. Beautiful and smart! 10/10.

As a big fan of Ilf and Petrov's masterpieces I couldn't watch this version. It contains quite simple Gaidai's humor but not sharp and intelligent humor of authors. Zakharov's version is much closer to book and embodies original jokes. And, of course, genius Mironov is No2 Ostap Bender after Yurski. Though actors are great in both versions, 77's did the best. The very important part of Ilf & Petrov's literature is the author's voice, which was masterfully implemented in 1977 (by the way the one who worked as author's voice was famous Rolan Bykov, who played Panikovsky in 1968 Zolotoy Telenok (Golden Taurus)) but Gaidai didn't use such feature and lost the majority of book's spirit.

Director Leonid Gaidai had a talent for comedy like no one else. His adaptation of the great humorous book is also great and gives a lot of good laughs.

The acting... it's just excellent. It only shows the respect the cast and crew had for the authors - Ilya Ilf and Evgenij Petrov. And there is no doubt that Archil Gomiashvili, may he rest in piece, was and is the best Ostap Bender ever. He was really meant to play this part.

I say, this movie may not be perfect but it is totally better than the "12 chairs" by Zacharaov.

It's just great.

not a surprise. the novel remains a classic of Soviet literature. but that fact does its adaptation special. the genius of Gayday who builds a charming comedy in a splendid, precise manner.each scene is a gem. and the acting is at high level. the risks to mistake are many but that danger does the film a magnificent adventure. a film about a search who becomes portrait of society. a trip in Soviet Union for a treasure. the trip is reflection of the people's real image. and good occasion for create not exactly a good comedy but a spectacular adventure of a society who is hostage out of normality. it reminds many comedies from the same period. but its real gift is to remain unique. maybe not the best but surely memorable. the last scenes are the best argument. because, the spirit of a well known novel has the best support in the inspired science of detail and wise use of irony of a very interesting director.

After seeing Andrei Mironov i Zakharov's "12 stulyev" (1977), it hard to imagine a better actor for the part of Ostap.

In general, this Gaidai's film is weak. The acting is too eccentric and unnatural, the sets and the music are too simplistic. Showing a "modern" Soviet Moscow at the end is completely out of place. Even such brilliant actors as Yuri Nikulin and Georgi Vitsin cannot save this film. My rating: 5/10.

If you want to see a much better films by Gaidai, look for "Ivan Vasilyevich" (1973) and especially "Kavkazskaya plennitsa" (1966).

As for "12 stulyev", try to see the film by Mark Zakharov.