Bernie, un alcolizzato autodistruttivo, viene incaricato di vegliare su Winnie. Lui mette alla prova la pazienza delle varie persone che conosce e Winnie è spesso lasciata sola a badare a se... Leggi tuttoBernie, un alcolizzato autodistruttivo, viene incaricato di vegliare su Winnie. Lui mette alla prova la pazienza delle varie persone che conosce e Winnie è spesso lasciata sola a badare a se stessa.Bernie, un alcolizzato autodistruttivo, viene incaricato di vegliare su Winnie. Lui mette alla prova la pazienza delle varie persone che conosce e Winnie è spesso lasciata sola a badare a se stessa.
- Regia
- Sceneggiatura
- Star
Beatie Edney
- Winnie
- (as Beatrice Edney)
Peter Sellers
- Stallholder
- (as A. Queen)
Thomas Heathcote
- Dice Player
- (as Tom Heathcote)
Bertel Lauring
- Louis
- (as Bertil Lauring)
Sisse Reingaard
- Daughter of Cafe Proprietress
- (as Sisse Reingärd)
Recensioni in evidenza
It's amazing to have finally seen this lost film. Poor Mark Burns died this year without ever having seen the finished film! Why was it lost? It's quite good but I can understand that even if this film had a normal release in cinemas it would not have been a hit. It's too sad and tragic. The performances are great, tho. Mark Burns plays a sensitive soul who loves his daughter but loves his drink a little bit more. Beatie Edney is amazing. One of the best child performances I've seen. It's fantastic to see that she grew up to be an even greater actress as an adult. She was in a chilling part in the TV series Prime Suspect.
It's also nice to see the Danish beach where "A Day" was filmed and also to see the great Bergman actress Eva Dahlbeck in the small role of a café owner.
It's also nice to see the Danish beach where "A Day" was filmed and also to see the great Bergman actress Eva Dahlbeck in the small role of a café owner.
Ironically, while Roman Polanski was in Europe the same year The Manson Family would violently crash Sharon Tate's party, he was preparing for two movies with the word DAY in the title: scouting to direct THE DAY OF THE DOLPHIN while adapting an obscure Dutch novel for A DAY AT THE BEACH, a film so independent it feels like something more of the John Cassavates wheelhouse...
And this BEACH centers on a raving drunken British man's beeline trek through a mostly barren Danish beach tourist town during sporadic rain bursts, and instead of tourists are an abandoned lot of outdoor and indoor cafe or curio shop or liquor store or pub owners wherein he gets more intoxicated and thus more pontificating and moody along the way, mostly trying for as much drink for as little money possible: a kind of progressively-blasted human coupon...
The primary twist is he's not alone... Tagging along is his niece who's really his daughter from surly starting point ex Fiona Lewis, and while future HIGHLANDER beauty Beatie Edney is a good enough child actress, providing both realistic screaming tantrums and gaping toothless grins whenever needed, her mere existence is to underline just how flaky, downright selfish and dangerously neglectful Mark Burns's Bernie's traipsing-around plight really is...
For example, in one scene he's being hit-on by an openly gay/super effeminate storefront couple... one played capably by Peter Sellers billed as A. Queen; at the same time, right outside, little Winnie gets stuck in some netting along the beach's planked walkway... a path that winds through the sand in a location that's even more art-house from the incessant tempest...
It's never entirely clear what the actual plot or purpose is, but Burns's character is a terrific drunk that'd make Charles Bukowski envy with a mobile, existential life all mapped out, at one point telling a pretentious (passed-out) poet's sexy wife, "I'll be hungover tomorrow, but the next day meet me at noon at..."
As this lost-for-decades curio is, by the end, a dizzying odyssey by first time director Simon Hesera and, while frowned upon by writer/producer Polanski for lack of proper composition, it's through a rip-roaring drunkard's eyes that we're eyeing everything, so in actuality the location is more what the character experiences than the audience visualizes.
And this BEACH centers on a raving drunken British man's beeline trek through a mostly barren Danish beach tourist town during sporadic rain bursts, and instead of tourists are an abandoned lot of outdoor and indoor cafe or curio shop or liquor store or pub owners wherein he gets more intoxicated and thus more pontificating and moody along the way, mostly trying for as much drink for as little money possible: a kind of progressively-blasted human coupon...
The primary twist is he's not alone... Tagging along is his niece who's really his daughter from surly starting point ex Fiona Lewis, and while future HIGHLANDER beauty Beatie Edney is a good enough child actress, providing both realistic screaming tantrums and gaping toothless grins whenever needed, her mere existence is to underline just how flaky, downright selfish and dangerously neglectful Mark Burns's Bernie's traipsing-around plight really is...
For example, in one scene he's being hit-on by an openly gay/super effeminate storefront couple... one played capably by Peter Sellers billed as A. Queen; at the same time, right outside, little Winnie gets stuck in some netting along the beach's planked walkway... a path that winds through the sand in a location that's even more art-house from the incessant tempest...
It's never entirely clear what the actual plot or purpose is, but Burns's character is a terrific drunk that'd make Charles Bukowski envy with a mobile, existential life all mapped out, at one point telling a pretentious (passed-out) poet's sexy wife, "I'll be hungover tomorrow, but the next day meet me at noon at..."
As this lost-for-decades curio is, by the end, a dizzying odyssey by first time director Simon Hesera and, while frowned upon by writer/producer Polanski for lack of proper composition, it's through a rip-roaring drunkard's eyes that we're eyeing everything, so in actuality the location is more what the character experiences than the audience visualizes.
As someone who usually does not like movies soliciting compassion for alcoholics or drug addicts I was surprised how much I liked A Day at the Beach. The title's promise is fulfilled in the best way possible. A young, intelligent alcoholic takes his little niece to a small seaport for a day. The man is most of the time looking for booze or ingesting it, occasionally rendering verbal outbursts which often sound very lucid. The girl is left to her own devices most of the time but fiercely loyal to her uncle.
From the technical side the movie is virtually faultless. Foreground and background are always in very sharp focus, except for two brief episodes with POV shots of the very drunk main character. The drabness of the place (it is always raining or overcast) is occasionally contrasted by bright, vivid colors. It looks all very controlled and there can be no doubt that a true master is behind this picture. The cast is brilliant down to every secondary character. I found Peter Seller's contribution as a fairy unnecessary and superfluous, though.
I watched the DVD release from Odeon Entertainment. There is an informative booklet about the movie, but Roman Polanski's involvement in the actual shooting is not clear. According to the booklet Polanski left the film while the final editing was in progress. Doesn't this mean that the effectively directed the movie? I would not be surprised if this were the case, in my opinion it very much looks like a Polanski movie. Its stunning how timeless his work is!
A Day at the Beach would never have attracted a mass audience, and from the look of it (and the choice of actors) it probably was never meant to be a blockbuster. But everybody who can stand this difficult and rather depressing subject matter (men preferring drugs to other humans) this is a rewarding and aesthetically satisfying movie. It's great that they made it available on DVD.
From the technical side the movie is virtually faultless. Foreground and background are always in very sharp focus, except for two brief episodes with POV shots of the very drunk main character. The drabness of the place (it is always raining or overcast) is occasionally contrasted by bright, vivid colors. It looks all very controlled and there can be no doubt that a true master is behind this picture. The cast is brilliant down to every secondary character. I found Peter Seller's contribution as a fairy unnecessary and superfluous, though.
I watched the DVD release from Odeon Entertainment. There is an informative booklet about the movie, but Roman Polanski's involvement in the actual shooting is not clear. According to the booklet Polanski left the film while the final editing was in progress. Doesn't this mean that the effectively directed the movie? I would not be surprised if this were the case, in my opinion it very much looks like a Polanski movie. Its stunning how timeless his work is!
A Day at the Beach would never have attracted a mass audience, and from the look of it (and the choice of actors) it probably was never meant to be a blockbuster. But everybody who can stand this difficult and rather depressing subject matter (men preferring drugs to other humans) this is a rewarding and aesthetically satisfying movie. It's great that they made it available on DVD.
Special in many ways before you even start watching, this miniature is not desperate to be liked and is in fact rather admirable for its commitment to being unlovely.
If you're wondering where they're going with this, then you may be disappointed; it is a snapshot of the miserable lives that play out in plain site when you truly don't care about anything but forgetting.
Often painful but not quite excruciating, this vision of a man living a day as if it might truly be his last in freedom though he seems anything but free in practice.
An exorcise in the pretentiousness of vulgar people always accompanied by a fairly agreeable child star.
Polanski seems like he can do no wrong in his writing of this.
If you're wondering where they're going with this, then you may be disappointed; it is a snapshot of the miserable lives that play out in plain site when you truly don't care about anything but forgetting.
Often painful but not quite excruciating, this vision of a man living a day as if it might truly be his last in freedom though he seems anything but free in practice.
An exorcise in the pretentiousness of vulgar people always accompanied by a fairly agreeable child star.
Polanski seems like he can do no wrong in his writing of this.
This was a dark piece indeed. The original story was a Danish book, I believe. The name of the author escapes me. The other comments are correct. It was a bleak look at alcoholism but hauntingly accurate. I loved the film. Painful to watch yet truthful. The little girl was amazing. Peter Sellars was great & his gay partner, whose name I've forgotten, was another great British comedian. Probably the best piece of trivia is that his wife, Sharon Tate, and others, were murdered in California while Polanski was in England editing the movie at Twickenhan Studios, after shooting insert shots there. Polanski left Twickenham Studios that night when he heard about the murders & never returned to finish the film. Had he done so, I am sure the film would have been released properly & been worthy of standing by his other work. I would love to see this film released on DVD.
Lo sapevi?
- QuizRoman Polanski was present during the entire filming of A Day at the Beach. He was editing the picture and shooting inserts with the director, Simon Hesera, when news came of his wife's murder in California. He left England that night. The film was hastily finished without him, put on the shelf and has only recently been rediscovered.
- ConnessioniFeatured in The Unknown Peter Sellers (2000)
- Colonne sonoreWhere Are We Going
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Un día en la playa
- Luoghi delle riprese
- Copenaghen, Danimarca(kinema weekly 26/4/69)
- Aziende produttrici
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By what name was A Day at the Beach (1970) officially released in India in English?
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