La vergine e l'amante

As I write these words, 'Cool it, Carol!', directed by Pete Walker who is perhaps better known for his horror films, is close to its silver anniversary. It's sobering to remember that 25 years before the film came out, World War 2 had just come to an end.

A lot changes in 25 years. This story, sometimes known as 'The Dirtiest Girl I Ever Met' stars Janet Lynn as the titular strumpet - and she isn't a strumpet at all. Demure, shy even, she tells her wannabe boyfriend Joe (Robin Asquith) that she just doesn't see sex as a big deal. This comes in handy when the two of them try to make their fortune in London. In other circumstances, Joe becoming her pimp and managing her earnings might portray him as a bit of a git, but that doesn't seem to be the case here.

We're never really witnesses to the various sex acts, but rather Joe's reaction as a number of old men disappear into the bedroom with Carol. When she wanders out after it's over for a nice cup of tea, she's not remotely fazed by the ordeal.

Based on real-life events, this slice of exploitation is both naïve and eye-watering in its depiction of the ambitions of these young people, both of whom are well portrayed.

While Askwith became a household name with a series of bawdy comedies, Lynn settled down to a life of domesticity away from the cameras. Jess Conrad, Stubby Kaye and DJ Pete Murray bolster the cast with a series of cameos.

I found this an enjoyable slice of what is now 'period drama'. My score is 7 out of 10.

Somewhat interesting cautionary tale(or tail if you prefer) about a young couple leaving the barrenness of their humdrum lives behind in a small English village and going to the big city - a really swinging London in the late 1960s. What they find is that work is hard to come by unless you are really willing to shed your inhibitions and your clothes. While the story probably resonates much of the real-life atmosphere of the culture of that time, the film bogs down really into one sexual scene after another - none of them particularly effective or redeeming in any way. And though the film is considered a black comedy - I think of it really more as a bleak one. I found so little humor in the film. Director Pete Walker - who would go on to do some pretty expressive and decent films of the horror/exploitation genres in the 70s - has obvious skill with the camera. The pace, sets, and dialog are all generally well-conceived for a film of this kind. The two primary acting leads are actually pretty good too as is most of the supporting cast. Watch for Stubby Kaye in a small role! But the end comes on so hard-handed and without warning as to be any bit believable though the film does try to have some moral to this constant parade of sexual encounters surrounding a youngish Carol and her openness to sleep with virtually anyone for a few bob.

Two bored teenagers leave their small town and travel to London to try and live the dream. Soon, it becomes apparent that the boy's claims of a good job waiting for him are false and, so, before long they are destitute. To make money, the girl gets involved in the sex industry, starting with modelling and ending in porn films via prostitution, all of this actively encouraged by her boyfriend. Needless to say, life in the big city does not turn out to be very glamorous.

This is an early film from British director Pete Walker, who is now known mainly on account of his horror movies, such as the impressive Frightmare (1974). In the earlier part of his career he seemed to be more focused on sexploitation, of which this is a pretty obvious example. It is a pretty good film of this type though, especially when you consider how terrible British entries in this category usually are. Funnily enough, a lot of the later atrocious 70's examples seemed to star Robin Askwith, who appears here in the role of the rather unsympathetic boyfriend. Janet Lynn stars opposite him as the girl who the story essentially revolves around and I thought she was pretty good. The film itself is basically a cautionary tale, which is fairly downbeat a lot of the time. The heavier elements actually make it a better film though, as it is sexploitation with at least some substance. A story which looks at the grim reality of aspects of the sexual revolution. Like in all the other Walker films I have seen it has unpleasant members of the older generation interfering aggressively with the young. On the whole, it can certainly be considered another very worthwhile film from Walker.

"London? At your age!?" Teenagers Joe (Robin Askwith) and Carol (Janet Lynn) leave their rather boring lives in rural Norwich and go to swinging London to make their fortune. Things do not go to plan and when they run out of money Carol turns to prostitution. She doesn't seem too bothered about selling herself to dirty old men but Joe is obviously jealous - that is until big money starts rolling in. However riches don't always bring happiness and I think that there is a moral in this tale (allegedly based on a true story). Director Pete Walker made a series of very British horror movies but before that he was making sexploitation films, this being the second one that I have so far watched. And I have to say that I thoroughly enjoyed it. It is a delightful snapshot of England, both rural and urban, in 1970. I loved seeing the fashions, the old vehicles, the music and listening to what would now be considered dated language. Apparently the film courted much controversy in the UK at the time but viewed now the sex side of it is pretty tame. Carol and Joe do have sex a few times, including on the train to London, but very little is seen. Janet Lynn was a very attractive young actress, she is seen topless quite a few times plus one brief full frontal shot. Askwith, who went on to star in the British sex comedy "Confessions of.." movies, is seen naked from the rear. Fair amount of sex talk, ranging from the f word to the very British "have it off". I noticed one goof, the couple agree to be filmed having sex for money, the reflection of the real crew cameraman can be seen in a mirror next to the character cameraman with his 8mm handheld camera. Cool It, Carol isn't exactly red hot as a sex movie but I found it to be an enjoyable and charming romp that has as much humour as it does sex.

Part black comedy, part cautionary tale, "Cool it Carol!" is the frank story of a sometime-couple of teens from the Midlands who hope to make the big move to London, circa 1969. She to be a model, he to be a delivery driver for an auto company. Carol is played by the fresh and quite pretty Janet Lynn, who unfortunately did almost no other films. The boy, played by Robin Askwith, brings a modestly charming goofiness. The rest of the cast is made up mostly of unknowns who do a pretty good job, and the sets and costuming are quite characterful. The music is unfortunately bland and heavy-handed. The plot is fairly standard potboiler stuff, relieved somewhat by the rather blase' attitude of the teens. Supposedly it is based upon a true story, as reported by that paragon of reportage -- The News of the World(!) Considering how often such situations must've occurred, it is not too wild a claim.

In all, a good addition to the catalog of youth films set in London in the late 1960s, and made more watchable by the appeal of "Carol" herself. Where is she now?