VALUTAZIONE IMDb
6,8/10
5417
LA TUA VALUTAZIONE
Durante gli anni '30, a Marsiglia, in Francia, due piccoli criminali lavorano per i boss della criminalità locale finché non decidono di mettersi in proprio.Durante gli anni '30, a Marsiglia, in Francia, due piccoli criminali lavorano per i boss della criminalità locale finché non decidono di mettersi in proprio.Durante gli anni '30, a Marsiglia, in Francia, due piccoli criminali lavorano per i boss della criminalità locale finché non decidono di mettersi in proprio.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 candidature totali
Recensioni in evidenza
For some reason my little local library in Minnesota has this movie. Its about a pair of small-time criminals in 1930s Marsielles, France who rise to be gangster bosses. The movie looks pretty good, with nice period clothes, cars and decor, and the guys look the part in their 30's gangster suits (especially the dark-haired guy). And Lola the girlfriend is pretty hot. And there's some decent tommy-gun violence. But the characters seem cardboard and undeveloped, and the dialog is not very interesting (maybe something was lost in the dubbing). I sensed they were trying to imitate an old-style Hollywood gangster movie a la Cagney; was 30's France really this much like Capone's Chicago? So, although I am a big fan of old gangster movies, I wouldn't rate this one too highly.
"Borsalino" is one of the all-time fun French gangster films. I saw it in a cinema in Paris when I studied there eons ago, but just try to find the DVD or videotape! I guess they're trying to increase its rarity value by foisting a much inferior film, Borsalino & Company, on Delon and Belmondo fans. Well, this is the genuine article, more Marseille than the real city, perhaps 70 years or so ago, so just enjoy the great dialogue and scenarios IF YOU EVER MANAGE TO GET YOUR HANDS ON THIS TAPE OR (BETTER) DVD, NOT DUBBED but with subtitles s'il vous plaît. The soundtrack by Claude Bolling (sporadically available on CD) is the perfect accompaniment, and the combination of the French cinema's two most popular young actors made this an all time favorite in France. In the final analysis, style certainly triumphs over substance, and you'll never forget you are seeing Delon and Belmondo. This film has stuck in my mind all these years, and I think you'll be just as impressed as I was... bonne chance!
Borsalino tells the rise and fall of two small-time crooks in 1930 Marseille. Their rivalry soon becomes a strong friendship, allowing them to reach a place in the sun among other gangsters, even threatening the truce between the two ruthless families that control the city.
Jean-Paul Belmondo and Alain Delon shine in this enjoyable recreation of the ever-corrupted French city. The sets and costumes are terrific, and the music by Claude Bolling became an instant classic. So classic in fact that the director Jacques Deray over-uses it in some parts. The secondary characters are interesting somewhat but clearly overshadowed by the two leads. As for the script, it manages many enjoyable moments wandering between funny and tragic bits, however it is too hammy to totally convince and is not helped by a very dated type of editing. I don't know if it was to mimic the style of older gangster movies, but the movie should've been tighter on that point.
All in all, a very decent French movie. Far from flawless, but recommended.
Jean-Paul Belmondo and Alain Delon shine in this enjoyable recreation of the ever-corrupted French city. The sets and costumes are terrific, and the music by Claude Bolling became an instant classic. So classic in fact that the director Jacques Deray over-uses it in some parts. The secondary characters are interesting somewhat but clearly overshadowed by the two leads. As for the script, it manages many enjoyable moments wandering between funny and tragic bits, however it is too hammy to totally convince and is not helped by a very dated type of editing. I don't know if it was to mimic the style of older gangster movies, but the movie should've been tighter on that point.
All in all, a very decent French movie. Far from flawless, but recommended.
Jacques Deray, who directed gangster genre movies almost exclusively, has achieved his most popular success (in America) with this movie. It was a stroke to combine the two leading men in roles which were cut out for each of them. Credit for this must go (in part, at least) to Alain Delon, who produced the movie. The very catchy, and hummable music for this movie was by the prolific composer, Claude Bolling, who collaborated with Deray on other films.
My only carping criticism is the length of the movie. I feel that about 15 minutes could have been trimmed in order to keep it moving.
My only carping criticism is the length of the movie. I feel that about 15 minutes could have been trimmed in order to keep it moving.
I watched this movie for the first time when i was 15 and continue watching it today,this movie is timeless, i was already familiar with Alain Delon and most of the works by Jean-Paul Belmondo,the two actors are phenomenal by themselves and were electrifying together in this movie.I find no fault in this representation of french mobsters in the 30's, and further feel that this movies should have received similar praise to movies such as our more recent "the Godfather".The movie starts off in a french Bistro with François Capella(Belmondo)shooting pool, and a lady sitting at the bar, Roch Siffredi(Delon)storms in and request the lady(Lola) to leave with him, and this results in a fist fight between Capella and Siffredi, and the movie catapults from their first meeting.The movie is well shot even by todays standards, the story is quite complete and will not leave questioning much once it is over. if you can get hold of it, it is definitely worth watching.
Lo sapevi?
- QuizThe film was based on real life gangsters Paul Carbone and François Spirito. Alain Delon found the story in a book he was reading about French gangsters from 1900 to 1970. He produced the film looking for a vehicle for him to co-star with Jean-Paul Belmondo.
- BlooperWhen François Capella (Belmondo) goes to the beach with Roch Siffredi (Delon), François wears his black swimsuit the wrong way around. His nipples are visible. The back is his front, and in some shots where he comes back with Ginette he has the swimsuit on the right side. In some shots he has the swimsuit on the wrong way again, which repeats.
- Citazioni
Martial Roger, le comptable: In love as in business, some things remain unwritten.
- ConnessioniFeatured in Tango Bar (1987)
- Colonne sonorePrends-Moi Matelot
Music by Claude Bolling
Lyrics by Jacques Deray and Jean-Claude Carrière
Performed by Odette Piquet
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- Die Losleger
- Luoghi delle riprese
- Marsiglia, Bouches-du-Rhône, Francia(Exterior)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 1.090.000 USD
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