Blood Mania

Blood Mania (1970)

* (out of 4)

Victoria (Maria DeAragon), the slut daughter of a rich old man, gets the bright idea to impress the doctor (Peter Carpenter) she likes by killing her father so that she can give the doctor his inheritance money. The sex maniac daughter eventually kills her old man and this here gets the doctor interested because the money can keep his good name from being ruined by a blackmailer. However, the good doctor has around five other women on the side and this isn't going to sit well with Victoria.

That's basically what happens in this film but once again, I haven't the slightest clue what this film is about. If you're looking for any blood then you might as well skip to the final five minutes where we get one good kill scenes but don't fear, the movie makes up in other ways. I'll state the obviously bad stuff first however. Everything from the acting to the directing is lower than what you'd expect from an Ed Wood film and especially any scene where one of the characters has to be emotional. Another incredibly silly thing is Peter Carpenter and his playboy act. The actor also served as producer and I can't help think he used this ability to be in sex scenes with beautiful women. His macho act never works but it does bring several laughs to the film.

Is Blood Mania a complete bus then? Nope and I'll tell you why. Outside an interesting animated sequence to start the film, this movie, like no other I've seen, has an outrageously good amount of nudity. You've heard people say a horror film needs at least one murder every ten minutes well this film has a nude scene at least every three minutes. All of the doctor's lovers are happy to get naked and they do so throughout. Even though the story and actors were bugging me to death, I could never call this a complete disaster since the director was smart enough to throw in plenty of good looking women.

The Plot.

A sex-crazed nympho helps speed along her father's death so she can use the inheritance to help out her depraved boyfriend.

Firstly the movie sucks. It's one of the weirdest films you'll ever see, and not in a good way.

It's really horribly tedious to watch.

On the plus side the technicolor rendering is great.

But to be perfectly frank, all three stars I am giving this movie are because of the female lead who had the hottest body I have ever seen.

Coupled with this is her complete willingness to strip down every 5 seconds. It's an amazing body to observe. Not an ounce of fat and the longest, flattest torso you will ever see.

Get out the Vaseline.

This film is best described as an early fore-runner for the glut of erotic thrillers choking the video store shelves today. In this one, a woman kills her father in order to get his inheritance to help a blackmailed doctor, but much to everyone's surprise, the inheritance goes to her sister instead! Nope, not making this up, folks. Worth a look to see the attractive DeAragon in the flesh, however, as well as the comical blackmailer who apes Clint Eastwood to the nth degree.

The greatest moment in "Blood Mania" is the point when you come to realize that the writer and lead actor of this terribly inept movie is actually one and the same person! So, in other words, this dude – Peter Carpenter – probably couldn't care less that the overall film is dull & derivative, because he arranged for himself that he could smooch and fondle the perky breasts of no less than three extremely cute and luscious women! Nice going, Peter! Hey, I certainly don't blame the guy because a) apparently he died quite young about one year after the release of this film, and b) at least "Blood Mania" is a lot more watchable than the other movie he wrote; "Point of Terror" starring Dyanne Thorne. Carpenter depicts Craig Cooper, a hunky and successful private physician with a stunning redhead girlfriend, but he's being blackmailed by a sleazy thug who knows that he performed illegal abortions in the past. One of Craig's patients is a wealthy private clinic owner with a nymphomaniac daughter named Victoria. Her insatiable sex-hunger is marvelously illustrated near the beginning of the film, when she jumps the pool boy who literally screams for his mother! Victoria wants to kill her father with drug aphrodisiacs and share the inheritance with Craig, but only if he promises to remain her personal sex toy forever. Complications arise when the inheritance unexpectedly goes to deceased's other daughter Gail. Luckily for Craig, Gail is another very beautiful chick that also easily falls for his charms, but obviously the mad raving Victoria will not allow this romance to happen! Okay, so… Where's the blood? Where's the mania? I'm actually convinced that this could have been much better, if only they focused more on the atmosphere and plot instead of the on the bare chests of the female cast members. The opening sequences hint at psychedelic situations, but the rest of the film is slow-paced and full of redundant dialogs. There's a bit of nasty bloodshed near the ending, but the actual finale is dumb and unsatisfying. The constant "music" is irritating and the best characters (like the witty nurse) get neglected. Worth seeing only for the continuously exposed boobs of Maria De Aragon, Reagan Wilson and Vicky Peters.

An excellent example of drive-in fare, "Blood Mania" is a well-shot and acted sex thriller, notable for its unusual and dominant musical and electronic sounds score. It was diverting 50 years ago and holds up well as an example of horror before gore and special effects took over and became foremost in the fans' content demands.

Story of blackmail and murder makes perfect sense, with the added attraction of all the leading characters guilty of something -no good guys here. The general soap opera approach is conducive to better character acting than usual amateurism or overacting of B-horror movies. The deliberate, placid pacing works well - a more traditional approach. The biggest surprise here is the frequent sex and nudity included, tastefully presented but abundant. Stylish erotic fantasy sequences are a highlight.

Unusual plot elements are still topical, notably the antihero doctor lead being blackmailed by a handsome young slimeball for his past history of performing abortions (picture was made three years before Roe v. Wade). Claustrophobic stagings are balanced by a fine very '60s interlude of the doc starting to romance a new character, heiress Gale in S. O. L. I. footage of a renaissance fair and then gamboling in the surf.

Rewatching this film so many decades later I was reminded how entertaining traditional storytelling was before gimmicks of all sorts (mainly SPFX) took over. More's the pity.