La ballata di Cable Hogue

It can be argued that Jason Robards gave his career screen performance in the title role of in The Ballad of Cable Hogue. Borrowing heavily from Lee Marvin's Kid Shalleen from Cat Ballou, Robards is one desert rascal who turns a crisis into a moneymaker.

Old time prospector Cable Hogue is deserted and left to die on the desert by his two partners, Strother Martin and L.Q. Jones. Ready to cash it in, he happens on some water, the only water in a desert between two Nevada towns. With only 35 cents to his name, he takes a claim on the two acres where that spring is and through some wit and rascally charm he gets the stagecoach line to open up a station right there.

In the list of Sam Peckinpah's screen credits this is the only comedy in the bunch and I'm surprised he didn't do more. None of those slow motion hymns to violence are in this film, but Peckinpah does show a good sense of comedy which given the type of stuff he normally did you wouldn't think he would have.

Of course the other half of the credit for The Ballad of Cable Hogue belongs to Jason Robards and the droll performance he delivers. Cable Hogue is a man who's got a good sense of himself and ain't easily trifled with.

Stella Stevens is good as the tart where her heart ought to be. And such Peckinpah regulars as Slim Pickens and R.G. Armstrong round out a very capable supporting cast.

For unusual taste of Peckinpah, you really ought to see The Ballad of Cable Hogue.

This classic Western deal with Cable Hogue (Jason Robards) a roguish hustler who in search of good life discovers water and gets property some lands placed on a desert in remote part of the Old West . After getting its register in the Land Office , Cable meets a whore (Stella Stevens) and falls in love with her . Cable along with the prostitute and a lecherous priest (David Warner) care his stopover as resort-lodging of a line stage. Hogue's Castle was a real-life hotel which was acquired in Bishop, California. It was packed-up and transported along with its own furniture to its shooting location across the border in Nevada.

Interesting story about a loner who turns into successful entrepreneur is deliberately paced by Sam Peckinpah and the production base for the film was at Echo Bay, Nevada . A twilight story ,¨Ballad of Cable Hogue¨ is a director Sam Peckinpah's lovely effort, feeling look at the world of the Western. Jason Robards , engagingly easygoing but obstinate , is the title character, a drifter who strives to preserve his values in an often harsh modern world . Robards turns a magnificent acting as a hustler who is searching in a changing world for values that have long time disappeared . He also must deal with his two enemies well played by usual Peckinpah couple, L.Q. Jones and Strother Martin , and a lovely whore wonderfully performed by Stella Stevens in his best role ever acted . Sam Peckinpah started work on this film almost immediately after finishing work on the landmark ¨Wild bunch¨ that is why Strother Martin and L.Q. Jones were cast in similar roles in both films . David Warner is particularly fine as the raunchy priest and in his relationship to Jason Robards strike real sparks. Furthermore, it contains an emotive score by the master Jerry Goldsmith, adding various sensitive country-western songs . Colorful and glimmer cinematography by Lucien Ballard, Peckinpah's usual, make this one a winner. An agreeable western with marvelous interpretations and exciting , enjoyable images including split-frames and fast-motion . This outstanding motion picture is stunningly directed by Sam Peckinpah, creating a true classic . Restored and reissued various times with diverse running . ¨The Ballad of Cable Hogue ¨ is a real must see for fans of the genre . This is a much quieter movie than habitual from ¨Cross of Iron¨, ¨Straw dogs¨, ¨The getaway¨, ¨Wild bunch¨ , ¨Major Dundee¨ director Sam Peckinpah who has always a deft eye for period detail . Rating : Above average, well worth watching .

The Ballad Of Cable Hogue sees Sam Peckinpah in jolly form. There is nothing here to trouble the censors, a bit of violence here and there - and some nasty human traits seam through the story, but this is purely a funny and touching movie that again deals with a Peckinpah fave theme of the Old West passing. Only difference is here he has his tongue firmly in cheek as he observes the thirst for finance sweeping across the country.

Cable Hogue is a prospector left for dead in the desert by his two double-crossing partners Bowen & Taggart. Wandering across the desert talking to god, Hogue collapses during a sandstorm and finds mud on his boot, after digging down for a while he finds the miracle of water (though Hogue badly misspells this on his advertisement). An encounter with preacher Joshua convinces Hogue to go patent his spring and make a killing selling water to the passing stagecoach trail that runs by his newly found oasis. After striking a deal in the town of Dead Dog, Hogue is set up nicely while into the bargain he falls for gorgeous prostitute Hildy. The film cheekily (just like Hogue) has established itself as a fine piece by the time it takes it's dark turn. It seems that revenge is the new found recipe on the Cable Springs Menu.

This was Sam Peckinpah's favourite film from his own CV, it's his most personal, he apparently saw a lot of himself in Cable Hogue, and with that in mind the film does gain a bit more emotional heart. But strikingly, it's the humour in there that shouldn't be understated, this was the director at one with himself, and the result is lyrical deftness. The cast are great, Jason Robards is wonderful in the title role, Stella Stevens as Hildy shows a fine actress at work. So much so it only makes me lament that she didn't have a great and industrious career post Cable Hogue. Peckinpah faves Strother Martin, L.Q. Jones & Slim Pickens reward their loyal director with impacting shows, while David Warner as the confused sexual predator preacher Joshua practically steals the film with his hedonistic leanings.

Don't go into this film expecting a blood and thunder Western and you will be pleasantly surprised at its thematic heartbeat. Different sort of Peckinpah, but it's also essential Peckinpah. 9/10

Peckinpah followed up his masterpiece, "The Wild Bunch," which featured slow-motion violence, with this gentle comedy western featuring fast-motion comedy. Robards is wonderful in the title role, a good-natured loser who hits upon a goldmine by stumbling upon a water spring in the desert. Stevens looks hot and has one of her best roles as a hooker with a heart of gold. The great supporting cast includes Martin and Jones, who seem to have picked up right where they left off in "The Wild Bunch." While enjoyable, it is perhaps a little too low-key to sustain a running time of two hours, and the ending is rather contrived. The soundtrack includes a couple of tuneful songs.

"The Ballad of Cable Hogue", when first released in 1970, may have caught the viewing public asleep. But, over the years, people have seen this film for what it truly is--a tribute by director Sam Peckinpah to the passing away of the old west, and a brilliant performance turned in by Jason Robards as a desert hobo who finally awakens to his need for touching base with the human race, ever so often.

Cable is left out in the desert by two comrades, Bowen and Taggart, to make his own way, or perish trying, as they head back to civilization. Hogue vows to catch up to them, but first, he has to find water, which he does, then establish a business for the stage line, which he is able to do, and show a profit. All this happens, and after several years of waiting, the two former friends do happen onto his way station, and a touch of revenge is extracted by Cable upon the two who left him in the desert.

This film has some remarkable elements; a great supporting cast led by Stella Stevens, playing Hildy, David Warner portrays a lecherous preacher who becomes Hogue's partner in the desert, and Strother Martin and L. Q. Jones add the touch of villiany this film needed. Also, the musical background will stay with the viewer long after the final credits have rolled. This movie is a fantastic portrayal of the fading era of the west, and Peckinpah left the public with a classic. 9/10, easily.