Di pari passo con l'amore e la morte

I would have preferred the film in Sepia or black and white. Everyone was a bit too made up for the 14th. Century. Interesting, thought provoking but only mildly entertaining. Certainly not one of John Huston's best efforts.

Brilliant evocation of youth in a time of social disruption. Angelica Huston's best work. Fascinating direction by John Huston. Based on an excellent novel. Well realized. Good depiction of medieval society. All in all, well worth seeing.

The two biggest reasons for seeing 'A Walk with Love and Death' were seeing father and daughter John Huston (as director) and Anjelica (in the lead role and her film debut) collaborating together in the first of three films. The others being the infinitely better 'Prizzi's Honor' (which garnered Anjelica a deserved Oscar win) and 'The Dead' (John's last film). Have loved Anjelica ever since 'Ever After: A Cinderella Story', a film still close to my heart, and John directed a number of classics such as 'The African Queen', 'The Asphalt Jungle' and 'Treasure of the Sierra Madre'.

Neither are at their best here by any stretch. Did like the concept for 'A Walk with Love and Death' and really wanted to like it considering my love for Anjelica and John, but this was one of those difficult to rate and review films. And this reviewer has always had a bit of a nightmare summing up her thoughts on films that left her mixed or/and conflicted into a review, and it is going to be obvious in this review. It is a contender for Anjelica's worst performance and when it comes to John's filmography it is a lesser effort (nowhere near as poor as 'Phobia' though).

'A Walk with Love and Death' does have good things. It is beautifully filmed with sumptuous costuming and settings that are very evocative of the period. Which is given a very intriguing and uncompromisingly unpredictable depiction in how it deals with social disruption. The music score is very haunting and dream-like.

Did think that a good job was done showing how combat and chaos was like at the time and what is shown is very realistic and not for the faint hearted.

Having said all of that, there are a number of strikes against 'A Walk with Love and Death'. Both Hustons are out of their depth, particularly Anjelica whose inexperience in acting and reluctance in doing the film come through loud and clear in a very wooden performance. John's direction is lethargic and lacks cohesion, there was a real sense that he had no idea what to do with the material which he was not at ease at. Assi Dayan does fare a little bit better in the acting stakes, but still is stiff and out of place and he has no chemistry with Anjelica.

Furthermore, 'A Walk with Love and Death' is very sluggishly paced from dragging out a pretty slightly plotted story, managing to make the already overlong length feel longer. Because of the sprawling all over the place structure the film lacks cohesion and at worst is borderline incoherent. The script is pure self-indulgence and over flowery, trying hard to be poetic and thought provoking but sounding like gibberish instead. None of the characters are fleshed out that well.

In conclusion, something of a moderately intriguing failure to be seen as a curio. 5/10.

This is possibly Huston's purest film, by no means the most complex, but one in which he is least self-conscious and most able to let the creative process run free. It's the equivalent of Ingmar Bergman's "Virgin Spring", just as "Chinatown" might compare to "Cries and Whispers".

Huston's daughter, Angelica, contrary to some reviews above, fits extremely well, is not harsh-looking and unattractive, and is a superb casting. The difference between her looks as a teenager and as a woman are striking, but to call the casting "nepotism" is political correctness gone mad. Huston shouldn't ever be expected to conform to the codes of 21st century Mother Grundies.

Assaf Dayan may, paradoxically, have been helped by struggling a little in a language that was not his native tongue in conveying the sheer youth and hothouse growth of the character he's portraying. Contrast his performance as the psychotherapist in "Betipul", the Israeli TV series unceremoniously and unsubtly copied by HBO's "In Treatment". Age changes men as well as women, and in similar ways, even if Hollywood critics disagree.

Huston's movie is based on a curious but superb short novel, by a very underrated writer. Hans Konigsberger reminds me in some ways of Milan Kundera. He has the same flat intellectualised style contrasting starkly with the passion of the issues he's addressing. The novel takes about an hour to read and is well worth the effort.

Does someone know where I could buy a copy of the movie?

The movie is a thin, episodic journey through a landscape marked by battles and skirmishes and dangers - it doesn't aim for an epic quality (everything is very sparse) nor to analyze the political or social aspects of the situation (except in a brief appearance by Huston himself as a nobleman who's giving up his rank to join the peasants - he's much more vibrant and interesting than anyone else in the movie): actually it's a bit of a mystery what it DOES aim to do. Judged simply as an evocation of pure time and place, it's a bit too discreet and tidy - hardly the kind of attempt to conjure up messy verisimilitude that failed in "Revolution." Huston is fairly interesting and manages to convey both her noble blood and the idiosyncratic attitude that would have led her on this journey. The film's general discretion works against a compelling depiction of passion, and it ultimately seems to have worked its way merely to a teenage idyll of togetherness, which makes it hard to face up to the imminent tragedy. An odd item in Huston's filmography, sometimes exhibiting the awkwardness of a dubbed Continental item.