La vampira nuda

The eighth Jean Rollin film I have watched is also possibly the weirdest; the intriguing plot (such as it is) seems initially to be too flimsy to sustain even its trim 84 minutes but it somehow contrives to get inordinately muddled as it goes along! A would-be female vampire (scantily-clad, as promised by the title) is held in captivity inside a remote château and emerges only to 'feast' on the blood of willing victims (who are apparently members of a suicide club) As if unsure where all of this would lead him, the writer-director ultimately has the human villain – actually the blank-faced hero's kinky father – ludicrously revealed as a mutant(?!) from the future! The languorous pace and dream-like atmosphere (the cultists wear hoods and animal masks to hide their features from the sheltered girl) are, of course, typical of both the film-maker (ditto the seashore setting at the {anti}climax) and the "Euro-Cult" style, as are the bevy of nubile beauties on display. Personally, the most enjoyable thing about the whole visually attractive but intellectually vacuous affair was watching familiar character actor Bernard Musson (who appeared in six latter-day Luis Bunuel films) crop up bemusedly through it from time to time!

Ahhhh... the title of the film cheapens it so much.

I watched this largely because the BFI endorsed it and I was looking for a cheap, silly 70s horror, much in the vein of Dario Argento. By and large, that's what I got. Great.

I was however, pleasantly surprised, that it tried to be a bit more than just a slasher/vampire film. There was a story to it but unfortunately, that story was a bit incoherent and ill thought through to really appreciate. It had roots but just, didn't exactly sprout.

A film with potential but in the end, I think they just accepted their place among the vast collection of horror B-Movies of the time.

Worth a watch at 1 in the morning but not a main feature film.

With no dialogue for about the first 8 1/2 minutes, The Nude Vampire begins with a woman being pursued by a bunch of masked cult members. Seeing that she is in distress, a young man tries to assist her with her escape, but to no avail. She is gunned down by a man in a deer mask and carried away. The man helping her flees up a train bridge (in fear for his life), but makes an attempt to follow the men carrying her away.

The young man turns out to be the son of some elite member of the cult. But despite warnings to steer clear...he can't resist.

He tries to get in, but is denied without an invitation. So he mugs someone with an invitation and cons his way in. Now he can find out, first hand, what this odd sect of individuals are up to...

As soon as he gets in, a young woman seems to be randomly chosen...and willingly commits suicide. Bags are put over everyone's heads. Another young woman comes down and drinks blood from the suicide victim.

Little does he suspect that he is next to be chosen... He pretends to go with it, until they give him the gun. Then he kills the unmasked leader and attempts to flee. Luckily for him, some spies on the inside- who have a connection with his family- help him make it out alive and in one piece. After which he is told to report to his father, "where more mysteries await".

Turns out that his father is running a cult based around this vampire chick- who can heal right away as along as her internal organs aren't damaged. His goal is to absorb her immortality for himself. But to do this he needs a vampire of the same blood type- so that he can breed them. In the meantime, he has organized a separate suicide cult in her honour...as means to keep her fed.

There also seems to be another cult working against the boy's father...one trying to free the vampiress from her life of captivity. Other vampires perhaps? Whoever they are, they have chosen him (or he has been destined) to become an initiate. But perhaps not everything is as it seems...

The film concludes on an incredibly philosophic note with a positive message...in another dimension!!! (haha)

I absolutely loved this film! It's certainly not your typical "vampire" story; and the whole cult angle makes it particularly intriguing. Everything is beautifully framed and shot. And, well, if you came here for the tits...there's lots of those too.

However, I enjoyed it most for the gnostic themes revealed in it's final twist.

An underrated gem. Check this one out, especially if you are philosophically inclined.

8.5 of 10

Jean Rollin was a French director most known for his vampire movies and this is a pretty good example. It has to be said right off the bat, that this is most certainly not a film for everyone, including horror fans. I don't think Rollin was capable of making an accessible movie and this film is another wilfully weird excursion into his strange world of vampires, erotica and surrealism. I don't see any point in detailing the story but suffice to say there is a suicide cult, an imprisoned vampire and people from another dimension. You have to be forgiving of paper thin characters, awkward dialogue and amateur acting in order to appreciate Rollin's movies in general, and this one for definite. But the enjoyment comes from the surreal imagery and odd ambiance - Rollin definitely creates his own worlds in these movies; it's a low budget world admittedly but its definitely unique. Its ostensibly a horror movie, but with a focus more on the melancholic. Enter at your own risk.

Nude Vampire, The (1970)

** (out of 4)

Strange film from French director Rollin has a young man coming across a nude woman who he witnesses shot dead minutes later. The man decides to investigate, which leads him to a strange scientist doing experiments with blood and a suicide cult. I've seen quite a few Rollin films over the years and this one here just doesn't work. The film doesn't have many brains but it throws in this wild story and it just never really makes any sense. This is one of those low rent films that tries to be a lot smarter than it actually is but for the most part all of this stuff just leads to boredom. The biggest problem with the film is its slow pace, which is the norm for a Rollin picture. Sometimes this slow pace really helps but often times it hurts and that's the case here. The performances really aren't anything special and even though there's quite a bit of nudity, none of it is ever erotic. The cinematography is quite good as is the music score but that's about the only thing this film has going for it.