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"The Undefeated" is one of the finest of John Wayne's later westerns, "True Grit" excepted and taking into consideration that "Big Jake" is nothing to slouch at.

"The Undefeated" is the Duke's biggest large-scale epic since "The Alamo" a decade earlier. The battle scenes and the shots of the horse drive are stirring and impressive.

Another thing that separates this film from other post-1965 Wayne westerns (except for "The Cowboys") is the dialog. It's sharp, crisp, witty and often fun.

Here's a good example of that sharp, witty & pointed dialogue: Duke and co-star Rock Hudson had just returned to their camp after being forced to kill a Mexican bandit leader, who, with his gang wanted Rock & Duke's valuables, their horses and their women. When one of the women asks the Duke why he had to kill him, he replied matter of factly, "The conversation sorta dried up." Classic stuff!

And Hugo Montenegro's memorable score is terrific - the best work I personally have heard from him. It helps perpetuate the whole notion that this is indeed an epic western.

I'm amused at some of the wanna-be Rex Reed's here, the "I am a critic so I can't really, actually, truthfully admit that I loved something like this" with their "ho hum, it's passable, I guess"; and their "it's an okay time killer if you've got nothing better to do." How too, too cool. Give me a break, you elitist wanna-be's!

"The Undefeated" is long on length and even longer on entertainment. This is a grand western.

Saw this film around 30 years ago. At that time I thought it just a fairly formulaic star vehicle, bringing together the grizzled, typical Wayne cowboy character with someone who was a newer and - at the time -a really big name in Rock Hudson. Seeing it anew in 2007, I realise my earlier estimate was too dismissive by far. It has a good plot with many original aspects, well described already on the web-site by earlier reviewers, especially the linkage of US civil war with events happening at the same time in Mexico. Not being a huge fan, ordinarily, of either of the main stars, it has to be said they both turn in good performances and are fully believable as leaders whom other men would naturally follow, and who inspire fierce loyalties. The dialogue has a few unexpectedly good lines and is generally above average standard. The stars play it light-heartedly, and this gives the film warmth, colour and humour. Some aspects of the film, admittedly, conform to the hackneyed Wayne cowboy film recipe, such as the free-for-all fist fight, but in general the film stands up well nearly 40 years after it was made, and it has held on to a much more modern feel than other Wayne westerns. The musical score just about carries enough grandeur to match the action and the occasionally majestic cinematography, especially the scenes involving the drive across country of a few thousand horses. Any film-lover who enjoys the more upmarket western should give this film a try. The nearly two hours pass quickly, and it's a film to make you think (about the nature of war against your fellow countrymen, about loyalty, friendship and heroism) and escapist enough to make you smile.

This moving western has Yankee colonel Henry Thomas (John Wayne) joining forces with Confederate official named Langdon (Rock Hudson), during the post-Civil War and in Mexican territory . Wayne tries to sell wild horses to the French military in Mexico and Hudson leading a wagon train to Durango . Both colonels battling it out toe to toe and side by side across 2000 miles of thundering adventure . They feared no one , Juarista rebels , cut-throat bandits, the armies of Maximilian, as they challenged an angry land and each other . The two big men with reckless courage clash and nothing can match them ,the big men ride and nothing can stop them . Through a thousand dangers and a thousand thrills they fight their glorious way to destiny , conquering desert , risks , savage outlaws , and enemy soldiers.

This agreeable Western packs adventures , silly romance , action , shootouts and historical events about American Civil War and Mexican war between Emperor Maxilimilian and Juaristas . Casting is frankly good, the legendary John Wayne , Rock Hudson . Before filming began, John Wayne had to lose most of the weight he had put on in order to play Rooster Cogburn in True grit (1969). According to director Andrew V. McLaglen, his first choice for the role of Colonel James Langdon was James Arness, who was willing to do it but backed out just before shooting began ; Rock Hudson was brought in as his replacement . John Wayne became good friends during the shoot with Rock Hudson and even joked that he'd rather have been born with Hudson's movie star face than his own. Magnificent plethora of secondaries , as usual John Ford's actors , Ben Johnson, Bruce Cabot, John Agar, Harry Carey Jr , among others . Furthermore , ordinary cameraman William H Clothier (Cheyemne Autumm , Man who shot Liberty Valance , Horse soldiers) who creates a luminous and colorful cinematography . Lively and evocative musical score by Hugo Montenegro . The motion picture was well directed by Andrew V. McLagen , a known Ford's disciple . He's a Western expert (McLintock, Shenandoah, Bandolero, Chisum , Cahill , Way west) and warlike genre craftsman (Return to Kai, Wild Geese , Sea Wolves). Rating : acceptable and passable. The movie will appeal to Wayne and Hudson die-hard fans.

Wayne, discovering that the Union army is planning to cheat him on a horse-trading deal, decides instead to drive his herd down to Mexico to sell to the Emperor Maximilian; Hudson, meanwhile, is leading a wagon train of disgruntled Southerners to settle in Mexico at the Emperor's invitation. Their odysseys converge, and when their arrival in Mexico coincides with the Juarez revolt, they decide that the good old US of A provides better choices than these pesky foreigners after all.

Characteristically folksy Western, the Undefeated has a lively supporting cast, great camera work by William Clothier, and a very inspiring idea, exploring the relation between the former Union and Confederate post-civil war, and they realise they have something in common.

It's a good western, a bit slumbering in places, especially in the first half, then after that moves briskly. It's got a mix of action (horse stampede at the end is exciting), humour and drama, but it's the two stars The duke and Rock Hudson that carry the film. Both actors are like chalk and cheese, but they work well together. The romantic subplot can be a bit contrived, though.

There's a great one liner: "The conversation sorta dried up, ma'am" when a lady asks him why they stopped the conversation and shot the bandit.

Set in the period just after the Civil War, "The Undefeated" pits ex-Union officer John Wayne against ex-Confederate officer Rock Hudson in an amiable, if uneven, big-budget western. Hudson, as Colonel James Langdon, leaves his ancestral home after the defeat of the Confederacy and leads his family and friends southwards on a trek to find a new home in Emperor Maximilian's Mexico. Meanwhile, Colonel John Henry Thomas, played by Wayne, gathers his ex-army buddies and endeavors to round up and sell horses to the U.S. Army. The two men and their followers meet up in Northern Mexico and find themselves embroiled in the struggle between French-backed supporters of Maximilian and Mexican nationalists who back Benito Juarez. The resulting film, directed by Andrew V. McLaglen, is a predictable western with enough action and friendly verbal sparring between the former battlefield enemies to entertain for the two-hour running time.

Besides Wayne and Hudson, the cast benefits from such veteran western stalwarts as Bruce Cabot, Ben Johnson, Paul Fix, Harry Carey Jr., John Agar, and Dub Taylor. However, the film's most outstanding assets are a fine musical score by Hugo Montenegro and exceptional cinematography by William H. Clothier; Clothier captures sweeping vistas of northern Mexico, a herd of galloping horses, mounted cavalry advancing across battlefields, and horse-drawn wagons fording a river that enhance the visual spectacle of "The Undefeated."

Unfortunately, the film falters during a silly mass fist fight between the Northerners and Southerners, and the anachronistic romance between a Native American scout and Langdon's daughter creates a time warp; the pairing of a Southern white woman with a Native American in the days after the fall of the Confederacy is pure fantasy. Well coiffed and made-up ladies in formal French gowns dining on make-shift tables outside their covered wagons is also a stretch of credibility; no dust or grime intrudes on their frontier life. The friendly bonding between the former adversaries Langdon and Thomas and their followers is equally unlikely, and, although Wayne and Hudson make strange bedfellows, they work well together. While not among the landmark westerns of Wayne's career, "The Undefeated," elevated by Clothier's outstanding cinematography, Montenegro's score, and a supporting cast of familiar western faces, is solid entertainment and well worth discovering or re-discovering.