I due invincibili

This moving western has Yankee colonel Henry Thomas (John Wayne) joining forces with Confederate official named Langdon (Rock Hudson), during the post-Civil War and in Mexican territory . Wayne tries to sell wild horses to the French military in Mexico and Hudson leading a wagon train to Durango . Both colonels battling it out toe to toe and side by side across 2000 miles of thundering adventure . They feared no one , Juarista rebels , cut-throat bandits, the armies of Maximilian, as they challenged an angry land and each other . The two big men with reckless courage clash and nothing can match them ,the big men ride and nothing can stop them . Through a thousand dangers and a thousand thrills they fight their glorious way to destiny , conquering desert , risks , savage outlaws , and enemy soldiers.

This agreeable Western packs adventures , silly romance , action , shootouts and historical events about American Civil War and Mexican war between Emperor Maxilimilian and Juaristas . Casting is frankly good, the legendary John Wayne , Rock Hudson . Before filming began, John Wayne had to lose most of the weight he had put on in order to play Rooster Cogburn in True grit (1969). According to director Andrew V. McLaglen, his first choice for the role of Colonel James Langdon was James Arness, who was willing to do it but backed out just before shooting began ; Rock Hudson was brought in as his replacement . John Wayne became good friends during the shoot with Rock Hudson and even joked that he'd rather have been born with Hudson's movie star face than his own. Magnificent plethora of secondaries , as usual John Ford's actors , Ben Johnson, Bruce Cabot, John Agar, Harry Carey Jr , among others . Furthermore , ordinary cameraman William H Clothier (Cheyemne Autumm , Man who shot Liberty Valance , Horse soldiers) who creates a luminous and colorful cinematography . Lively and evocative musical score by Hugo Montenegro . The motion picture was well directed by Andrew V. McLagen , a known Ford's disciple . He's a Western expert (McLintock, Shenandoah, Bandolero, Chisum , Cahill , Way west) and warlike genre craftsman (Return to Kai, Wild Geese , Sea Wolves). Rating : acceptable and passable. The movie will appeal to Wayne and Hudson die-hard fans.

"The Undefeated" (1969) teams up John Wayne and Rock Hudson as ex-Union and Confederate officers after the Civil War in Mexico. Langdon (Hudson) wants to relocate his family & friends whereas Thomas (Wayne) wants to make money selling horses to Emperor Maximilian. The problem is that Benito Juarez and his followers are at war with Maximilian and this causes unforeseen problems for the Americans, who have no choice but to team-up.

The set-up of story is great and loosely based on Joseph Orville "Jo" Shelby and his Missouri raiders and their families who really did seek to relocate to Maximilian's Mexico, but had to return after the victory of Juarez' forces. The movie starts with a Civil War battle and the announcement that Lee has surrendered and the war is over, which segues into Langdon and Thomas and their people going to Mexico for completely different reasons; and then they meet. This is great, but the filmmakers add some goofiness, like an over-the-top, fun-spirited brawl between the Confederates and Federals at a 4th of July party in the wilderness. These types of scenes were fairly common in Wayne Westerns at the time and I always thought they detracted from these movies. There's a way to mix realistic comedy into a movie and a way not to and this isn't the way. Besides, how can a serious brouhaha be fun? When you punch people in the face in real life they get bloody noses and missing teeth; here they just laugh it off.

Another problem is NFL quarterback Roman Gabriel as a full-blooded Native American and adopted son of Thomas. No matter how you slice it, he looks like a white dude with a mop of black hair. To add insult to injury, Langdon's cute daughter (Melissa Newman) falls head-over-heals in love with him and the way it happens simply isn't realistic. Would a genuine Southern belle really swoon over a full-blooded Indian who visits their encampment? Would no one notice that the two have wandered off to make-out, in plain view of the others? Would Col. Langdon really not mind that his daughter is sucking face with a full-blooded Native? In our day and age it's no big deal and most people could care less, but it's still an issue in some circles; how much more so back then, particularly with a proud Southern Colonel and his people?

If you can overlook these flaws, however, this is a very worthwhile Western with quality drama, action, characters and locations (shot in Baton Rouge, Louisiana, and Durango, Mexico). The cast is also notable. Besides the two stars, you also get Lee Meriwether, Marian McCargo, Jan-Michael Vincent (in a too-small role), Merlin Olsen, Ben Johnson and various Wayne Western staples.

This is a likable Western because the people are so likable. For instance, the way one group is unselfishly willing to let go of something of great worth on behalf of another group blows the mind, but it reveals their nobility and the fact that they value human beings more than they do monetary gain, but only because they've found them worthy. It also reveals respect and the willingness to forgive & heal after the nation's most bloody war.

The film runs 119 minutes.

GRADE: B-

The Civil War is over and it's been pretty costly to both sides. John Wayne has lost nearly every man who volunteered to serve with him and is broke. Rock Hudson who was also a Colonel on the other side went broke financing a regiment of his own and the Yankee carpetbaggers are ready to take over his plantation.

Wayne leads the remainder of his men to capture and tame wild horses to sell. Hudson gets an offer from Emperor Maximilian of Mexico to bring his people and resettle there. He needs all the help he can get to prop up his unpopular government. Hudson is certainly bringing a better quality of Anglo than Burt Lancaster did in Vera Cruz.

When Wayne feels a rip off coming from some middlemen horsetraders, he settles it in the usual Duke fashion and heads to Mexico himself. There the parties of Wayne and Hudson meet and their stories are entwined from then on.

With Wayne and Hudson co-starring, The Undefeated was led by two men who between them were number one at the box office for about a dozen years combined. Wayne was coming off his Oscar winning performance in True Grit. This film was definitely guaranteed an audience.

The story is both men are decent fellows and born leaders. Each is trying to pick up the pieces of civilian life and each is the leader of a party looking to them for leadership. A healthy and mutual respect develops between them despite previous political differences.

Wayne gets a whole load of players who worked with him before for this part. As he grew older he liked to have familiar faces around him. He had the star clout to insure it as well. Ben Johnson, Bruce Cabot, Edward Faulkner, Harry Carey, Jr., are some of the Wayne film veterans here.

Dub Taylor in his only film with the Duke does a very entertaining job as McCartney the cook. Dub did so many westerns when he wasn't doing hillbillies it's amazing that his and Wayne's path crossed only once.

This was also an early film for Jan Michael Vincent who went on to a star career of his own. Two members of the Los Angeles Rams, Roman Gabriel and Merlin Olsen were in this as well. Gabriel played a surrogate son to Wayne and rival for the hand of Melissa Newman to Vincent. Merlin Olsen is also here as a Confederate aide to Hudson. Gabriel decided movies wasn't his thing, but Olsen certainly had a substantial career after football.

The Undefeated has a nice, easy and charming flow to it, just like The Comancheros. Wayne and Hudson work well together in their only joint outing. Less action than you normally have in a Wayne film, but it's mixed in well with some good comic moments.

As Duke said parodying one of his one lines from a previous hit film of his, "Let's Take 'Em to Mexico." You'll like the ride.

"The Undefeated" is one of the finest of John Wayne's later westerns, "True Grit" excepted and taking into consideration that "Big Jake" is nothing to slouch at.

"The Undefeated" is the Duke's biggest large-scale epic since "The Alamo" a decade earlier. The battle scenes and the shots of the horse drive are stirring and impressive.

Another thing that separates this film from other post-1965 Wayne westerns (except for "The Cowboys") is the dialog. It's sharp, crisp, witty and often fun.

Here's a good example of that sharp, witty & pointed dialogue: Duke and co-star Rock Hudson had just returned to their camp after being forced to kill a Mexican bandit leader, who, with his gang wanted Rock & Duke's valuables, their horses and their women. When one of the women asks the Duke why he had to kill him, he replied matter of factly, "The conversation sorta dried up." Classic stuff!

And Hugo Montenegro's memorable score is terrific - the best work I personally have heard from him. It helps perpetuate the whole notion that this is indeed an epic western.

I'm amused at some of the wanna-be Rex Reed's here, the "I am a critic so I can't really, actually, truthfully admit that I loved something like this" with their "ho hum, it's passable, I guess"; and their "it's an okay time killer if you've got nothing better to do." How too, too cool. Give me a break, you elitist wanna-be's!

"The Undefeated" is long on length and even longer on entertainment. This is a grand western.

Set in the period just after the Civil War, "The Undefeated" pits ex-Union officer John Wayne against ex-Confederate officer Rock Hudson in an amiable, if uneven, big-budget western. Hudson, as Colonel James Langdon, leaves his ancestral home after the defeat of the Confederacy and leads his family and friends southwards on a trek to find a new home in Emperor Maximilian's Mexico. Meanwhile, Colonel John Henry Thomas, played by Wayne, gathers his ex-army buddies and endeavors to round up and sell horses to the U.S. Army. The two men and their followers meet up in Northern Mexico and find themselves embroiled in the struggle between French-backed supporters of Maximilian and Mexican nationalists who back Benito Juarez. The resulting film, directed by Andrew V. McLaglen, is a predictable western with enough action and friendly verbal sparring between the former battlefield enemies to entertain for the two-hour running time.

Besides Wayne and Hudson, the cast benefits from such veteran western stalwarts as Bruce Cabot, Ben Johnson, Paul Fix, Harry Carey Jr., John Agar, and Dub Taylor. However, the film's most outstanding assets are a fine musical score by Hugo Montenegro and exceptional cinematography by William H. Clothier; Clothier captures sweeping vistas of northern Mexico, a herd of galloping horses, mounted cavalry advancing across battlefields, and horse-drawn wagons fording a river that enhance the visual spectacle of "The Undefeated."

Unfortunately, the film falters during a silly mass fist fight between the Northerners and Southerners, and the anachronistic romance between a Native American scout and Langdon's daughter creates a time warp; the pairing of a Southern white woman with a Native American in the days after the fall of the Confederacy is pure fantasy. Well coiffed and made-up ladies in formal French gowns dining on make-shift tables outside their covered wagons is also a stretch of credibility; no dust or grime intrudes on their frontier life. The friendly bonding between the former adversaries Langdon and Thomas and their followers is equally unlikely, and, although Wayne and Hudson make strange bedfellows, they work well together. While not among the landmark westerns of Wayne's career, "The Undefeated," elevated by Clothier's outstanding cinematography, Montenegro's score, and a supporting cast of familiar western faces, is solid entertainment and well worth discovering or re-discovering.