Uccidete Rommel

Of course, it's a low-budget film, and one can't expect much more than a passing grade for the effort put into making it. The spaghetti western style is evident from the very first frames, both in the way it's shot and in the dialogue.

It's always amusing to see mistakes that are clearly a result of the limited budget, like finding oneself in the middle of an intense battle between Sherman tanks, even if they belong to opposing factions.

A film without glory or sorrow, with a certain moral message, albeit not overly profound.

For genre enthusiasts, it's just another film about the Africa campaign of World War II, but for others, it can still help them get a little glimpse into the lives of those soldiers scorched by the sun in the midst of the vastness of the North African desert.

Below average Macaroni combat movie with noisy action , embarrassing action scenes , short budget and lousy direction . During WWII, two officers Captain Richard Howell (Anton Diffring) and Lieutenant Morris (Carl Parker) are really confronted , that's why the Howell's wife (Pamela Tudor) fell in love with Morris . But both of whom are assigned to a dangerous mission, it results to be no less : to kill Rommel . Along the way British and German soldiers chasing each other around the deserts of Northern Africa . And an enemy soldier is captured by the British commando , but then things go wrong.

Anton Driffing as Capt. Richard Howelly assumes the character of commando leader along with the unknown Carl Parker as Lt. George Morris in this ordinary wartime movie regularly helmed by Al Bradley . Driffing is the leader in this mediocre wartime movie about a commando goes in action , shot in low budget . Being a ridiculous European war film that lost continuity with US cuts . This moving film packs frantic thrills , perilous adventures , relentless feats , and buck-loads of explosive action and violence . The noisy action is uniformly regularly made , with rip-roaring final scenes in which the motley group is really besieged and some tanks shooting here and there , including some spectacular shootouts , bombing and along the way a plane attacking them . The first half of the film allows the colorful cast of character actors to have their fun as they get their tails whipped into shape and develop a complex and tense relationship due to jealousy and competition among them . The final part is all action , as the brave commando wreak havoc and then run for their lives . Rough Anton Driffing who played a lot of Nazi roles ; however, here he's nice as aleader of the motley pack to a perilous trek through the Egyptian desert , as well as a secondary cast with slightly known faces , such as : Pamela Tudor , Renato Romano, Tom Felleghi , Castellano , Vittorio Richelmy , John Bartha , all of them performed in multiple Italian films and mostly playing brief interventions . Atmospheric and functional musical score by Coroliano Gori , displaying a catching leitmotif . Faded cinematography in Eastmancolor filmed by Franco Villa on location in Egypt , being necessary an urgent remastering because the film copy is washed out . This one belongs to a numerous group of Italian/Spanish WWII films , these types of B-war films have never enjoyed enormous popularity in Italy because they were made mostly just to make money , especially with foreign distribution in poor countries and little conviction on the part of the producers. These were films made in De Paolis (Rome), Lacio, Italy , Morocco, Libya , the Egyptian desert or Almeria , Spain. These movies follow the American style and usually directed by José Luis Merino , Leon Klimovsky , Umberto Lenzi , Roberto Montero, Bitto Albertini , Al Bradley and including tarnishing Hollywood stars , such as ¨The legion of no return¨ with Tab Hunter , ¨Desert Commandos¨ with Ken Clark , ¨Hell's brigade¨ with Jack Palance , ¨Eagles over London¨ with Van Johnson , ¨Battle of Alaimen¨ with Michael Rennie , ¨Hell in Normandy¨ with Guy Madison , ¨Command attack¨ with Michael Rennie , ¨Commando¨ with Lee Van Cleef , ¨Casablanca Express¨ with Glenn Ford. All of them supported by local armies that lent tanks , weapons , soldiers and extras to make these films . The typical team was made up of an Italian director, Italo-Spanish technical staff, and a cast of Italian and Spanish actors and sometimes German and French, sometimes a fading Hollywood star. This is a wartime typical vehicle and into the ¨warlike commando sub-genre¨ , in USA style which also belong the American classics , such as : ¨Dirty Dozen (Robert Aldrich)¨ ,¨ Where eagles dare (Brian G. Hutton)¨ , ¨Kelly's heroes (Hutton)¨, Navarone Guns (J. L. Thompson) , ¨Tobruk (Arthur Hiller)¨ , ¨Devil's Brigade (Andrew V McLagen)¨ and many others.

The film was middlingly directed by Alfonso Brescia or Al Bradley . He made all kind of genres , starting directing muscle-men epics as "The Conqueror of Atlantis" , ¨The magnificent gladiator¨, ¨La Rivolta dei Pretoriani¨. After that , he continued with Spaghetti Western as ¨Winchester Bill¨ , ¨Ley Del Colt¨ , ¨I Giorni Della Violenza¨ ; Adventure as ¨Zanna Bianca¨, ¨Amazons against Supermen¨ ; Scifi Movies as ¨War of the Planets¨ (1977) and ¨War of the Robots¨ (1978), and warlike movies as ¨Objetivo Rommel¨ , ¨Misiones Ardientes¨ and ¨Hell in Normandy¨. Rating : Very average but entertaining .Rating : 4.5/10 .

Having recently watched a number of mildly enjoyable Italian WWII "B" films from the same era – BATTLE OF EL ALAMEIN (1969), EAGLES OVER London (1969) and CHURCHILL'S LEOPARDS (1970) – I decided to check this one out as well, given also that it featured Anton Diffring in the lead (surprisingly, not cast as a Nazi but a British officer!). It turned out to be not as worthwhile – then again, the only other films I'd seen from this director where a couple of sci-fi turkeys from the 1970s, so I guess I shouldn't have expected much from it to begin with; even so, I'd still like to catch a reportedly good giallo of his – NAKED GIRL KILLED IN THE PARK (1972) – someday…

Anyway, from the title it's obvious that the plot deals – as did BATTLE OF EL ALAMEIN – with Rommel's African Campaign; in fact, halfway through the picture, a suicidal attempt is made on his life by the Allies – but their target turns out to have been merely a decoy (interestingly enough, another low-brow war epic I watched not too long ago – CASABLANCA EXPRESS [1989] – featured a similar ruse, only the victim in its case was to have been Winston Churchill)!

While the film offers pretty much standard excitements throughout, with a few of the action sequences being quite competently handled, its central focus lies in the battle-of-wits between martinet Diffring and a 'rebellious' American soldier commissioned to his outfit (blandly played by Carl Parker) – which feels somewhat like 'MUTINY ON THE BOUNTY In The Sand'; still, the comments the film makes about the impossibility of maintaining a code of ethics in wartime are perceptive enough…but, then, the introduction of a sympathetic German soldier in the second half (captured by the Allies but who ends up having to take care of the wounded survivors of the group through a good part of their desert trek!) seems rather too good to be true.

I saw this film on "Movies for Men" last night. It is clear that it was filmed in Egypt not Tunisia (as another reviewer suggested)as the Great Pyramids at Giza appear in one shot! Also the "German" tanks in one sequence were Shermans specially fitted with the turret and gun from the French AMX tank. This was a unique and odd-looking variant of the Sherman used only by the Egyptian Army.

To my delight the "British" tanks in the same sequence were Shermans with short - barrelled 75mm M3 guns,correct for the period.This was one of the few war films I have ever seen which features Shermans and of the correct mark. By comparison the critically acclaimed "Patton" was totally inaccurate in its use of M-47,M-24 and M-41 tanks to depict British,German and U.S. Armour.

Even the largely accurate "A Bridge Too Far" features the wrong Mark of Shermans.

The more I see of the Euro war movie, the more I notice certain common traits that keep recurring. Kill Rommel is an example that features three. For one thing its action is set in the North African desert which seemed to be a favourite location for many an Italian made World War II movie; secondly its plot-line centres on a small group of troops on a special, border-line impossible, mission; and thirdly it features the very specific idea where a lookalike of a famous figure of the war is integral to the story, others in the sub-genre which also use this are Casablanca Express (1989) where its Churchill, while in When Heroes Die (1970) its Rommel, as it also is in this film.

This one was helmed by Alfonso Brescia who would go on to be a bit of a specialist in Star Wars (1977) rip-off flicks with the cheese-fests War of the Planets (1977) and War of the Robots (1978), while he would also add a bit of sex action into the sci-fi idiocy mix with The Beast in Space (1980). So this was the first time I had seen a Brescia movie that wasn't a bit of sci-fi hokum. It has to be said that despite the difference in genre, it's essentially of the same quality level as his other movies though. As I mentioned earlier, its plot-line is one that covers a lot of familiar ground featured in other movies of its time. But at the end of the day more of the same is kind of the general idea when it comes to a lot of this genre stuff and is what makes them kind of fun in truth. This one doesn't really fail on account of its derivative nature; it's more due to the tedium it generates too much of the time. It's not the most dynamic of films and it only really does just enough and no more to get over the line. It is still obviously worth checking out if you are a World War II buff though, as it still essentially does what it says on the tin, albeit in a somewhat underwhelming manner. On a final note, there was actually one thing that did stand out in this one and that was the casting decision to use the go-to guy for cinematic Nazis, Anton Diffring, as a British officer. That was certainly something different and must've made a nice change for Diffring who in reality was about as far removed from a Nazi sympathiser as it was possible to get.