Gli avvoltoi hanno fame

It was a different kind of western with a surprising ending. Clint Eastwood and Shirley McClaine had great chemistry and gave great performances; especially Clint Eastwood. It was fun to watch with a good story line. Very entertaining!

When the French army took control of the country we call Mexico, they counted on one factor to help them subdue the population, . . . fear! The use of Fear, through, intimation, torture, and outright execution worked, but not in the way they thought it would. The French brutality had an effect alright, it had the disastrous consequence of cementing the people, their friends and hundreds of mercenaries into an avenging force. Although there are many stories of the revolution, several stand out as movie classics. The Professionals, is one favorite, another is, "Two Mules for Sister Sara." In this story we have an American mercenary (Clint Eastwood) named Hogan who has bitter memories of the Civil War and decides to try for a quick Gold fortune in Mexico. He agrees to help Mexican Col. Beltran (Manuel Fabregas) take the French Garrison in exchange for half the treasury. Along the way, Hogan is joined by a traveling Catholic Nun, named Sister Sara (Shirley MacLaine) who has more secrets than just fear of being captured by the French. Innicially captured by three whiskey drinking rouges who strip, humiliate and threaten the beautiful Nun, she becomes a surprising and necessary ally. In their wondering, they save each other's life until the end, when Hogan is completely shocked with Sister Sara as she reveals her most guarded secret. I loved the movie, especially it's memorable and haunting theme at the beginning of the film. Superb! ****

To tell you the truth, I expected 'Two Mules for Sister Sara' to be a mediocre movie, only trying to take advantage of Eastwood's success with Sergio Leone's film. However, it came to become one of my favourite westerns, even though I've seen a handful of them.

Despite its naivety, the film has a good screenplay. Eastwood played well, but MacLaine offered without a doubt the best performance. The music, composed by Ennio Morricone, was magnificent.

The movie was perhaps too talky for a western, giving us some memorable quotes though. Also, many goofs were present, including the dynamite usage, downgrading the overall result.

I definitely recommend 'Two Mules for Sister Sara' to Eastwood and western fans. From my point of view, it surely isn't a masterpiece, but it is good work, long forgotten.

Clint and Shirley have great chemistry together. The movie is light on action and works as a lighthearted comedy. The music by Ennio Morricone is cool . The movie is really funny in some places like the talk about the ass. The dialogue is often witty. There is no unnecessary violence. The movie has moments when it gets little serious , but not too serious . The plot is not quite predictable as one could suspect. The final battle is quite exciting.

Despite what IMDb tells you this is not really a war movie. It is set during war , but it's western. It's one of Eastwood weaker westerns , but still a good and enjoyable movie. I give it 7/10.

P.S. For those who don't understood the title - Eastwood is stubborn as mule , get it ? It's a joke.

Sure, he's in the shadow here of his more famous Leone westerns, but this vehicle, amiably directed by Don Siegel and aided by a quirky Ennio Morricone score, is an entertaining little spaghetti western knockoff shot on location in Mexico. Story-wise, it's an old west Heaven Knows Mr. Allison with a comic twist, and with an offbeat nemesis in the French Army. The humorous chemistry between Eastwood's Hogan and MacLaine's Sara at times clicks so well it's hard to believe they reportedly didn't get along very well during production. Though when it comes to Shirley MacLaine nothing really surprises me.

As far as Eastwood's post Spaghetti movies, he's rarely been in better form than this. Essentially continuing his man with no name persona, he gets far more dialogue this time around which fleshes out his character and makes him a little more three dimensional. It's a nice change of pace from the Leone westerns to hear Clint spout a few humorous lines and have the odd hilarious facial expression in between his trademark squinting and snarling and cigar chomping.

Disciples of Leone's trilogy may never warm up to an admittedly hammier Clint in this, but as Clint's Hollywood westerns go, this is a fun and well made duster. Shouldn't be missed.