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Curious, unexpectedly talky western set in the Mexican desert. Drifter on horseback saves a nun from rape at the hands of bandits, she saves him by removing an arrow from his shoulder. The rapport between these two couldn't have looked very colorful on the printed page, but by God if stars Clint Eastwood and feisty Shirley MacLaine don't give it color and charisma. The writing isn't very expressive, and there's an odd drop-off in action after the opening sequence, but once you get attuned to the film's rhythm, it surprises you with its resonance. For action buffs, only the final shoot-out will please; for everyone else, a leisurely, though absorbing and entertaining, character-driven change-of-pace. *** from ****

With the intervention of Napoleon III of France, Archduque Maximilian was installed as emperor in Mexico but Mexican countrymen known as Juaristas (Juarez' resistance) were fighting to demonstrate that their country could act independently, that - as the reform contended - all men were equal under law, and that foreign monarchical adventures in Mexico were futile...

Sister Sara (Shirley MacLaine), presumably a nun, has adopted their cause and is being pursued by the French army for raising money to the Juaristas... Hogan (Clint Eastwood) is a wonder obliged to neither party... He appears unexpectedly when Sister Sara is about to be raped by three men... Fortunately for her, he kills them all...

But unlike the 'Man With No Name,' Eastwood doesn't turn and ride away... He escorts the good-looking nun in her mission...

But the nun's strange behavior intrigues his curiosity... She smokes cigars, she drinks whiskey and her language comes to be every day more profane...

Hogan's fascination with her arrives at its peak when she removes an Indian arrow from his shoulder, having rendering him half insensible by intoxicating him with shots of Whiskey...

After joining her to blow up a French supply train, he is persuaded to help a group of Juaristas led by Colonel Beltran (Manolo Fabregas) in a final attack on a French garrison...

The climax of "Two Mules for Sister Sara" displays the differences between Leone's conclusion which the 'Stranger' merely disappears into the mists of time... The change of image didn't excite the audience leaving the picture with enough nostalgia for the myth of the loner, the super hero, the 'Man With No Name.'

The film (beautifully shot in Color) is really a two-character story... The interesting team gives amusing and tender performances... The motion picture echoes "The African Queen," but is far away from being Hepburn/Bogart exciting adventure...

The most used formula for Westerns would have to be this: approximately two to five people thrown together by dire circumstances where they're forced to brave the wilds with only their wits, each other and maybe a couple rifles. They focus mainly on character development, character interaction and the bond that develops during these manliest of adventures. Now, given this, what better combination of people is there than a nun and a cowboy? You're right! There isn't any!

Now just because the leading lady is a nun, don't think there isn't any sexual tension. It's sexual tensions abound! Not only that but it's a fun, well-made movie. Shirley MacLaine was great and, lets face it, Clint Eastwood was born to make westerns. Well, maybe not "make" them ... but he's a great cowboy. Well directed, well paced, good story, good acting and it stars a nun and a cowboy. The opening music didn't "do it" for me but even that would probably grow on me. I fully endorse this movie. Look for "Two Mules for Sister Sara" T-shirts with myself in the background giving the thumbs-up.

Sure, he's in the shadow here of his more famous Leone westerns, but this vehicle, amiably directed by Don Siegel and aided by a quirky Ennio Morricone score, is an entertaining little spaghetti western knockoff shot on location in Mexico. Story-wise, it's an old west Heaven Knows Mr. Allison with a comic twist, and with an offbeat nemesis in the French Army. The humorous chemistry between Eastwood's Hogan and MacLaine's Sara at times clicks so well it's hard to believe they reportedly didn't get along very well during production. Though when it comes to Shirley MacLaine nothing really surprises me.

As far as Eastwood's post Spaghetti movies, he's rarely been in better form than this. Essentially continuing his man with no name persona, he gets far more dialogue this time around which fleshes out his character and makes him a little more three dimensional. It's a nice change of pace from the Leone westerns to hear Clint spout a few humorous lines and have the odd hilarious facial expression in between his trademark squinting and snarling and cigar chomping.

Disciples of Leone's trilogy may never warm up to an admittedly hammier Clint in this, but as Clint's Hollywood westerns go, this is a fun and well made duster. Shouldn't be missed.

To tell you the truth, I expected 'Two Mules for Sister Sara' to be a mediocre movie, only trying to take advantage of Eastwood's success with Sergio Leone's film. However, it came to become one of my favourite westerns, even though I've seen a handful of them.

Despite its naivety, the film has a good screenplay. Eastwood played well, but MacLaine offered without a doubt the best performance. The music, composed by Ennio Morricone, was magnificent.

The movie was perhaps too talky for a western, giving us some memorable quotes though. Also, many goofs were present, including the dynamite usage, downgrading the overall result.

I definitely recommend 'Two Mules for Sister Sara' to Eastwood and western fans. From my point of view, it surely isn't a masterpiece, but it is good work, long forgotten.