Topaz

In 1962, the highly ranked Russian intelligence officer Boris Kusenov (Per-Axel Arosenius) defects to the United States of America with his wife and his daughter under the protection of CIA agent Michael Nordstrom (John Forsythe). In Washington, Boris discloses the Russian movement in Cuba, and Nordstrom asks the French agent and his friend Andre Devereaux (Frederick Stafford) to get further documents from the Cuban leader Rico Parra (John Vernon) using his anti-American corrupt secretary Luis Uribe (Don Randolph). Then Devereaux travels to Cuba to get additional evidence of the Cuban Missiles with his mistress Juanita de Cordoba (Karin Dor). When Devereaux returns, he receives orders from the French government to return to France to explain his participation in Cuba. However Nordstrom schedules a meeting of Devereaux with Boris and the ex-KGB official tells him about Topaz, the codename for a group of French officials in high circles who work for the Soviet Union. Further, he tells that the French NATO representative Henri Jarre (Philippe Noiret) is the second in the chain of command of the spy ring Topaz, leaking classified information to the soviets, and the head of spies in known only by the codename of Columbine. Devereaux realizes that he can not reveal the truth before finding who the traitor is.

The dated "Topaz" is one of the weakest Hitchcock's films. The story, based on a true event (the Cuban Missile Crisis), is too shallow and long. Nicole is a key character but is not well-developed. Further, it is naive the explanation of friendship between Andre Devereaux and Michael Nordstrom to make the first to get entwined in the situation with Cubans and his government. This time, the cameo of Alfred Hitchcock is in the airport in New York, when he arrives in a wheelchair and walks under the United Air Lines to Planes plate while Nicole and Andre are welcoming Michele and her husband François Picard. The two alternative endings, with the duel between Devereaux and Jarre and Henri Jarre defecting to Russia, are not good. My vote is six.

Title (Brazil): "Topázio" ("Topaz")

Note: On 18 November 2024, I saw this film again.

Topaz was the third from the last of the great Alfred Hitchcock's films and in those last few films Hitch eschewed using big American box office names. No doubt he'd come to the conclusion that his was the biggest box office name on the credits.

But if the leading and many of the supporting players were not known to American audiences they were certainly known to French audiences. Dany Robin, Frederick Stafford, Phillippe Noiret, Michel Subor, Michel Piccoli all have had substantial careers in the French cinema.

Topaz is certainly an international thriller with the action going from Copenhagen, to Harlem, to Cuba, and finally Paris. Only Cuba was not shot on actual location for obvious reasons.

The film is based on a spy novel surrounding the Cuban Missile Crisis. A Russian defector whose defection with his family is very nicely shot in Copenhagen hints at some major problems coming our way in the Pearl of the Antillies. Our biggest problem though is that because of the ill-fated Bay of Pigs invasion, we've got no real intelligence on the ground in Cuba. What to do?

Well if you're John Forsythe there's been a reason you've been cultivating the French for years. He goes to Frederick Stafford of French intelligence and asks him to find out what's happening in Cuba.

History in 1962 bares witness to what was happening in Cuba at that time, but also Stafford is concerned the Russians have a spy real high up in the French government, code name, Topaz.

There's a romantic angle here to, so very French. Stafford makes use of his mistress, a Cuban girl played by Karin Dor who wife Dany Robin has reasons to be suspicious of. Then again she's not sitting home waiting for the grass to grow under her feet. She's having a fling with Michel Piccoli who is a friend of her husband.

International Geopolitics and romantic affairs are all tied together in this novel which Hitchcock serves up with his usual touch.

What a sad end both the leads in this film had. Frederick Stafford was killed in a plane crash in 1979 and Dany Robin and her husband died in an apartment house fire in 1995. Truly a cursed film.

Besides those mentioned look for good performances by John Vernon as a Castro aide and wannabe and from Roscoe Lee Browne who's an operator for French Intelligence in Harlem. I kid you not.

It's not one of Alfred Hitchcock's best films, but Topaz is entertaining enough and Hitchcock fans won't be disappointed.

Based on Leon Uris' novel of the same name about the tense days of the Cuban missile crisis, Alfred Hitchcock's `Topaz' is an underrated cold-war thriller - - underrated by English-speaking audiences and critics probably because the chief protagonist is a Frenchman! The first half of the movie is especially exciting, starting as it does with the defection (very realistically filmed) of a top Soviet official to the U.S, who hints at the existence of Soviet missiles in Cuba.. Frederick Stafford very adequately plays Andre Deveraux, the French trade official with Cuban connections whose help is requested by the Americans. Karin Dor is excellent as his beautiful Cuban paramour. Hitchcock's initial portrayal of Castro's Cuba is that of a rather benign place, but quickly changes to a frightening place later in the movie when the director clearly delineates the full brutality of his terrible regime. Deveraux's allies in Cuba are tortured and killed. The last third of the film, set in France, is not as exciting. The movie takes it own time exposing the members of the Topaz spy ring. The transition of the action from Cuba to France is abrupt and is another weakness of this flick. Maybe, `Topaz' should have been filmed in 2 parts, one about the Cuban missile crisis and another about French fellow-travellers! This is, perhaps, the only movie in which Hitchcock seems to show some sympathy towards those who get murdered, as evidenced by the final scene, which shows the ironical contrast between the superficial newspaper headline about the Cuban missile crisis ending and the grim fates of the unsung secret agents who helped end it. `Topaz' is one of the best cold-war movies ever made. Critics should re-evaluate it. But it is only a good Hitchcock movie, not his best.

Like so many Hollywood talents, Hitchcock was stereotyped. Also like so many Hollywood talents, whenever he tried to escape stereotyping, he would get criticized. That certainly was the case with TOPAZ. Although not as humorous, nor as romantic, nor even as exciting as the director's best films, the movie is nonetheless an intelligent and intriguing spy drama, one that compares more to a motion picture like DAY OF THE JACKYL than usual Hitchcock fare.

His other spy dramas, like NORTH BY NORTHWEST, may be more fun, but none of them are as realistic. In fact, very few spy films have the authenticity as TOPAZ. The story is based on fact. In 1962, a Russian top-level KGB defector informed the U.S. that some very high-level French diplomats, in a group called "Sapphire", were selling secrets to the Soviet Union. TIME Magazine printed this story in April 26, 1968, and did so using the same source that Leon Uris did: the U.S. sympathizing (and exiled) former Chief of French Intelligence, Philippe Thyraud de Vosjoli.

Incidentally, a viewer needs to know the chronology and key events surrounding the 1962 Cuban Missile Crises as background, or else the film will be confusing. I suspect many critics condemn it because it's easier for them to dismiss the film rather than confront their own ignorance.

Not that this movie is without weaknesses. Hitchcock was no realist, and the grim world of films like THE SPY WHO CAME IN FROM THE COLD is probably the type of ambiance it should have presented, but doesn't. However, I definitely join the camp of those who consider it underrated. I read writers on Hitchcock who unthinkingly rank TOPAZ with his worst stuff, and yet many of us prefer it over THE TROUBLE WITH HARRY, MR. AND MRS. SMITH, and other Hitchcock works that don't get castigated as nearly as much. I can't help but suspect they receive less criticism because they are more typical Hitchcock. This film is atypical Hitchcock, so readjust your expectations accordingly.

"Topaz" is at its best when Alfred Hitchcock lets the camera tell the story: there are several small but brilliant moments in this film. But while his direction is still masterful, his pacing certainly isn't - the film often feels talky and plodding. The abrupt ending is another problem - one of the alternative endings, the airport one, sounds much better (unfortunately I haven't had the chance to see it yet). Frederick Stafford is no Cary Grant or even Rod Taylor, but he does the job; so do the rest of the actors, with Phillipe Noiret a standout in a brief role and Karin Dor adding a touch of sensuality to the proceedings. On the whole, "Topaz" is not even among Hitchcock's Top 10 pictures, but his fans will still have fun spotting his touches here and there. His cameo - a wheelchair-bound man who suddenly gets up and starts walking (!) - is just one of them. (**1/2)

EDIT: I finally did see the airport ending: it is undeniably better than the present one, but still a bit too abrupt.