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I am doubtful if other IMBD user reviewers have given 1969's TARGET: HARRY a true taste ...

Unsure of what to expect, I dove into its opening Gran Prixesque formula high-tension race car pile up action sequence, while lapping up raw location scenery from Monaco, Turkey and environs with laconic, tosseled haired Vic Morrow and sizzling Suzanne Pleshette in her prime, decked out in chic colorful ensembles; young freckled laser blue-eyed Charlotte Rampling, fey Victor Buono as the heavy; decent action sequences and plenty of softcore porn interludes (some are violent) all served up from the Corman Company with a cheezy score. If your interest is peaked, this one's for you!

According to IMDB, "Target: Harry" was a pilot movie for a proposed series that was never picked up by the networks. So, instead, they creatively re-edited the film (adding a couple nude scenes) and released it as a feature film.

Harry (Vic Morrow) is a pilot who is transporting Mr. Carlyle to Instanbul. However, Carlyle is killed and a gang of thugs think that Harry was working for Carlyle...and so Harry must have the stolen plates that were in Carlyle's possession. So, he spends the rest of the film being chased about, shot at and getting the snot knocked out of him in the movie...all while trying to look very cool.

This is a decent thriller....nothing special but yet another example of a Roger Corman film that managed to make money...as all but one of his over 400 films did! Worth seeing but far from a great film.

I watched Target: Harry because I thought it was a type of James Bond spy movie starring Cesar Romero as the "M" character. While that turned out to be true, Cesar was only in about fifteen minutes the movie. He's in the first ten minutes, luring unsuspecting audience members like me in. Then, we hang in there for the next hour, hoping in vain to see him again.

The bulk of the movie is extremely cheesy. "I'll buy that." "You can't afford it," she quips back. It's all very 1970s tv-movie-ish. Lots of zooms, lots of unrealistic, supposedly clever dialogue, and a huge rip-off of the James Bond theme. Vic Morrow is the too-cool-for-school lead who can't be bothered to care about anything. Suzanne Pleshette is his love interest who can't be trusted. Victor Buono is the bad guy. There's not much else to know, really, but you'll see some familiar faces as well: Stanley Holloway, Michael Ansara, and Charlotte Rampling as a blonde. I don't really recommend this one.

Director Roger Corman once said about "Target: Harry" that it was a TV-movie before there was such a thing. Financed by the ABC Broadcasting Company, it may have been meant for television, though it was mostly seen in overseas markets with two new (and nude!) scenes added by producer Gene Corman: a sex scene 6mns in and the murder of a topless woman. Vic Morrow is cagey as Harry Black, a pilot sprung from jail in Monte Carlo who is hired to fly a British businessman to Istanbul. His client is murdered upon arrival because of what's not in his possession: currency plates for counterfeiting, stolen from the Royal Bank of London. The film has some good things in it, particularly Victor Buono as nefarious Mosul Rashi (Morrow and Buono make quite a team later in the film), and Suzanne Pleshette as a super-cool mystery lady who keeps popping up in crowds and hotel rooms. There's an exciting (if improbable) prison break, followed by a shoot-out amongst the Turkish ruins, but the effort seems pasted together. Too bad, Morrow holds his own as a latter-day Bogie wannabe. ** from ****

Harry Black (Vic Morrow) is a pilot that transports Jason Carlyle to a racing event in Instanbul. Soon Jason is shot and Harry ends in prison because they thought he killed Jason. However Harry is freed from prison by Lieutenant George Duval (Cesar Romero) for recovering the stolen plates that were possessed by Carlyle, and most of the movie consists of Harry that is chased, shot at and beaten to a pulp while trying to look cool.

I seeked this film because of the colorful cast (Morrow, Romero, Stanley Holloway, Michael Ansara, Victor Buono and Suzanne Pleshette) and also because it's directed by Roger Corman (a director that has some sort of cult following). In the first part it looked good but after it looked like it took a detour to laziness, and there was a scene that kinda scared me; a goon enters Ruth Carlyle (Charlotte Rampling)'s apartment and he squeezes her head to the point we hear her skull cracking! If you can overlook this, it's just a time passer.