Stereo

I can't say that I'm a Cronenberg fan since I haven't seen many of his movies and those that I have seen consists largely of his later works. I also can't say that stereo was the kind of movie I was expecting, since the topic hasn't been the most popular subject in those movies that can be considered to contain any individuality. I wasn't badly disappointed or gladly surprised because this movie was indeed a bit rough. Still the subject and Cronenbergs approach to it feels quite fresh. Filming takes place in an architecturally interesting building complex. The building is filmed from inside and outside, but in any shots no other buildings can be seen. This gives a nice enigmatic touch on the setting.

I found it surprising how this movie tried to combine sexual behavior and pseudo scientific telepathy by using scientific biological and psychological approaches. The film doesn't try in any point to explain how telepathy is actually achieved, but instead feeds the viewer with supposedly scientific data that is related to telepathy (for example. functions on how strength of telepathic linkage is correlated on the distance of two telepathic persons, how emotions affect telepathy etc.). Things told by the narrator are related to the images on the screen. He explains how emotions, such as love, are manipulated in an scientific experiment, as a method on gathering information about telepathy. There is no soundtrack, dialog or SFX, only the narrators voice. The fact that all that is happening on the screen is explained in scientific terms/reasoning, without any scientific justification, might make the "story" a little tough piece to swallow.

Time to time the movie doesn't seem to progress very rapidly: There are some long scenes where expressions are extensively filmed and some of them are almost funny (for example when one subject very slowly raises his hand to his mouth while looking straight forward and one scene where man is eating a chocolate bar, seem to last for an eternity). As the movie is carried forward by the narrator, the scenes where he is silent are completely quiet. I don't consider this helpful while trying to keep audience interested on the subject. Since visual part of this movie can't by itself tell much to audience and is better left on the background to be explained by the narrator. This sure isn't a mainstream movie and it is also a rare piece in it's subject and style. I certainly don't regret watching this, but as a word of warning, it might not be too easy to watch. However this movie wasn't made just to entertain audience, as later works by Cronenberg and despite low entertainment value, it is one of the most interesting movies I have seen from him. If this one feels too heavy to watch, check out 'The Fly' (as you probably already have), though I liked 'Naked Lunch' the best.

"Stereo" is an underrated early Cronenberg movie. People tend to find it inaccessible on the grounds that it is 'boring', or due to its quasi-intellectual voice-over soundtrack (which was applied since Cronenberg did not have enough money to spend on soundtrack film) or 'incomprehensible' plot. The voice-over naturally enhances the feeling of "verfremdung", which can be argued as being for the good of the final result.

The topic of a Canadian Academy for Erotic Inquiry is an extremely difficult one to pull off. The way it's made, however, with its austere milieu, its quasi-academic speaker voice and the contrasts between the harsh milieu and the characters' pursuit of the topic of the 'plot' makes it a rather good film its sparse conditions for creation considered, all the more if one is into austere films rather than bombastic ones. Hopefully some 'madwoman' or 'madman' will release a few copies of this movie on dvd, someday.

At an Canadian Academy a group of people volunteer to be used as test subjects in an experiment to gain telepathic powers to communicate with after their ability to communicate through speech was removed. Then we slowly watch how the results turn out with sudden changes and obstacles put into motion to see how they adapt to it. While, throughout the observers constantly update us with their progress.

Was it a big mistake that I decided to watch this early Cronenberg art-flick before I went to bed. Maybe so, maybe not? I was fighting to keep my eyes open towards the end, but I can see why people were derailed by this experience. This oddity is real hard to get into and it only goes for about hour, but it does seem longer. Way longer! I wasn't entirely bored from this outing, but I did become rather restless in the final twenty minutes. The film is shot in black & white and there's real no sound, other than a voice-over that crops up every now again. This exhausting narration is bluntly monotonous with it's thick technical jargon that sometimes doesn't always tie in to what's happening on screen and you really have to concentrate to have a clue about what's going. At times I fell in and out of the context, but I still had some sort of an idea to what was happening. It goes on to relate telepathic power with sexual awaking, while looking into the behavioural patterns of these erotic and ESP activities and signals. Most of the time it feels like the film is meandering about aimlessly with a bunch of method actors who are just performing for a live crowd. Like a fellow has user has already mention it does feel like a documentary. While, the intellectual study might be a clever idea, but you can't help but feel disconnected from this lifeless exploration. The look of the film showcases the professional eye that Cronenberg would go on to incorporate into his latter flicks and this was his first 35mm shot project. The atmosphere has a lonely, out-of-this world feel with it's abstract backdrop that lingers on screen. The finesse and execution of such transfixed images is what kept me watching, really. This was the cold and distant style Cronenberg would go one to make his own and the sub-text of the plot shows up again in some way in the film "Scanners".

If you want to be entertained, look elsewhere because you'll mostly be frustrated. But if you want to see where it all began for Cronenberg look no further than here.

Although he is better known for his 'body horror' work and scenes of squirm-inducing gore, the most prominent theme that runs throughout the career of David Cronenberg is the idea of finding an extra stream of consciousness through sexual release. From his serial-raping zombies in Shivers (1975), to his portrayal of Carl Jung, Sigmund Freud and Sabrina Spielrein in A Dangerous Method (2011), he has adopted a psychoanalytical aesthetic between scenes of exploding heads and killer tots. His début, Stereo, is his student film that is an early reflection of his fascination with psychology, made on an obviously shoe-stringed budget, shot in one location.

The film begins with the arrival at what looks like a research facility of a man wearing a black coat. As the narration begins to explain, the man is a telepath, a product of a social experiment to observe behavioural patterns between three telepaths in a closed environment. Having had their ability to speak removed, they must communicate only via telepathy, and through this telepathic bonding, begin sexual experimentation. The experiment is being carried out by the unseen Dr. Luther Stringfellow, who hopes that the powerful relationships which are forged through the telepaths - that evolve to deem such things as sex or physical attraction irrelevant - will come to replace and stabilise the traditional family unit.

If you could label Stereo as anything, it would have to be ambitious. Although the subject is purely psychoanalytical, the approach is very sci-fi. The film is black-and-white, featuring no sound at all apart from the near-constant narration, which is spoken in the same dreary tone as you would expect from a student vocalising an essay. It's quite clear than Cronenberg was held back by budget constraints and equipment, and although you could forgive the film's narrative flaws, the lack of visual appeal combined with the monotonous, jargon-heavy, quasi- intellectual narration, make the film a struggle to get through, even at only 62 minutes. It would be harsh to say Stereo is for Cronenberg die- hard's only as it is often intriguing, but the film ultimately feels like struggling to stay awake during a University lecture.

www.the-wrath-of-blog.blogspot.com

Stereo (1969)

** (out of 4)

Ultra bizarre film from David Cronenberg has a group of young people agreeing to have a brain surgery, which will take away their ability to think or feel but they will gain the ability to communicate mentally.

STEREO was the first feature to be directed by the young Cronenber and many people see a connection between this film and his later hit SCANNERS. This film here is certainly a well-made piece but it's one of those movies that you can respect much more than actually enjoy while watching. I say that because the film is certainly very well-made and it has a terrific atmosphere and visual look. I loved the B&W cinematography and I thought the director did a very good job with the look and style.

I'd also argue that the actors do a fine job with their roles but, with all of that said, there's very little else going on with STEREO. The film was shot without any dialogue or even sound effects but every few minutes a narrator will fill us in on the "plot." All of this just really doesn't add anything compelling and in the end the film is rather boring and hard to get through even at just 65-minutes.