Gli specialisti

In the late sixties director Sergio Corbucci made four spaghetti westerns in a row--the classics THE MERCENARY, THE GREAT SILENCE, THE SPECIALISTS, and COMPANEROS. Three of these, all except THE SPECIALISTS, are constantly turning up on ten best lists when spaghetti westerns are rated. Until recently all I had seen was a very poor quality compilation with some English, some Italian, a fuzzy picture, and it was nearly incomprehensible. Now, having seen a beautiful widescreen version with subtitles (still in two languages, however), I can safely include THE SPECIALISTS in that group of four classics. Johnny Halliday is very good as the charismatic Hud, a notorious hand with the gun returning to Blackstone to investigate the death of his brother, who was lynched by the townspeople for losing their savings. It involves a voluptuous beauty who owns the bank, a Mexican bandit leader, El Diablo, who was once friends with Hud, an honest sheriff who dreams of better days, and a small band of hippies--well, it was the late sixties, and hippies were everywhere, even apparently in our westerns. It's not a desert western, shot in the alps somewhere, and is lovely to look at. There is a bit more nudity than I expect in a western, but that's not a bad thing. Sylvie Fennec is lovely as Sheba, who may be Hud's niece, or dead brother's girlfriend...that's never made clear. This film deserves to be seen, and once again, we plea for a nice DVD with all the trimmings--I think THE SPECIALISTS would be as well known as any of Corbucci's other westerns, and that's high praise indeed.

The copy of this movie that I have seen is not very good. It's grainy and has almost no color in some parts. It switches back and forth between English and French, often in mid sentence, and sometimes even in the middle of a word! To make matters much worse, there are no English subtitles during the French language parts, which I think make up at least one quarter of the film. But, amazingly, the movie is still very understandable and enjoyable, even in this condition, and I think that says a lot about how well-made this film is.

This is a top notch spaghetti western with great acting, an interesting storyline, and an excellent music score. It also has a cool protagonist, a beautiful dark-haired girl, some strange characters and events, and an overall feeling of melancholy. This film has "Euro" written all over it.

I hope there is a pristine negative or print of this film out there somewhere, because it deserves a quality DVD release, and when it comes out I will be one of the first in line to get it!

The French Elvis, Johnny Hallyday is excellent, physically well-cast and impressive as the recurring main character in hundreds of Italian westerns: the lanky, silent stranger with supernatural shooting skills, and for the most part, not particularly interested in having sex with any of the gorgeous girls that filled the Italian westerns.

"The Stranger" character is more interested in dollars or gold but it's rarely explained in most films what his goal would be once he gets said dollars. The prototype was Clint Eastwood followed by Franco Nero, Terrence Hill, Anthony Steffen, George Hilton, Mark Damon, John Phillip Law, Jean-Louis Trintignant, Giuliano Gemma, Gianni Garko, Chuck Connors, Robert Woods, Charles Bronson, Tony Anthony and other actors. Abstract and surreal, the one-dimensional characters in Italian westerns have nothing in common with the more complex characters in American western films and, especially, TV shows that presented westerners faced with the problems and challenges of daily life. An example of this is the character Connors played in Castellari's Kill Them All and Come Back Alone compared to the single dad Lucas McCain raising a son in The Rifleman, a violent show yet filled with great humanity.

Hallyday gives a measured performance, much cooler than the explosive Law was in Death Rides A Horse, lighting the ever-present cigarillo and protecting a beautiful girl from harassing proto-hippies who enjoy rolling in mud holes while dealing elsewhere with a beautiful lady crime boss. Gli Specialisti also includes Mexican banditos, white townspeople (in Nevada), and a closing massacre that wipes out the town. His casting is as unusual as Trintignant's was in The Great Silence, an actor not associated with westerns like Hilton and Steffen were.

As realized in his The Great Silence, and Django, Corbucci had a great eye for scenic and unusual locations that elevated his films from the many Italian westerns that all shared the same geography. His locations are an important part of his westerns. Gli Specialisti never struck a major chord in audiences and Euro western fans but it's well worth repeated viewings.

Talk about Johnny Hallyday a famous singer star no make sense, as French-Italian production it was used as vehicle for him aiming for draw attention of his fans, playing something alike Clint Eastwood typecast character, thus worthwhile discuss the supporting casting as Mario Adorf, Françoise Fabian and Gastone Moschin, firstly several sources state that Corbucci had a stormy rapport with Françoise Fabian by asking for make several nasty sequences, as nude scenes and mainly on final collective r.a.p.e. Whereof she didn't agreed whatsoever.

Also those juvenile's gang exposing a filthy behavior mostly of time reminds us on that fresh hippie movement ongoing on late sixties as well, further when Hud decides burn the money it depicts a rebelliousness of its time and primary by final nude sequence of the whole towners men and women laid on the ground, all these elements altogether take us to figure out a sadist offering by the bleak Corbucci, doubtless his most unseemly picture ever made, setting out his dark side, there are other good thing to point out as the breathtaking landscape on high frozen mountain at Cortina d'Ampezzo at north Italy.

Thanks for reading.

Resume: First watch: 2024 / How many: 1 / Source: DVD / Rating: 7.

With his deservedly lauded, darkly hued outlaw masterpiece 'The Specialists' Sergio Corbucci once again dynamically proves himself the grand architect of audaciously stylised, dazzlingly quick-fire, bullet-blasting western action! A bona fide, flint-edged classic, dramatically fortified with an exemplary cast of charismatic Euro-cult legends, truly breathtaking vistas, an exemplary score by Angelo Francesco Lavagnino, pristine photography by maestro Dario Di Palma, and a seethingly enigmatic performance by broody, blisteringly bellicose blue-eyed Gallic icon Johnny Hallyday as the loner, fatally fast Gunslinger Hud Dixon!

There's a fatalistic, palpably grim, strikingly Noirish quality to Corbucci's art that I found especially fascinating, with its majestically mountainous, soul-stirring vistas, lasso-tight plot, exemplary set pieces, and generously seratonin-spiking climax, the undeniably special 'Gli Specialisti' is a very, VERY fine western indeed! On a more personal note, not only did I find Hallyday's steely portrayal of the stern, solitudinous shootist Hud suitably menacing, it also proved to be pleasingly nuenced, engendering great sympathy for his isolated, doom-laden vengeance, a rare trait one doesn't often find in the more noisome, gun-happy spaghetti western protagonists of its era.