Gli orrori del liceo femminile

I saw this on a double-bill with Murders in the Rue Morgue back in the early 70s. According to IMDb, it was released in America in 1971, but I think I saw it later. Anyway, that year saw the release (in the US, at any rate) of two of the absolutely BEST horror movies of the decade: Daughters of Darkness and The House That Screamed. The comments are right about House being about sexual repression: whew! If you've only seen this on TV, YOU HAVEN'T SEEN IT!!!! Not that there's anything especially graphic in the film, but you just won't be able to "get" it. I keep hoping it'll come out on DVD: it is, in Spain, but I don't understand Spanish, and it doesn't have subtitles! VSOM sells it on tape, but it's p&s and just too dark. Why don't we start a write-in campaign to Blue Underground??? I just wanted to add my two cents: RUNDBAUCHDODO's comments are right-on. I will say this about the greenhouse murder: it's pretty creepy when the girl enters, but it's a real shocker when the murderer STANDS UP RIGHT IN FRONT OF THE CAMERA!!!! Maybe it was done before, and it's probably been done since, but it's the first time I saw it and I've never forgotten it. In fact, it surprises me how much of this whole movie I remember -- and remember correctly!

Generally speaking, the reviews on this film are in it's favor. After watching the movie I have to agree that this is a worthwhile older horror-thriller - it's good.

It's fairly easy to know whodunit and why but it's still interesting to watch how the film plays out. Knowing whodunit and why does not spoil the film.

Sexual repression, incest, murder, a sadistic boarding school owner/teacher, lesbianism, torture and mystery - this movie has all of that. It is reminiscent of the 60s/70s Hammer Horror films. If you like all that then you might enjoy this film. It's sorta a hidden gem.

8/10

An authentic bold and disturbing thriller for its time, during General Franco reign in Spain. And, we can see here many elements that we can find now in today's cinema, especially the Spanish gnre, involving teenagers.. Some lines may remind the Italian Giallo, but don't expect to see here a kind of SUSPIRIA; I recommand this awesome atmosphere, not very usual for this decade that will stick you to your seat.

In the Nineteenth Century, in France, the teenager Teresa Garan (Cristina Galbó) is the daughter of a single mother, who is a cabaret singer. She is brought to the boarding school owned by the headmistress Ms. Fourneau (Lilli Palmer) by a friend of her mother that pays one year tuition for her. Soon Teresa learns that the boarding school is also a prison for the girls since Ms. Fourneau keeps everything locked. Her protégé, the wicked student Irene Tupan (Mary Maude), keeps watch over the other girls and uses her power to bully and torture them. Ms. Fourneau has a teenager son, Luis (John Moulder Brown), who is a peeping Tom, and his mother secludes him from the girls. Ms. Fourneau tells that he needs to meet a girlfriend "like his mother" and that the students of the boarding school are worthless. Meanwhile the runaway students are vanishing and their school mates believe they are fleeing from the boarding school. What they do not know is that a serial-killer is killing them. When Irene discovers that Teresa is secretly meeting Luis, she tortures Teresa that decides to flee from the school in the middle of the night. What will happen to her?

'La residencia", a.k.a. "The House that Screamed", is a stylish Spanish horror film. The cinematography, lighting and art direction are impressive and gives a scary atmosphere. The screenplay keeps the attention of the viewer until the very last scene when the surprising identity and motives of the serial-killer are disclosed. My vote is eight.

Title (Brazil): "Internato Derradeiro" ("Ultimate Boarding School")

This rather rare film from the director of "Quien Puede Matar a un Niño" (better known as "Island of Death" or "Who could kill a child", see also my comment on that) tells an intriguing and uncomfortable story about sinister things happening in a French boarding school around 1900. The acting is thoroughly outstanding, especially by Lilli Palmer as the head of the school, and John Moulder-Brown, her seemingly weak teenage son.

It is said that this mix of classic and modern horror that undoubtedly was years ahead of its time was Dario Argento's inspiration for his own masterly "Suspiria", and although the two movies are quite different in style, this seems to be undoubtedly true. The creepy atmosphere of the school, the uncanny characters of the women in charge: it's all there already, only that Argento put the whole thing into a more extreme shape.

"La Residencia" is probably a little bit slow moving for today's standards, but no time is wasted: The careful development of the characters make the viewer involved in all characters very soon, so one really cares about them when they reach their grisly demise. The film's atmosphere is terrific, extremely creepy throughout the picture.

And there is also the topic of oppression: Palmer's character is leading the school relentlessly; she knows no mercy for girls that are disobedient. But the oppression also works (in a far more subtle way) towards her teenage son, who has learned to obey his mother a long time ago.

One more word about inspiration: It seems to be, without a doubt, Juan Piquer Simon too was inspired by some elements of "La Residencia" when he made his overtly gory chainsaw-killer-film "Pieces" ("Mil Gritos Tiene la Noche" in spanish), although you can't compare the two films.

This hard to find gem is highly recommended for all true fans of the horror film.