Prestuplenie i nakazanie

Anyone with a love of Dostoyevsky's classic novel cannot fail to be enraptured by this marvellous film. It captures the heart and soul of that complex tale more closely than any other version. Perhaps this is because it is Russian, for there are those who believe non-Russians require a leap of imagination to grasp the meaning of Crime and Punishment. And I believe that Dostoyevsky himself would have liked this film!

The picture is visually stunning and the casting is immaculate. Some of the performances are quite breathtaking; Georgi Taratorkin is totally convincing as the haunted, conflicted Raskolnikov, depths of emotions playing in his dark, expressive eyes; Maya Bulgakova tugs at the heartstrings as the wretched Katerina Ivanovna; Innokenti Smoktunovsky puts in a masterly performance as Porfiry, playing him with a regretful, fatherly air whilst Tatyana Bedova is simply sublime as a beautiful, fragile, holy Sonia.

It is a darkly claustrophobic film and flicking the pause button can seem like coming up for air - but that's the point - that's just how reading the novel feels! The film has been described as lumbering - but I longed for it to last even longer!

The print isn't the best quality and the subtitles are sometimes difficult to read - but persevere if you can...it's worth it...it's a masterpiece.

First, I should admit that I have never read the novel on which this movie is based. Therefore, I don't know how well I can review the movie. But even so, I will say that "Prestupleniye i nakazaniye" (called "Crime and Punishment" in English) really chills you. We see how Raskolnikov completely loses his mind in the aftermath of his deeds. The black and white photography - plus the bleak, eerie setting - help give that feeling.

I don't know whether or not this is the best adaptation ever of Dostoyevsky's novel, but it's certainly not one that you're likely to forget. It's as chilling as St. Petersburg looks. I definitely recommend it.

PS: the name Rodion Raskolnikov describes his character. "Rodion" comes from the word meaning birth (implying rebirth), and "Raskolnikov" comes from the word meaning schism (implying mental breakdown).

Crime & Punishment being one of my favorite books, I've been trying to find a film adaptation that does the book justice. This is it! Prior to this version, I'd attempted to watch a couple American versions, which were loosely based on the novel but, of the few I found, I couldn't get through the first five minutes. This Russian adaptation, on the other hand, sucked me in immediately. Georgi Taratorkin was near perfection as the paranoid intellectual, Raskolnikov. On all accounts, the roles were well cast, the book's characters coming alive in three dimension on the screen. The screenplay also translated well from Dostoevsky's original, which is rare. And the film editing, though dated and in black-and-white, I would argue reflected the book's dark storyline. Great movie, and even greater book!

Crime and Punishment is my favorite book, and so I've consciously kept away from any versions of the story. Apprehensively, I gave this Russian version a try (I trusted them more than American versions). It's a wonderful adaptation. Sonya is played by an actress who--if she's not a teenager--looks like a teenager. And none of the actors seem out of the age range they should be in. The film seems low budget, with few cuts in the scenes. But I say that referring to only the best of low-budget, arty films. The crowd scenes are full of people, giving the seamless look of fullness. If you are wondering which version to see, this is the one people.

This Russian version -- didn't expect that much, especially being a 1970 movie - but it was free as an Amazon prime member. And Wow! - so much more advanced than most 1970 movies stateside-- such realism, such minute observations, so well capturing the essence of the lives and small homes (hovels often) and wonderfully local faces. Unbelievably great choice in cast-- and the best of all is Georgi Taratorkin who plays Raskolnikov. First, he has a fascinating, beautifully chiseled face that alone is enough to holds your interest throughout. And what a masterful job he does, as if he is actually living through all the torments and various other emotions that the character went experienced. Not a false step (to the extent I can tell being dependent on subtitles)

I see on IMDb that Crime and Punishment is being made again in US (there many versions -- as with Anna Karenina, they just keep redoing ), but do not believe any could beat this film. Chilling yet beautiful.

By the way, IMDb says it is black and white. What I've watched on Amazon is in warm, rich, authentic-appearing color -- if colorized, not detectable as such.