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The Picasso Summer

  • 1969
  • M/PG
  • 1h 30min
VALUTAZIONE IMDb
5,2/10
391
LA TUA VALUTAZIONE
Albert Finney and Yvette Mimieux in The Picasso Summer (1969)
AvventuraDramma

Aggiungi una trama nella tua linguaA San Francisco couple travels to France in search of Pablo Picasso.A San Francisco couple travels to France in search of Pablo Picasso.A San Francisco couple travels to France in search of Pablo Picasso.

  • Regia
    • Robert Sallin
    • Serge Bourguignon
  • Sceneggiatura
    • Ray Bradbury
    • Edwin Boyd
    • Wes Herschensohn
  • Star
    • Albert Finney
    • Yvette Mimieux
    • Luis Miguel Dominguín
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    5,2/10
    391
    LA TUA VALUTAZIONE
    • Regia
      • Robert Sallin
      • Serge Bourguignon
    • Sceneggiatura
      • Ray Bradbury
      • Edwin Boyd
      • Wes Herschensohn
    • Star
      • Albert Finney
      • Yvette Mimieux
      • Luis Miguel Dominguín
    • 19Recensioni degli utenti
    • 9Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto1

    Visualizza poster

    Interpreti principali20

    Modifica
    Albert Finney
    Albert Finney
    • George Smith
    Yvette Mimieux
    Yvette Mimieux
    • Alice Smith
    Luis Miguel Dominguín
    • Dominguin
    • (as Luis Miguel Dominguin)
    Peter Madden
    Peter Madden
    • Blind Man
    Jim Connell
    Jim Connell
    • The Artist
    Tutte Lemkow
    Tutte Lemkow
    • Drunk
    Marty Ingels
    Marty Ingels
    • Man at Party
    Graham Stark
    Graham Stark
    • Postman
    Theodore Marcuse
    Theodore Marcuse
    • The Host
    • (as Theo Marcuse)
    Stephen Scott
    • German Tourist
    Kathryn Reynolds
      Miki Iveria
      Miki Iveria
      • Blind Man's Wife
      Bee Duffell
      • German Tourist
      Sopwith Camel
      • Sopwith Camel
      Lucia Bosè
      Lucia Bosè
      • Guest George Smith Explains Why He Wants to Meet Picasso
      • (non citato nei titoli originali)
      Georgina Cookson
      Georgina Cookson
      • British Woman at Dinner
      • (non citato nei titoli originali)
      Dorsay Dujon
      • Singer at SF party.
      • (non citato nei titoli originali)
      Duke Fishman
      Duke Fishman
      • Pablo Picasso
      • (non citato nei titoli originali)
      • Regia
        • Robert Sallin
        • Serge Bourguignon
      • Sceneggiatura
        • Ray Bradbury
        • Edwin Boyd
        • Wes Herschensohn
      • Tutti gli interpreti e le troupe
      • Produzione, botteghino e altro su IMDbPro

      Recensioni degli utenti19

      5,2391
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      Recensioni in evidenza

      7itsjoan

      Good film if about 30-40 minutes were edited out.

      Watching Picasso Summmer I think I can now accept that his work was not poking fun at wannabe art critics. For the 'uneducated eye' one has to wonder if what we're seeing...is how the artist is really viewing something; is it really a creative vision or a put on.

      I did come away with a glimmer of understanding and motivation to do some research and reading on Picasso after viewing the film. All I knew about him from an art appreciation class in school is that he had a 'Blue period'.

      As I said in the summary title, the morphing segments, while cleverly and creatively carried out, were way too many and way too long to sustain at least this casual viewer. The kernel of a good film was there, it just didn't 'pop.
      5SnoopyStyle

      animated sequences and thin plot and a bull fight

      San Francisco architect George Smith (Albert Finney) is feeling a little dispirited. He wakes up reinvigorated by his collection of Picasso paintings. He suggests to his wife Alice (Yvette Mimieux) that they go to France to find Pablo Picasso and thank him.

      I was expecting a basic travelogue and a minor Picasso retrospective. There isn't much of a plot. There is even less plot than I expected. George finally does something interesting in the last third. The bull fight is interesting, but it adds nothing to the narrative. This is really about Picasso's work being translated into adult-themed animated sequences and various visual stylings. This couple needs a guide or George himself could do more exposition about Picasso. The audience probably needs a helping hand. Quite frankly, they are better off doing an animated short about Picasso's art if they're not going to give drama to this movie. In an aside, how much is that Picasso collection if it's real.
      drednm

      Ruined by Animation and Violence

      Good movie about a San Francisco couple (Albert Finny, Yvette Mimieux) who go to France to find Picasso. Beautiful location shooting and some humorous situations as the stars meet various locals and eccentrics in their search. Simple plot is accompanied by music by Michel Legrand.

      On the down side are a long and violent sequence in which Finney seeks out a famous toreador who is friends with Picasso. There are also three long and tedious animation pieces that depict Picasso's art and themes of war, love, and the bullfight. These are done in a pulsating psychedelic style and seem interminable.

      On the plus side are Finney and Mimieux. Familiar faces include Graham Stark as the postman, Georgina Cookson as the loud lady at dinner, Jim Connell as the artist at the party, and Peter Madden as the blind artist.

      The final scene on the beach was filmed on Catalina Island and tacked on. The film was never released in US theaters but has been shown on television.
      tangoviudo

      In Pursuit of Picasso

      This unusual film is the collaboration of several creative forces - a Ray Bradbury story, with animation created by the Hubleys (directed and "conceived" by producer Wes Herschensohn), a spectacular musical score by Michel Legrand, and co-direction by the near-forgotten Serge Bourguignon (of "Sundays & Cybele"). Unfortunately, it doesn't appear as if all of these people were properly introduced to one another. A successful architect (Finney) decides to chuck it all and run off to the south of France to visit his favorite painter, Pablo Picasso. Alas, Pablo isn't welcoming visitors and despite several attempts at stalking him, our architect-hero finally gives up. Albert Finney gives a frenetic performance with Yvette Mimieux never looking more beautiful beside him. Nothing in the film has anything linear about it, which is probably to its advantage. It is part fiction film, part docu-drama, part art documentary (the amimated Picasso paintings are probably the only real excuse for it - and they often come off as over-literal interpretations of his work). Ah, well, there is the lush music and the Vilmos Zsigmond photography and the elusive spirit of Picasso. Worth watching at least once.
      4mossgrymk

      picasso slumber

      I'd rather be in Guernica. Can you imagine how bad Serge Bourguignon's rough cut must have been for Warner Brothers to reject it in favor of this...what? Call it an R rated Rick Steves episode with stupid Picasso animated psychedelia alternating with dopey devices like the ol split screen/jigsaw puzzle as Albert Finney and Yvette Mimieux bike around southern France, swim in the Med and copulate at the Carlton. Kind of a "Two For The Road" for idiots. And good luck getting that syrupy Michel Legrand score out of your head anytime soon. I bailed right around the time Mimieux and Finney temporarily split up and suggest you do the same before that. C minus.

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      Lo sapevi?

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      • Quiz
        Producer Wes Herschensohn in his book "Resurrection in Cannes: The Making of The Picasso Summer" states that the final shot was filmed in Catalina, because it resembled the shores of Southern France. Mr. Herschensohn did the sand drawings and a local man named Duke Fishman played Picasso -he bore a striking resemblance to Picasso. He was somewhat of an artist himself and briefly able to continue Herschensohn's sand drawings for the camera.
      • Blooper
        The couple is implied to leave within 24 hours, without passport, shots, nor visa. It is doubtful those could be obtained for non-emergency reasons, even in 1969.
      • Citazioni

        Luis Miguel Dominguín: There, you see. And, there. And there. Always the horses, the man, the bulls. One way or another, with oils or watercolors or etchings and now in clay. Picasso comes back to the arena. Because he is Spanish and because he cannot come back to Spain, he must come back in his own way. And so again and again, Picasso returns to the center of life in Spain, which is the bull-ring. You wish to see Picasso? Then you must enter that arena yourself - and fight a bull.

        George Smith: Do you think, eh, its absolutely necessary, in order to met Picasso, that I actually have to fight a bull?

        Luis Miguel Dominguín: Absolutely necessary!

        George Smith: Fine. Well, okay. I'll fight a bull.

      • Colonne sonore
        Hey Ho The Wind and the Rain
        (uncredited)

        Lyrics by William Shakespeare from "Twelfth Night"

        Sung by Albert Finney

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      Domande frequenti15

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      Dettagli

      Modifica
      • Data di uscita
        • 1969 (Stati Uniti)
      • Paese di origine
        • Stati Uniti
      • Lingue
        • Inglese
        • Francese
        • Spagnolo
        • Tedesco
      • Celebre anche come
        • Picasso yazı
      • Luoghi delle riprese
        • Nizza, Alpes-Maritimes, Francia
      • Aziende produttrici
        • Campbell-Silver-Cosby Corporation
        • Warner Bros./Seven Arts
      • Vedi altri crediti dell’azienda su IMDbPro

      Specifiche tecniche

      Modifica
      • Tempo di esecuzione
        • 1h 30min(90 min)
      • Mix di suoni
        • Mono
      • Proporzioni
        • 1.78 : 1

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