Luna zero due

Moon Zero Two boasts a standard Western movie plot-a battle over mining rights -and simply transposes the story to the Moon .You can even see the main character ,Captain Kemp as a variation on the archetypal drifting cowboy,except that it is the deep range of space rather than the prairie that forms his environment. He is engaged by multi- billionaire J J Hubbard (Warren Mitchell )to bring back a rogue asteroid made from pure sapphire and land it on a remote part of the moon.He is also assisting the bewitching Clementine -fetchingly portrayed by Catherine Von Schell-to locate her brother who has gone missing on the moon .The plot strands are linked when it is revealed that he has been killed by Hubbard's minions as Hubbard needs the area of the claim to land the asteroid on.

The look and feel of the movie are very late 60's -bright colours;"dolly girl "hairdos and clothes for the women, and the "swinging" muzak like noise that passed for soundtrack music in the lesser movies of the day. The action scenes are awful-a bar room brawl is about the worst committed to celluloid ,and a shoot out with the bad guys on the abandoned mining site is stupendously lacking in excitement or pace. Add some poor acting in most of the roles --I except Warren Mitchell and Schell -and the result is tiresome and lacking in flair or pace

Treasure Hammer Movies for the horror movies they did and forgive them this misfire

"Moon Zero Two" was the most expensive film ever produced by Hammer Studios and is one of the oddest they ever created: a psychedelic western set on the moon in 2021 complete with claim-jumping, gunfights, zero gravity bar fights, candy colored space suits and go-go dancers. SF fans will enjoy early appearances by James Olson ("The Andromeda Strain") and Catherine Schell ("Space 1999"). Also Hammer alumnae Warren Mitchell as the chief villain, Adrienne Corri as a cop (loved her boots), Bernard Bresslaw as a heavy and, of course, Michael Ripper scarfing up distilled rocket fuel at the saloon. The special effects are not that bad. Great '60s kitsch and fun if you don't take it seriously, "Austin Powers" fans may dig it.

When you see Eddie Murphy's upcoming "Pluto Nash" you'll be surprised just how many ideas were taken from this film.

A space-pilot is caught up in a claim-jumping scheme on the far side of the Moon. Touted as the first 'Moon-western', the film would have been much better if it had simply lifted plot and character tropes from the classic oaters and dispensed with silly trappings such as the 'gunfighter-style' holsters and the awful 'saloon-themed' bar complete with the dancing girls and inevitable brawl (a particularly silly scene). On the plus side, 'Moon Zero Two' has the entertaining look of contemporaneous British science fiction with carefully detailed and well thought-out miniatures, and fashions and hair styles straight out of 'UFO' (1970) or 'Space 1999' (1975). The central plot is clever (albeit implausible) and the special effects generally good (although as usual the filmmakers couldn't resist adding sounds in space). The cast of British character actors is OK but they are saddled with trying to deliver an awkward mélange of adventure and parody through a tongue-in-cheek script that is nether very clever nor witty. Unfortunately, the end product is a film that is worse than it looks and likely of interest only to fans of genre fans or those nostalgic for the short skirts, austere jumpsuits, beepy machines, and vibrantly coloured wigs of the British vison of the future in the late 60s/early '70s. If you can sit though the goofy, incredibly 60s-looking, animated opening-credits sequence and tolerate the theme song, you can probably survive watching the film.

Interesting effort here by the usually predictable Hammer Studios, best known for all those low budget Dracula movies with Christopher Lee and Frankenstein movies with Peter Cushing. Hammer actually worked in a number of genres during their heyday, with spy films and crime thrillers, wartime potboilers, pirate escapades. They had already crossed their usual horror motifs with a heavy dose of science fiction with their "Quatermass" series, but for whatever reason Hammer never made a traditional looking western, even though some of their principal talent had contributed to a couple. Too bad, I am sure they would have had an intriguing go at it.

This was their compromise, a clearly 2001 inspired concoction mixing some of the more obvious elements of a western -- six guns, saloons, claim jumping gunslingers, a fetching damsel in distress, a cynical hero -- with the then familiar trappings of science fiction space epics. Space suits instead of cowboy attire, moon buggies instead of stagecoaches, and a lady moon sheriff who packs twin pistols in holsters attached to her thigh-high Go Go boots. Whatever. The idea was viable enough for Peter Hyams to revisit in a more sober manner with 1981's "Outland", a subtle remake of "High Noon" set at a mining complex on one of Jupiter's moons.

The blend of genres will either go over well or create profound disbelief, as is evidenced by the film having been enshrined in Mystery Science Theater 3000's hall of fame of parody screenings with all those annoying, smug comments from the dorks in the front row superimposed on the screen. The film is silly enough in itself without their schtick (I'm not a big MST3K fan, sorry), and just as with Elvira, just because they choose to send up a given movie that doesn't mean it may not have some redeeming parts.

This one does, mostly in an endearing willingness to try anything, and for Hammer what was actually a pretty significant budget that let them pull off some ingenious little effects sequences. My favorite touch are the little Moon Fargo buggies, which sure are radio controlled models in the long shots, but by golly they have a sort of charm about them that belies their phoniness. We forgive because in the context of the kind of entertainment we are looking at, namely 1960s European made science fiction, they work just fine.

The story isn't much, but then again the whole show is in the production design, which as others point out apes Apollo era technologies as much as it does a 2001 inspired antiseptic, shiny rubberized look. Some may poke fun at the silly hairstyles and clumsy looking costumes, I say they fit in perfectly with the movie's aesthetic. There is even a healthy dose of realistic science thrown in alongside such recurring SF themes as artificial gravity, miniature space colonies, and foxy babes who casually strip down to their space age underwear once the air conditioning gives out.

Newly re-released by Warner's on a double movie DVD along with the equally long overdue "When Dinosaurs Ruled The Earth". Couldn't recommend them more, beats the crap out of anything currently projecting onto screens in empty theaters at the cineplexes in any event, and just stupid enough to warrant repeat casual guilty pleasure viewing.

6/10

OK, I've read several reviews of this film in books, online and from sci-fi fans and usually the overall feeling of the film is split down the middle. I really enjoy this film, it has a very good cast; James Olson, Catherine Schell (Who would go on to star in the classic sci-fi series; Space: 1999), Adrienne Corri, Warren Mitchell, Michael Ripper (Hammer regular) and Sam Kydd, it had some great looking sets, a very capable director in Roy Ward Baker and the opening tune is one I can't get out of my head for days, after watching the film or listening to that track. Hailed as the first space-western, the film does it's best to combine a futuristic look with the ideals and wild ways of the old west. To sci-fi fans looking for something really serious and up on the technical feel of a straight-from-the-hip science fiction story, chances are you're going to be disappointed with the overall effort of the film, but if you like a film that can be serious at times and still poke fun at itself, then this is a film you're probably going to enjoy.....just don't go into viewing this in a serious mood! Have fun with it and relax.....the anti-gravity fight scene in the saloon is not to be missed!