Mondo Trasho

It started out as a kind of interesting movie. But then a few minutes later it really started to get boring. About 40 minutes into the movie i started yawning and i had a hard time keeping my eyes open. I really think this movie would have been better if it were just 10 minutes long.

This movie was not anything like SERIAL MOM or CECIL B. DEMENTED or PECKER. It was just boring and unfunny. So if you wanna see a really good funny john waters movie then watch something like those three movies mentioned above. The picture quality is what you would expect from a movie made on the budget of two thousand dollars back in 1969. So even if you are a fan of john waters this is not the kind of movie you would wanna watch.

One can safely expect to sit still for a couple of hours, block-out the world around them, and pay attention to what's happening upon the screen for the duration of a film, right? Well, for most films, yes.

This isn't like most films, lol.

"Mondo Trasho" is one of my favorite John Waters flicks. I first rented this film back in 1998 after seeing "Pink Flamingos" the previous year. I've definitely seen "Mondo Trasho" over a hundred times by now. It's a real treat for us John Waters fans but it definitely is NOT for your common movie-goer.

You must already be familiar with and appreciate John Waters' film-making in order to get anything out of this film. It's also advisable to do something while watching this film. Yes, you read that correctly - do something while watching this. It's a great film to have on while working on your computer or while organizing and cleaning-up the place. As long as you've got a view of the screen at all times, you'll be OK. I don't think I've ever watched this film sitting down and doing nothing. Pay attention too closely and you will either grow impatient or fall asleep.

This is a very turbulent film. It's like a weird dream. It's grainy, gritty, and garish. The soundtrack jumps around erratically and can sufficiently mystify the viewer upon hearing what at first seems like odd choices in music. That impression quickly gives way to irony that is often times invoked by the soundtrack playing against its accompanying visuals. The effect is often times striking, sometimes silly, other times charming, and many times just plain bizarre. Though, there never is a bad musical-visual sequence, as all of Water's choices blend together beautifully to create an audio/motion-picture collage that feels more like a tweaker's nightmare than an Academy Award-generating production. But that's what makes it so great!

Putting this soundtrack together was obviously a monumental task for Waters and his efforts are probably what makes this film what it is. As I've already mentioned before, this film is definitely not one to sit through. It's like those videos that play upon multiple T.V. screens at dance clubs - nobody really pays too much attention to them but they provide an orgy of visuals, teamed-up with music and designed to stir the senses far beyond what most people are ready for.

It's amazing that one of John Waters best films would be his first feature length film. After making three short films, cult film director directed 'Mondo Trasho', a silent movie filled with a rock and roll soundtrack. It certainly shows some of the surreal brilliance that was to come in his movies and has a very dream like feeling. The plot, if you can call it that, is of a modern day Cinderella (Mary Vivian Pearce) who is run over by the sexy driver Divine (Divine). For the rest of the day, Divine and the corpse wander about all of Baltimore trying to find ways to get out of this nightmare and meet up with reporters, mental patients, a topless dancer (Mink Stole), saints, pigs and an insane doctor called Dr. Coathanger (David Lochary in arguably his best performance). It's a strange piece of fiction with the occasional unsynchronised dialogue. It hints at the brilliance that John Waters would achieve with the likes of 'Female Trouble', 'Hairspray' and 'Serial Mom'. It's actually quite good even though Waters always jokes about how bad it is and how over long it is. I found it be very fast paced and funny and satiric proving that John Waters is the best satirist in modern day America and always puts a new view on things. The acting in this film is also endearing. Although none of these people knew how to act, that's the beauty of many of John's earlier films. Divine's performance consists of looking sexy and doing exaggerated movements all the time. Lochary is good in this film, if only he hadn't died so young, I'm convinced he would have won an oscar. It's also an interesting note for Waters fans to watch this because everyone looks so young. Truthfully, the living members of Waters crew like Pearce and Stole don't really look old today but it's amazing to see them pre-cult fame. Although, it's a very hard film to get hold of and even if you do, it will probably be in bad quality, it's a must for Waters fans and people interested in him as well since it's one of his more accesible films.

John Waters feature length film debut is a schlocky montage of crazy events following Mary Vivian Pearce and Divine as they travel throughout the gutters and alleyways of "Charm City" Baltimore. I can't do this film just by trying to describe the events that transpire. This film has to be seen to be believed. There's no dialog in this film, most of the soundtrack is a collage of 50's and 60's pop music, They're used as dialog and as a Foley track. I wonder if Mr. Waters received permission from the performers for use in this film?

Filmed on a shoe string budget and shot on 16mm uses a cast of friends, Waters hit the Midnight Movie/cult circuit big time. Only a sign of things to come.

Recommended, if you can find it.

"Mondo Trasho" stars a lot of the original Dreamlander crew; Divine, Mary Vivian Pearce, David Lochary, Mink Stole -- you name it. This is about the only thing that kept me watching Mondo Trasho was seeing our beloved cult actors prance across the screen and of course Divine shop lifting (who would have thought?). It's interesting to see the Dreamlander crew get up to their old guerrilla tricks, but tedious to sit through its long, silent and uneventful duration.

You can see John Waters used this a reference when he made Cecil B. Demented as the cast and crew were arrested during the making of this film for public obscenities (I won't spoil it). The biggest problem with this film John Waters said himself; this was made a ninety minute film when it should have been twenty minutes. With scenes dragging on and on making you skip about you wish it was a short film. Due to bad pacing a lot of scenes drag on after the humour has gone, the music becomes repetitive and there is no dialogue which is a huge letdown because it's a hoot to listen to Dreamlander's have conversations – whether it be arguing or bonding John Waters always writes hilarious dialogue – but as I said, there is none so it's a letdown. There are of course some redeeming aspects (David Lochay's character) and other scenes with public nudity which provide some insight to the early Dreamlander years.

Mondo Trasho isn't the most perfect movie Waters made, it's littered in amateurish film making but this is a perfect look into what Waters and the Dreamlanders were up to before feature film making. If you aren't a die-hard fan of Waters' films or the Dreamlander's then this will be a waste of time because this is definitely something to be seen by the fans of Waters. This will never see the light of day for a DVD release as copyright laws will forever forbid it (the soundtrack) but you can download it thanks to the internet; it's rare but nowhere near as rare as the early 60's short films. So if you're enough of a fan-boy and you've seen all of John Waters' movies and wanted more like I did then see Mondo Trasho because you're never going to see Divine or David Lochary act ever again.