Quei temerari sulle loro pazze, scatenate, scalcinate carriole

The U.S. theatrical release of this follow-up to the highly popular epic comedy THOSE MAGNIFICENT MEN IN THEIR FLYING MACHINES (1965) was decidedly ill-timed – coming as it did just three days after that of MIDNIGHT COWBOY! – and must have made an already inferior product (in comparison to the original) seem quaint and redundant. Perhaps this even explains the film's hacking down to 93 minutes (from an original length of 125!) over there, not to mention its sheer invisibility on TV and home video (in my neck of the woods at least) until now, via Legend Films' no-frills but full-length DVD – albeit under its more recognizable alternate title rather than the original one of MONTE CARLO OR BUST!

Perhaps inevitably, several of the same cast and crew from the predecessor are involved here as well: producer-director-co-writer Annakin, screenwriter Jack Davies, composer Ron Goodwin, actors Terry-Thomas (in a way, actually reprising his signature role by playing the son of the character he had portrayed in FLYING MACHINES), Eric Sykes (again as the latter's valet) and Gert Frobe (as, obviously, the German representative), etc. Also like its prototype, several international stars were roped in to fill out the roles of the other contestants: from the USA, Tony Curtis (who, sadly, is a long way from his winsome characterization in THE GREAT RACE [1965]); from Britain, Peter Cook, Dudley Moore (amusing as, respectively, an Army Major-cum-amateur inventor and his sidekick) and, later, Susan Hampshire (who initially tries to detour Curtis but eventually joins him); from Italy, a level-headed Walter Chiari and a typically hot-blooded Lando Buzzanca; from France, a group of three girls (played by Mireille Darc, Marie Dubois and Nicoletta Macchiavelli) who, prior to the start of the race, have a run-in with their compatriot organizer of the Monte Carlo Rally, Bourvil. There are other stars or recognizable faces making guest appearances for no real reason except to add to the fun (and expense): Jack Hawkins and Derren Nesbitt (as jewel thieves that have hid their booty inside one of Frobe's spare tyres!), Hattie Jacques (as an emancipated lady journalist), Richard Wattis and, according to the IMDb, even Paul Muller (but I didn't recognize him).

In this talented company and with the lavish budget accorded, there can't fail to be enjoyable stretches (particularly with every new contraption Cook and Moore come up with after the last one had unsurprisingly failed) and other sundry compensations (not least Jimmy Durante's grizzled intonation of the title song and the accompanying animated credits sequence); however, as I said earlier, the film is not up to the levels of inspiration that permeated its memorable predecessor. Tony Curtis only had one or two major films left before slipping into TV roles and the occasional big-screen cameo, while Annakin wouldn't really be allowed to handle another such stellar cast before a decade's time had elapsed – including the umpteenth cinematic version of "The Man In The Iron Mask" in THE FIFTH MUSKETEER (1979).

The movie isn't that funny, although you probably don't notice that what with the great actors on display - The wonderful gap toothed Terry-Thomas as a kind of Dick Dastardly Figure, Eric Sykes as his Mutley style sidekick,It has Tony Curtis romancing Susan Hampshire & The great comic actors Peter Cook & Dudley Moore as British Army men who have the best scenes and funniest lines & Gert Frobe (Goldfinger) as a escaped convict transporting stolen treasures. The scenery is wonderful as they travel throughout Europe Mostly Britain and France and has a nice 1920's feel, just don't expect many laughs, just sit back and enjoy some of the best British Actors many of who are no longer with us.

All in all a likeable caper with great performances

Rating 8/10

This is the kind of movies I wish was much much better!A sort of free remake of "Those Magnificent Men in Their Flying Machines!" But filled with loads of humour, but that feals old fashioned by now, and awful back-projection that might have been OK back then, but is certainly awful nowdays. In the same time it could be one of the most accessible movies with britt comics Moore and Cook! One of the few films with Fleur Forsythe, or dark eyed Susan Hempshire.

The song that old Jimmy Durante sings in the end (was this his last?) is better than the whole movie in itself!

Tony Curtis, Susan Hampshire, Dudley Moore, Peter Cook, Gert Frobe, Terry-Thomas, Eric Porter, Jack Hawkins and french comic Bourvil! What a Cast!!!! Pity the movie isn't better!

Like many other racing comedies, 'Those Daring Young Men in their Jaunty Jalopies' suffers from simply having too much going on at once. The film has so many different characters it tries to devote time to, it's easy to forget everything that's going on. It seemed like whenever Tony Curtis appeared on the screen I thought "Oh yeah, forgot he was in this." The film might be considered a multi-car wreck had it not been for Peter Cook and Dudley Moore. Cook plays a British inventor, Moore his trusty sidekick. These two have all the best lines in the movie, and their deadpan delivery is perfect.

My comment above is not at all to dissuade you from watching this frequently funny film it is mostly to recognize the colossal amount of money invested in these all star road romps that raced thru the 60s. MAD MAD WORLD and MAGNIFICENT MEN and GREAT RACE and then this along with the whopper period musicals (DARLING LILI) had production accountants suicidal. From 1964 to 1970 I can count 33 massive 'roadshow' musicals and 20 'roadshow' comedy adventure epics. Cinemas were weekly opening something with 22 stars and costing 22 million and all in 70mm and on reserved seats. Like concert overload, these overloaded films became so frequent that they lost their appeal. Like eating a ton of fruit salad. I found this film: THOSE DARING YOUNG MEN IN THEIR JAUNTY JALOPIES as a 3rd rung on the 'race' list extremely well made but with an inordinate amount of back projection and insert studio shots edited into scenes that were already in the can from location shooting, almost duplicating the film indoors for small spot shots. The rear projection scenes even involved crowded backgrounds (see the Sweden scenes) and duplicates of the main actors who only were inserted in the close ups... so some major stars actually did not go to some locations, just the second unit and the extras and stand-ins ... all cleverly inserted together with studio pick-up and dialog bits. The Terry-Thomas scenes and the Pete and Dud pukka British dastardry are by far the funniest and the Italian nonsense by far the most grating, sadly because they also feature the adorable Walter Chiari. So overloaded with scenes, antics and pantomime J-JALOPIES almost becomes impossible to follow, a fact itself recognizes because of the frequent split screen 'where are they now' compilation assemblies. Tony Curtis is hilarious and replays his Great Leslie image from THE GREAT RACE. J-JALOPIES is all terrific expensive Euro fun and well worth watching with kids and teens on family movie night. But the cost of this production! eek!