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L'amante perduta

Titolo originale: Model Shop
  • 1969
  • T
  • 1h 37min
VALUTAZIONE IMDb
6,7/10
2307
LA TUA VALUTAZIONE
L'amante perduta (1969)
Official Trailer
Riproduci trailer1: 00
1 video
75 foto
DrammaRomanticismo

George è disoccupato, in procinto di essere arruolato in Vietnam e improvvisamente innamorato pazzo della divina Lola, una donna che ha solo brevemente intravisto. Ora George cerca la sua po... Leggi tuttoGeorge è disoccupato, in procinto di essere arruolato in Vietnam e improvvisamente innamorato pazzo della divina Lola, una donna che ha solo brevemente intravisto. Ora George cerca la sua potenziale amante attraverso la Città degli Angeli.George è disoccupato, in procinto di essere arruolato in Vietnam e improvvisamente innamorato pazzo della divina Lola, una donna che ha solo brevemente intravisto. Ora George cerca la sua potenziale amante attraverso la Città degli Angeli.

  • Regia
    • Jacques Demy
  • Sceneggiatura
    • Jacques Demy
    • Carole Eastman
  • Star
    • Anouk Aimée
    • Gary Lockwood
    • Alexandra Hay
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,7/10
    2307
    LA TUA VALUTAZIONE
    • Regia
      • Jacques Demy
    • Sceneggiatura
      • Jacques Demy
      • Carole Eastman
    • Star
      • Anouk Aimée
      • Gary Lockwood
      • Alexandra Hay
    • 47Recensioni degli utenti
    • 36Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Video1

    Model Shop
    Trailer 1:00
    Model Shop

    Foto75

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    Interpreti principali24

    Modifica
    Anouk Aimée
    Anouk Aimée
    • Lola aka Cecile
    Gary Lockwood
    Gary Lockwood
    • George Matthews
    Alexandra Hay
    Alexandra Hay
    • Gloria
    Carol Cole
    • Barbara
    Tom Holland
    Tom Holland
    • Gerry
    • (as Tom Fielding)
    Severn Darden
    Severn Darden
    • Camera Shop Owner
    Neil Elliot
    • Fred
    Jacqueline Mille
    Jacqueline Mille
    • Model No. 1
    Duke Hobbie
    Duke Hobbie
    • David
    Anne Randall
    Anne Randall
    • Model No. 2
    Craig Littler
    Craig Littler
    • Rob
    Hilarie Thompson
    Hilarie Thompson
    • Girl Hippie
    • (as Hilary Thompson)
    Jon Lawson
    • Tony
    Jeanne Sorel
    Jeanne Sorel
    • Secretary
    Jon Hill
    • Newspaper Editor
    Mark Andes
    • Spirit Band Member
    • (non citato nei titoli originali)
    Randy California
    • Spirit Band Member
    • (non citato nei titoli originali)
    Ed Cassidy
    • Spirit Band Member
    • (non citato nei titoli originali)
    • Regia
      • Jacques Demy
    • Sceneggiatura
      • Jacques Demy
      • Carole Eastman
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti47

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    Recensioni in evidenza

    gortx

    French New Wave Filmmaker's look at 60's L.A.

    It's always interesting to see a foriegner's view of America (i.e. Antonioni's ZABRISKE POINT, Malle's ATLANTIC CITY), and here, French director Demy's look at 60's L.A.. Looking back in hindsight, it's easy to pick out the details and even cliches that Demy found so fascinating (fashion, car culture, seemingly endless stretches of buildings & lights, psychedelic music (SPIRIT), drugs, underground newspapers, counterculture ideals and, inevitably, the Vietnam War).

    The nominal plot is more just a day in the life (almost exactly 24 hours) of a layabout disaffected wannabe architect (Lockwood) who is in a loveless relationship with a pretty but insubstantial young thing (Hay), who meets a mysterious French woman (Aimee). Not much "happens", but the themes and details enumerated above all weave their way into this portrait of a "day in the life."

    Unfortunately, Demy selected the dull Lockwood as his lead (it strains credulity to really believe he is a talented architect). Lockwood's lack of charisma is what reportedly led Stanley Kubrick to cast him as the dull uncharismatic astronaut in 2001 (you know the old joke, the most "human" of the characters in 2001 was HAL!). Aimee, despite her French hauteur and ennui, brings the only life to the acting (the less said about Hay the better).

    In sum, a tiny slice of life in late 60's L.A.. Not grand, but of some note.

    Technical note. The American Cinemateque debuted a striking NEW 35MM print over the July 4th Weekend. Perhaps, this will signal a few Revival House and Film Festival Screenings, as well as a first-time on Video/DVD debut.
    cwarne_uk

    Worth catching

    This little seen Jaques Demy film is no lost masterpiece but is well worth catching. One of the most notable features is how well it captures a look of late sixties LA rarely seen in other movies. The story though is slight and the acting is uneven. Psychedelic rock fans should watch it to see the legendary Spirit - their music is on the soundtrack and they have a few lines. To sum up - an oddly interesting film not a great one.
    8MarieGabrielle

    Lost in L.A. 1969...

    This film is not the worst. Gary Lockwood as lost young architect George Matthews and Anouk Aimee as Lola, a stage name for a lost french model who works at a cheesy photo shop for erotic models.

    The street scenes from 1969 are quite interesting. The actress who plays Gloria died at a young age from arteriosclerosis. She also is good as a rather direction-less actress, she wants to act, but George tells her ..."I will just see you naked in a bathtub, more soap commercials"... .

    The sets are odd in that L.A. was still a relatively undeveloped city....its fun to see the old cars, the oil well and cheap housing George and Gloria live in right on the beach no less. Wonder where that was, in actuality, filmed. It would be interesting to compare how it looks today.

    George basically meets up with some friends, tries to get interested in a newspaper his friends are running, he mostly needs a distraction to prevent himself from thinking about the draft, as his father informs him that he must return to San Francisco after the weekend to be entered in to the military for Vietnam. Vietnam and its cease-fire is hinted at here by a radio broadcast, but overall you get the sense of the pointless war, the young men trying to avoid the draft.

    He eventually meets up again with Lola and tells her he wants to love her. She, a few years older, simply smiles. They eventually wind up at her friends nearby apartment though she is already packing to return to Paris to see her estranged son. They spend the night, and it gives George a slight sense of hope. He allows his former relationship with Gloria to evaporate, debates deserting the army, but eventually realizes, it is what it is.

    Aimee is good, understated here, as a rather lost and empathic character who just wants to afford a flight back to Paris. Not an intricate theme here, but worth seeing for older scenes of L.A. 8/10.
    7guyau-399-68372

    Let's do the 70s LA nihilist time warp. The traffic is to die for.

    This is a terrific document of late 1960s Los Angeles. Lots of street scenes from the beach to the hills, and traffic to die for - if only we had to compete with that number of cars these days.

    Anouk Aimée is the big star, with big hair and French insouciance, but Gary Lockwood is the real beauty here. Shame about his wooden acting, though his character is going to Vietnam to die, so perhaps he can be forgiven for the lack of emotion, and he has some cool 1960s friends to sponge from.

    This is 1960s euro-nihilism in America, and while it doesn't hit the heights of great cinema, it's a cool reflection of the times.
    6moonspinner55

    The French New Wave comes to Los Angeles...not a big night at the movies, but pleasant enough

    Gary Lockwood cuts an amusingly masculine presence on the screen: dressed in T-shirts and blue jeans, chain-smoking and driving a revamped jalopy--his hair combed down over his forehead like a teenage car mechanic--he's a walking centerfold out of Tiger Beat. Lockwood plays an unemployed denizen of Los Angeles who follows peculiarly glamorous Anouk Aimée one afternoon down the city street and into a model shop (where men can photograph girls--look but don't touch). She's a French immigrant who'll be returning home soon (something to do with her papers), and he's been drafted and about to have his car repossessed. Certainly a one-night-stand is all these two lovelies can afford, but the things they talk about, the connection they make, may last a lot longer. Director Jacques Demy seems to have fallen in love with late-'60s L.A., and much of the movie is spent just following Lockwood around from place to place. It isn't right to say the picture meanders (it hasn't got the agenda to meander from!), though it does feel mighty thin. Films based upon character and conversation are apt to tire some viewers' patience, but those in the mood for a low-keyed, would-be love story could certainly do worse. Lockwood is boyish but solemn, perhaps a loner, and of very few words; still, he connects with viewers on an intrinsic level (you trust him) and his final scene on the telephone is a winner. **1/2 from ****

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    Trama

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    Lo sapevi?

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    • Quiz
      Harrison Ford was Jacques Demy's first choice for the main character instead of Gary Lockwood, but Columbia didn't want Ford, saying he wouldn't make any money. Demy's wife Agnès Varda shot a screen test of Ford, clips of which are included in her documentary Les plages d'Agnès (2008).
    • Citazioni

      [last lines]

      George Matthews: I just wanted to tell her that I loved her. I just wanted her to know that I wanted to try to begin again. You know what I mean? That I was, I just wanted her to know that I was going to try. Yeah, it sounds stupid, doesn't it? But, I can, you know. I mean, I personally can. Always try, you know. Yeah, always try. Yeah, always try.

    • Connessioni
      Featured in L'univers de Jacques Demy (1995)
    • Colonne sonore
      The Moving Van
      (uncredited)

      Written by Ed Cassidy, Jay Ferguson, John Locke, Mark Andes and Randy California

      Performed by Spirit

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    Dettagli

    Modifica
    • Data di uscita
      • 1 aprile 1969 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Model Shop
    • Luoghi delle riprese
      • 7040 Hawthorn Ave, Los Angeles, California, Stati Uniti(House where George meets up with the band Spirit. The house number is visible as he knocks on the front door. The house was demolished in 1970. A few other buildings on this street still stand though, including the parking garage, and apartment building.)
    • Azienda produttrice
      • Columbia Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 1.000.000 USD (previsto)
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 37 minuti
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.85 : 1

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