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IMDbPro

Love Feast

  • 1969
  • X
  • 1h 3min
VALUTAZIONE IMDb
2,9/10
240
LA TUA VALUTAZIONE
Love Feast (1969)
Commedia

Aggiungi una trama nella tua linguaInept director Ed Wood plays a cross-dressing erotic photographer.Inept director Ed Wood plays a cross-dressing erotic photographer.Inept director Ed Wood plays a cross-dressing erotic photographer.

  • Regia
    • Joseph F. Robertson
  • Sceneggiatura
    • Joseph F. Robertson
    • Harry Kaye
  • Star
    • Mia Coco
    • Linda Colpin
    • Cynthia Denny
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    2,9/10
    240
    LA TUA VALUTAZIONE
    • Regia
      • Joseph F. Robertson
    • Sceneggiatura
      • Joseph F. Robertson
      • Harry Kaye
    • Star
      • Mia Coco
      • Linda Colpin
      • Cynthia Denny
    • 7Recensioni degli utenti
    • 15Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto21

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    Interpreti principali8

    Modifica
    Mia Coco
    • Black Model
    • (non citato nei titoli originali)
    Linda Colpin
      Cynthia Denny
      • Dolly
      • (non citato nei titoli originali)
      Neola Graef
      • Girl in Red Minidress
      • (non citato nei titoli originali)
      Lynn Harris
      • Credits Girl
      • (non citato nei titoli originali)
      Casey Larrain
      • Linda
      • (non citato nei titoli originali)
      Heather Starr
      • Susan
      • (non citato nei titoli originali)
      Edward D. Wood Jr.
      Edward D. Wood Jr.
      • Mr. Murphy
      • (non citato nei titoli originali)
      • Regia
        • Joseph F. Robertson
      • Sceneggiatura
        • Joseph F. Robertson
        • Harry Kaye
      • Tutti gli interpreti e le troupe
      • Produzione, botteghino e altro su IMDbPro

      Recensioni degli utenti7

      2,9240
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      Recensioni in evidenza

      1Nestor-4

      Gruesome with a captial "G"

      Ed Wood was in a pretty sorry state by the time The Love Feast came around. He was an alcoholic and his Errol Flynn-like looks had been eradicated by years of over-indulgence.

      Love Feast sees Ed as Mr Murphy, a priapistic photographer who shares with the viewer his technique of getting women in the sack. It simply involves phoning a modelling agency and getting eager young models over to his place and getting them to disrobe before seducing them into his boudoir.

      Soon Ed realises that he has been sent over more crumpet than even HE can handle and eventually reinforcements arrive in the shape of a cab driver and a couple of plumbers (which is appropriate for this movie, really) and they join in the fun on Ed's bed, which is now a seething mass of arms & legs.

      Despite the fact that there are numerous open-crotch shots during the movie, there is a remarkably childish attitude towards sex and the treatment of women in general.

      Ed finally cracks and is seen in women's underwear (must have taken some persuading to get him to do that...) and needless to say that by the end of the movie, he doesn't get his end away.

      Ed Wood was clearly in poor health and the watching him in the movie makes you feel very sorry for him - it looks like he was being exploited by giving him plenty of booze on camera.

      The cinematography is simply atrocious - the worst kind of "point-and-prey" film-making - the copious amount of nudity is not erotic in the slightest, with no make-up to disguise the numerous bruises on the women involved.

      Love Feast is the kind of movie that Ed Wood was probably grateful that he didn't direct - it is simply ghastly and tragic to see Ed sing for his supper during his twilight years. It was a pity that all copies weren't destroyed. OK, Ed Wood wasn't a great director, but we can think of other people more deserving of the "Worst Director Of All Time" accolade.

      Director (and war buddy of Ed Wood) Joseph F Robertson said that Ed Wood "made slop pictures" - there are worse words to describe Love Feast, but they can't be printed on here...

      Absolute garbage. Avoid like Black Death.
      Sycotron

      Ed, whatever they paid you it wasn't enough

      Man, after seeing this I feel like I fell down a flight of stairs. I'm not sure I'm going to recover from the sight of Ed Wood on his hands and knees in a pink nightgown licking a girl's boots. Plus one girl pulls off Ed's underwear, hands them to another girl who proceeds to rub them over her chest. Yikes. Celibacy here I come.

      The orgy in the bedroom seems as if it was imagined by a small child who knows what all the parts are but is not sure how they fit together. There is a lot of touching and rolling around but no real sexual contact.

      Exactly who did the film-makers think this would appeal to???
      joeblev

      Poor, poor Ed Wood

      I've never seen an Ed Wood movie I didn't enjoy on some level... until I saw this vile thing. The previous comment was right on the money. This film is so anti-erotic it's horrifying. Imagine the nightmare of seeing a bloated, groggy Ed Wood cavorting in his underwear with pimply, pale-skinned floozies who look like they were rounded up from the local VD clinic. I couldn't sit through more than ten minutes of this movie at a time. To survive one viewing, I had to take frequent breaks during which I'd watch something else to clear my mind of the awful images from the film. The movie is so aggressively ugly and difficult to watch that it could convince people to give up sex entirely... or at least give up watching sex films entirely. Unless you have a strong stomach, this film is unwatchable. Just getting through the hideous opening credits is a chore. One thing is certain: when it comes to sexploitation, Ed Wood was no Russ Meyer.

      Rhino should be ashamed of itself for releasing this film to DVD under the title "Pretty Models All in a Row" and brazenly marketing it to Ed Wood fans. If the company really wanted to honor the memory of Ed Wood, they'd round up every print of this abomination and bury them where no one would ever find them again. The DVD also contains the entertaining Wood documentary, "Look Back in Angora," which is available separately on video.

      If you simply must watch one of Wood's nudie flicks, please go for "Orgy of the Dead" instead. Even though Wood didn't direct that one himself, it has all of his signature touches... and it's a hell of a lot more entertaining than "The Love Feast."
      Michael_Elliott

      Wood Getting Wood

      LOVE FEAST, THE (1969) aka PRETTY MODELS ALL IN A ROW

      ** 1/2 (out of four)

      An old pervert (Ed Wood) pretends to be a photographer so that modeling agencies will send beautiful women to his house. One day, ten women show up so they all jump on a bed and start messing around. This here is a silly softcore film, which has Wood giving a funny performance and his screenplay has the usual funny dialogue, which makes this a slice above the normal type of flick. To say the film isn't well made would be a given but fans of Wood will get a kick out of seeing him act along side so many beautiful women.

      Rhino released this to DVD but it's now out of print.
      1Octavian

      possibly the least erotic pornographic film

      "The Love Feast" serves as proof that the presence of Ed Wood in any film project was a guarantee of failure. Even in the relatively undemanding genre of soft-core pornography, where such Wood trademarks as bizarre dialogue, improbable plotting, and awful acting are par for the course, this is a certifiable stinker. Despite the film's theme, and the near-constant full-frontal nudity, there is nothing erotic, or even remotely arousing, in this film. And that's not just my opinion- I watched this film with a group of five people, representing both of the major genders and various sexual orientations, and we all agreed that it was a strong contender for the least arousing pornographic film in existence. There's not much more to say about this film, except that after it was over I felt sorry for Ed Wood. Even someone as talentless as he was shouldn't have to work on such a miserable project.

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      Trama

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      • Curiosità sui crediti
        The film's title and opening credits are painted on Lynn Harris's nude body.
      • Connessioni
        Featured in Love Making U.S.A. (1971)

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      Dettagli

      Modifica
      • Data di uscita
        • 26 dicembre 2022 (Stati Uniti)
      • Paese di origine
        • Stati Uniti
      • Lingua
        • Inglese
      • Celebre anche come
        • The Photographer's Love Feast
      • Luoghi delle riprese
        • CHN Studio, 7428 Santa Monica Blvd, Hollywood, California, Stati Uniti
      • Azienda produttrice
        • Robertson-Kay Productions
      • Vedi altri crediti dell’azienda su IMDbPro

      Specifiche tecniche

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      • Tempo di esecuzione
        1 ora 3 minuti
      • Colore
        • Color
      • Mix di suoni
        • Mono
      • Proporzioni
        • 1.33 : 1

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