I brevi giorni selvaggi

To the poster who asked if her name change to Seagull had anything to do with the film, the answer is yes.

While filming one of the scenes with the bird, it was accidentally killed. She was so moved ( or guilt ridden) by it that she changed her name to Seagull to memorialize it. I read this in an biography of her years ago.

Seems vaguely stuntish, but it was the 60s, after all. One thing that always interested me was that her career stalled for years, and it wasn't until after she changed her name back to Hershy that she got more roles and respect. Kind of like Dionne Warwick/Warwicke.

You must see it uncut for the full effect. The conclusion at the beach is the whole point of the film, as Evan Hunter points out in his interview in "The Writer". I was agast the first time I saw it on commercial TV (late night).

I caught this film late at night and stayed up until 4am watching it. It is a beautifully crafted story and intriguing to watch Barbara Hershey, Richard Thomas, and Bruce Davidson give such strong performances at the start of their careers. Catherine Burns, however, steals the film as Rhoda. Her performance is nothing short of screen perfection and should be required viewing for every actor. She gives a monologue about her mother's death that will leave you feeling as alone as she is.

If you write screenplays, don't miss Catherine Burns's "speech" about her mother in Last Summer - a more powerful, evocative use of single-character dialogue in a film probably doesn't exist. While I enjoyed the rest of the film, it couldn't match this moment, and it's easy to see why CB was nominated for an Oscar.

This coming of age drama is about four friends living on an island who meet on the beach. As they discover sex and each other they are at times brave, kind and considerate. However at other times a darker side to their nature appears and they are cowardly, selfish and cruel. The characters' parents never appear in the movie and all verbal references to them are negative. We are left with the impression that these young adults are left to their own devices and they are growing up without morals. The film is shot in soft focus and the days are the perfect Summer idyll. The symbolism is a little unsubtle at times, but the performances are good. Catherine Burns received an oscar nomination.