Una vergine per l'inquisitore

In the Seventeenth Century, in Moravia, the altar boy report to the priest that an old beggar woman has hidden her host in a piece of cloth during the communion. The priest brings the woman to question why she did it, and she tells him that another woman has promised food to her since her cow is not producing milk and she wanted to give the host to the animal. The priest brings the case to the Powers that Be in the town and priest Krystof Lautner (Elo Romancik), who is an intellectual man, tells him that it is a superstition from ignorant people and to give a penance to her. However, the priest brings the unscrupulous witchfinder Boblig von Edelstadt (Vladimír Smeral) that comes with his associate to Moravia and using torture, sentences three women to be burnt alive at stake. Then, he targets to the wealthy men in Moravia to get their fortunes, and to Lautner, who is a threat to him.

Serious movies about the Inquisition in the Dark Ages are usually unpleasant and disturbing. "Kladivo na carodejnice" (1970), a.k.a. "Witchhammer" is no exception to this rule and shows the corruption produced by the absolute power. In the present days, we have dictatorships, fanatic regimes, McCarthyism and supreme courts with excessive power in certain countries to show that this dark side of the mankind still prevails. The torture associated to the absolute power like it was in the Seventeenth Century completes the idea why this period of history is called Dark Ages. The direction and performances in this film are awesome associated to the black-and-white cinematography that gives the sensation of a documentary. My vote is eight.

Title (Brazil): "O Martelo das Bruxas" ("The Hammer of the Witches")

After the book Malleus Maleficarum that was publish on late 15th century in the Germany, all Europe afterwards suffering the evil power that start on Spain as the Spanish Inquisition spreading as fire, this picture was made under the old and authentic transcriptions between 1678 to 1695, describing the modus operandi over the citizen, starts to the poor's people, the next they were under torture nominate some wealthy mid class, until to reach in members of the clergy, that supposedly were against those inquires, no one dared faces such power, their properties and money was used to pay the high costs of those trial process, a fabulous picture from Czechoslovakia, a true piece of cinema, according some sources in a priceless documentary which l'd watched recently, something near of the sixty thousands people were killed in those darkest era, mostly by mental disorders, weird behaviors, hunchbacks, facial asymmetry among others abnormalities, indeed a black page of the mankind!!!

Resume:

First watch: 2019 / How many: 1 / Source: DVD / Rating: 9

The persecution of witches is a rather popular cinematic topic; the best film on the topic undoubtedly being 1968's Witchfinder General. This Czech effort follows a similar plot line to the earlier film, though the result is much artier and less graphic and while I preferred the older film - this one has its merits and will be of interest to people who find this topic interesting or who enjoy arty foreign films. The style of the movie rather reminded me of Ingmar Bergman's work (though less 'deep') and fans of his (a group of people that doesn't include me) will probably like this film too. The film begins with a sequence that sees an old woman take something from a church in order to help a cow give birth. Naturally, the powers that be aren't amused and after being caught, she is put before them to explain her actions. The council agree that she is involved in witchcraft, but other people are also implicated during the trial; and after she is put to death, the 'town cleanser' goes on a crusade to rid the town of all "witchcraft".

The film features very stark black and white cinematography and this helps the film in terms of atmosphere as it feels very dark and unpleasant, which bodes well with the plot. The film is not very graphic - especially not compared to other films on this topic and not in its own right either; only a scene that sees three people burned alive could really be considered graphic. Most of the plot line is made up of debate between the lead characters and while it's fairly interesting, the film did start to grate on me after a while and I would have preferred it to be a bit more visceral. Witches' Hammer is very well acted and the ensemble cast all fit into their roles well. This is the first (and probably last) film I've seen from director Otakar Vávra but clearly he's a director that pays attention to detail as every frame of the film feels carefully crafted. Overall, I won't say that this is a favourite of mine and if you're looking for a film about the witch trials, I would recommend Witchfinder General first; but Witches' Hammer is an interesting film and may be of interest to some people.

This Czech take on witch trials is a really well-made drama, though it feels a bit older than it's 1969/70 date. While the topic is reasonably well trodden, even by this time, this version effectively highlights the perversions of the accusers, laying out clearly the financial and sexual motivations of them. Witch trials is a topic that is always a hard watch where, as a viewer, you can feel how trapped all parties seem to be, and the inevitability of an end. It doesn't feel like it's a clearly trying to build modern parallels as Arthur Miller's play, but not knowing a lot about Czech life at the time, it's possible I'm missing it.

There are generally good performances all round, although perhaps a couple of the women could been given a more time. I felt I got enough of Boblig and it would have been better to round a couple of the other characters. In the end, it is a relatively straight forward drama, the 'torture' scenes are pretty mild and the opening scenes with plenty of nudity do not reflect the rest of the film. In retrospect, they feel like a bit of an 'add-on'. Well worth a watch.

WITCHHAMMER is a Czech horror film, based on the actual inquisition notes from the 17th Century, a time when superstition was rampant, The Church was ultra-powerful, and Christianity was seen as the only true religion.

When an old woman absconds with a single communion wafer, she is used as proof that The Devil is on the loose, creating his coven of witches. When the Inquisitor is brought in to investigate the situation, he soon finds just what he needs to get his convictions.

As others have pointed out, this movie is an excellent allegory for what was taking place in Czechoslovakia during the 1950s, under the boot of communism. Such "interrogations" were used, as in most cases, not to get to "the truth", but to break the will and destroy the mind.

One thing is made crystal clear in this film: If you hurt someone, anyone, enough, they will say whatever you want them to say, regardless of how absurd or untrue it may be. This has been common knowledge for thousands of years, and persists all over the world, even in this "enlightened" age.

WITCHHAMMER gets the point across like no other example of its subgenre: These women are in a no-win situation, and the men standing in judgement over them are sadists, interested only in confessions, no matter what agony must be inflicted to extract them. Anyone who seeks to help the condemned, no matter what position they hold, will face the same, grim fate.

A disturbing, brutal movie for its time, you won't soon forget it...