Ittefaq

Ittefaq was a successful and yet, for several reasons, was a bold experiment in Indian cinema. First and foremost for the fact it had no songs, secondly for the theme of the film, thirdly for portraying a leading character in the film as a negative one, fourthly it was a film totally different from what normally Rajesh Khanna or Yash Chopra used to do. Rajesh Khanna puts in an excellent acting performance in the role of a man accused of murdering his wife and on the run from the law for it. Yash Chopra (director) handles the film brilliantly and the viewer is kept on the edge and guessing right thru to the end. A must see for all lovers of Good Indian Cinema. (Hmmm Good Indian Cinema sound like a misnomer in today's Bollywood)

Very good story. Very few actors on the screen. No songs and yet this movie is a great suspense thriller. Nanda looks very sexy in this movie. She is vulnerable and voluptuous. Rajesh Khanna is does a different kind of role. Overall a must see. Turn off the lights and enjoy.

This movie which was a suspense filled drama,had an excellent script but the direction ranged from being totally amateurish to one of competence! Rajesh Khanna's acting ranged from extreme over acting to competence. The rest of the cast were average.

7/10.

Ittefaq is a film directed by Yash Chopra. The film caught my attention as a remake was being produced in 2017 of the same name. Researching the film, I decided that I had to watch it. And after watching it I can say that I liked the film a lot.

Plot: Dilip Roy seeks shelter in Rekha's house after escaping a mental asylum. But Rekha too has secrets of her own.

Story and direction: The film being a remake comes as no surprise to me. But still for pulling of this kind of film requires guts. Releasing in an era where romance dominated and films had songs that were hummable is quite a challenge. But this film stood by every means. We get greatly woven characters and story. Which is what anyone wants in a film. You care for each and very character that is present on the screen. I remember being on the edge of the seat every minute. Being 105 minutes, the film utilized mostly every minute. And the editing is so great. It feels like the film took place in one shot. But this film has its share of flaws. Somewhere after 40 minutes have passed, the next 20 minutes have nothing much to offer. I felt bores during that time. But then the film gets a rise and again my interest for the film piqued. The background score wasn't much interesting too. It employed some strange sounds and music which was just noise to my years. Considering Salil Choudhary's calibre that wasn't expected.

Performances: Nanda was impressed. Her variations in her character clearly reflected in her acting. Rajesh Khanna again proved no matter what the role he can master it. Iftekhar and Bindu too provided some great support. Sujit Kumar was good too.

Favorite Scene: The scene where Dilip tells Rekha that we can live together in this world without any anger or hate. The way in which Rajesh Khanna said the dialogue and the setting made me attract towars this scene.

Verdict: Although with a few hiccups. Ittefaq is quite a decent watch. Considering the time in which it was made it is quite good. Yash Chopra still proved that why we still consider him as one of the great directors.

I am going with an 8.5/10.

It has been 50 years since the movie release and ever since then the movie has held its popularity as a cult classic over the years. The 2019 remake starring Siddharth Malhotra and Sonakshi Sinha is a testament that the plot line is still relevant and still popular.

The movie revolves around a painter - Dilip Roy who has been convicted for the murder of his wife and is on the run from the mental asylum, he takes refuge in a lone house where a women is waiting for her husband who is expected to arrive later in the night. As the night progresses, the chemistry between the fugitive and the female evolves before secrets tumble out of the closet.

Despite multiple reruns, I still get impressed with the chemistry between Rajesh Khanna (Dilip Roy) and Nanda (Mrs. Jagmohan) and how Yash Chopra (the director) managed a script that breaks the stereotype of a murdered and her counter. Full marks to the supporting cast which involve many senior artists that make full use of the meaty plotline. The background score is scary and does full justice to the plot.