De Sade 70

Eugenie is a film that shocked 1969 audiences, with interracial kissing, woman-to-woman fondling, and brother-sister sex games. It is beautifully filmed, sublimely acted (within its cult pedigree), and has reams of coolness, which makes it a good bet for modern audiences. If you get bored watching Connery drive his Aston Martin to a romantic rendezvous for some witty repartee, Eugenie will likely bore you. If you prefer graphic to simulated, you might find it lame. But if you can buy into the characters and appreciate the care of the filmmaking, Eugenie is a rewarding, disturbing piece of celluloid. In the interview, Franco states "Of all my films, it is the one I hate the least." If you know Franco and his staggering body of work, that's saying something.

"Eugenie" is a scandalous story from the Marquis de Sade about a naive young girl who is sold by her father into the servitude of a married pair of depraved libertines who proceed to seduce and debauch her. Not surprisingly, it has not received a lot cinematic treatment (and could probably not even be made these days). Even the incredibly prolific and repetitive Jesus Franco only made two versions of the story, this and one in the early 80's called "Erotismo" ("Eugenie de Sade", made a year later with Soledad Miranda, is also based on a De Sade story, but is about a very different character also named Eugenie).

This is no doubt the better version. It was made at a time when Franco had access to plenty of a money through producer Harry Allen Towers and quality international stars, not only Maria Rohm and Jack Taylor as the libertine couple, but even Christopher Lee (who apparently had no idea what he was getting into) as the leader of the strange sex cult the pair belong to. As the title character Eugenie, Swedish actress Marie "Inga" Lillejahl is a typical Franco actress of the period--not as talented as some Franco collaborators like Soledad Miranda or Rosalba Neri, but very beautiful and classy unlike many of his later actresses (including his wife Lina Romay, who beautiful as she was, had a bad tendency of indulging the director in his most tasteless cinematic fantasies). Lillejahl, I might also add, was older than the character she played, and it turns out it's much better to cast a twenty year old as a fourteen year in a fairly explicit role than an actual fourteen year old as he did in "Erotismo" (Katja Beinert, who ironically could have easily passed for twenty), not only for moral reasons but also artistic ones--just as a drunk is best played by someone who is not actually drunk, a naive innocent is most effectively played by someone who is NOT actually a naive innocent.

The beautiful, dream-like style of the movie also does a lot to mitigate the inherent sleaziness of the subject matter. The scenes of Lillejahl stumbling naked along barren sand dunes with lots of phallic jutting rocks as the morning sun comes up are very memorable (even if they don't make a lot of sense). The repetitive opening and closing sequences Franco uses is a hoary device that goes all the way back to the British classic "Dead of Night", but it is quite effective and really adds to the dream-like atmosphere. One of the "good" Franco movies.

It is not difficult to understand why this languorous Franco ero-drama caused quite the controversy when released in 1970. It is sexually frank and throws in incest, lesbianism and interracial kissing with gleeful abandon.

Today, it seems very tame from a graphic point of view, but its sexual politics are way ahead of the ultra-conservative (sexual) climate the film industry currently operates in.

This is not an el cheapo Franco flutter shot on a castle set with bad lighting and hit-and-miss focus. It is beautifully shot by Manuel Merino and, as always, Bruno Nicolai delivers a rich, evocative score.

Eugenie's "journey" into perversion encompasses light lesbianism, a little rough intercourse and some soft whipping of her tender breasts. She emerges more lost and confused than liberated and ends up wandering nude for several minutes on an island; this sequence, the film's strongest, is quite surreal.

Marie Liljedahl, who plays Eugenie, is not Soledad Miranda, and is quite bland in her leading lady role.

Jack Taylor is suitably oily as Maria Rohm's lust-filled brother and Rohm makes the most of her role as Eugene's corrupter.

I like EUGENIE DE SADE quite a bit more than this and find it far more erotic, but this is worth a look, if not high praise.

Jess Franco - smut king with talent. Maybe not at his best in this film, but worth buying for de Sade's writings flung into (what was then) present day, as an innocent girl gets seduced by a pervy couple and goes to stay with them upon her father's agreement. She gets sucked into a perversion story before becoming the perversion herself, when violent things naturally happen.

The sex is very restrained for a Franco film, and Chris Lee looks vaguely ashamed in a limited role. But Lee's comments on the DVD about finding himself in a film showing in porn cinemas in Soho, entirely to his surprise, are worthy of purchase alone. He also praises Franco, as he should - the guy has vision, but don't ask me what that vision is!

To see Jess Franco at his erotic best, buy Female Vampire. For Franco completists, and fans of: quirky genre films, the forgotten roles of Christopher Lee, or mildly spicy filmic delights - get to see Eugenie!

I'm sorry, I just can't be objective about 'Eugenie'. As I already love Jess Franco movies I can't even begin to imagine what someone unfamiliar with his output would make of this one. They'd probably be bored I suppose, but it's difficult to say. If you already groove behind Franco's strange and stylish sexploitation movies you will enjoy this one, loosely based on the Marquis De Sade. Franco regulars Jack Taylor ('Succubus'), Maria Rohm ('The Bloody Judge') and Paul Muller ('Vampyros Lesbos') are on hand, but the main reason to watch this is for the gorgeous Marie Liljedahl, best remembered as the star of 60s erotic cult fave 'Inga', and the appearance of horror legend Christopher Lee. Lee basically did this one as a favour for producer Harry Alan Towers, filmed for one day, and was later shocked to see the nudity that surrounded him. Franco made some borderline hardcore movies in his career, but despite being inspired by De Sade, 'Eugenie' isn't one of them, and is really quite tame. There's lots of nudity, and a bit of whipping, but that's about it. Eugenie's "journey into perversion" mainly appears to involve having her breasts fondled by various people and smoking a funny cigarette, but as Ms. Liljedahl is such a major babe most viewers will not be disappointed. The movie seems to have a much larger budget than many of Franco's other similar movies, and while the ultra-groovy soundtrack isn't as mind-blowing as 'Vampyros Lesbos' it's still very cool. So Franco fans will really dig this one, but newcomers are best advised checking out 'Succubus' or 'Vampyros Lesbos' first. Jess Franco's movies are certainly an acquired taste, but once you get hooked they are a real delight! I've only seen about a dozen out of his 200+ (or is that 300+?) output, and I would put 'Eugenie' somewhere in the middle. Not his best, but still recommended to fans of 1960s Eurosleaze.