Il buio

When I was about 10 years old me and my friend saw this on TV and the ending really freaked us out! We had never seen so much blood and gore on television before and it stunned us. Well, 30 years later I've finally seen this film again. I've been searching for it ever since. I didn't know the title but I never miss a horror film so I was bound to run into it again. It took 30 years! The film starts slowly with Frankie Avalon playing a rare serious role. The film has two very bloody scenes that you don't expect from an Avalon film during this time. The ending is strange and inconclusive. One of the things that I did enjoy are the real 60's London mod style of clothing. Very interesting to see the style during these times. But the film does have a fatal flaw. There just is to much talking and not enough time spent in the horror house. So after all these years the two bloody scenes still pack a wallop but its still a tedious film. A curio, though.

I have to say I was pleasantly surprised by this one; I went in expecting nothing and actually found a more than decent horror movie. The film is directed by Michael Armstrong, a British man who would go on to direct the excellent 'Mark of the Devil' a year later. The title is a bit misleading as it makes the film out to be a haunted house movie, when in fact it's closer to the slasher genre if anything. The film takes place in sixties 'swinging' London and focuses on a group of young friends. They're out one night and looking for a party when one of them suggests that they go to an old house that is supposedly haunted. Their party turns sour when one of the friends gets sliced by an unseen killer and, believing they would be in trouble with the local bobby's if they come forward, they decide to dispose of the body themselves. I have to admit that the film is really quite predictable and even though it's a "whodunit", there's never a great deal of mystery surrounding anything in the film. The film is very well shot, however, and the director does a good job of capturing the swinging sixties feel. It's also a very colourful film, which is nice. The acting is rubbish of course, but that's not too important and it all boils down to a nice little twist at the end. I can't say this is brilliant stuff; but it's not bad and worth a look for horror fans.

In the highly-alliterative and genre-suggestive Haunted House Of Horror, a group of teenagers, bored with the party they're attending one evening, decide to liven things up by trooping off to a supposedly, and unsurprisingly, haunted house to conduct a seance, wherein deadly consequences soon occur.

Having known little about this film for years other than its title, I found myself expecting a far different tale to the one that actually unfolded. Was there in fact any supernatural activity as the title suggested, or was the horror more conventional, leading to an earthbound whodunnit with B-movie slasher overtones? I must admit I was kept guessing for a while until those answers resolved themselves. All the meanwhile, I found myself reasonably entertained by the look and feel of a contemporary British sixties horror, from the swinging fashions to the unbelievable amount of smoking - actor George Sewell alone gives his best cigarette acting in this film. The musical score is fairly standard for the day and place - a good deal of brass, strings, moody piano and dramatic drum riffs. In fact, there were times when I felt sure this was a Bill ('Daleks: Invasion Earth 2150') McGuffie special, so either Reg Tilsley was familiar with his work, or these musical motifs were in vogue at the time. The lighting too is fairly conventional, though the day-for-night shooting became a little annoying after a while. Murky blue skies do not suggest midnight no matter how you dress them up, and must've been even more obvious on the silver screen.

The acting is competent if restrained - in part due to the lack of any really meaty roles on offer, though there are several luminaries of the period to help breathe life into the whole effort. Besides Sewell, we also have the soon-to-be Man About The House himself, Richard O'Sullivan, frequent TV guest star Jill Hawarth, and Robin Stewart, also soon to become well-known in Bless This House. Why we didn't get to see a lot more of the gorgeous Gina Warwick on the other hand, is a bit of a mystery. She and Hawarth almost make up for what is in the end, a rather pedestrian adventure.

And this in the end is what it is. I give it points for casting, period novelty, and for playing a little with audience expectations to avoid predictable plot trappings, but in the end, there is nothing ultimately remarkable about Haunted House Of Horror that helps it stand out from the competition of the day, like the popular Hammer Horror films. Which is not to say that their offerings are not sometimes prone to character cyphers, uneven pacing and abrupt endings, but more practiced hands on their part tend to make these things less of an issue. Interestingly, Tigon Films did snag horror veterans Karloff, Price, Cushing and Lee on a couple of occasions to produce horror-thrillers better received than what you find here - Scream And Scream Again, anybody? Nonetheless, Haunted House Of Horror should not be summarily dismissed - it's worth a look, but only if you've gotten a ways down through your must-view list.

i really enjoyed this movie.

why?

because it is FUN to watch. movies don't have to be deeply meaningful or classy or poetic..

more important than all that is that it is fun to watch.

i don't mean comedy-funny, i mean a flow, a structure and a story that doesn't make you snooze. (maybe some actors that actually can act, but thats a dying breed)

this movie is entertaining and fun, sure the story is thin and the middle drags a little, but it really doesn't matter..

you got frankie avalon, a dark old house and some outrageous 6oties hairdos, what more can you want?

England's Tigon films the people behind Witchfinder General produced this boring 1969 effort, an early slasher movie, and Michael Armstrong who directed the entertaining Witchfinder rip off Mark Of The Devil directed. In swinging London, a group of friends are attending Frankie Avalon's dull house party and decide to go to a haunted mansion to hold a seance instead. When one of their group is brutally murdered the others abandon his body and flee the scene knowing that one of them is the killer. Boris Karloff was originally supposed to play the detective investigating the goings but was too ill to appear, so Dennis Price took the role instead. Armstrong wanted Ian Ogilvy to play the lead role, but American backers AIP insisted that the part go to Frankie Avalon (who was nearly 30 at the time and under contract to them). There are a few decent shock sequences and a liberal flow of blood, but this supposedly haunted house is more likely to induce sleep than give you nightmares.