Il ragazzo selvaggio

An absolutely enthralling film, based on the true story of a real-life boy "Tarzan". Discovered in a French Aveyron forest, in the late 1700s, "The Wild Child" was considered to be a deaf and dumb savage. But, young doctor Jean Itard (played by director Francois Truffaut) believes he can "civilize" the child. With tentative permission from the child's guardian "Institute for the Deaf and Dumb", Dr. Itard takes the savage boy into his home. Itard becomes the child's teacher and, ultimately, surrogate parent. Housekeeper Françoise Seigner adds some expert motherly affection. Itard symbolically names the boy "Victor" due to his preference for the ending "O" sound.

Director/writer/co-star Truffaut's "L' Infant sauvage" is a minor masterpiece. It's beautifully photographed (by Nestor Almendros), thought-provoking, and emotionally captivating. The ending events are, in fact, an emotional roller-coaster. Truffaut elicits a tremendous performance from Jean-Pierre Cargol as the savage young Victor. A great film for parents, teachers, and children (which means, of course, everyone).

********* L' Infant sauvage (2/26/70) François Truffaut ~ Jean-Pierre Cargol, François Truffaut, Françoise Seigner, Jean Dasté

If it weren't for several other strong works from Truffaut, this one would be my favorite. And it somes ways it is my favorite. The interaction between Victor and Dr. Itard was splendidly done. It was a joy simply to watch Truffaut on- screen directing the boy's progress, much like he must have done off-screen to get some very human reactions. At no point during this film did I think a scene was overdone or unnatural. It just seemed to flow from one small triumph to the next. My only complaint was that the whole experiment ended abrubtly, and so too did the movie. We are told by Dr. Itard that Victor is a extraordinary boy, but he has much training left to master. There were many points along the way where doubt lingered as to whether the wild child could be fully trained at all until the final scene. There we learn that Victor has a new home.

This movie was based on a true event which took place in the late 1700s. Unfortunately for the audience, the most pressing question of what became of Victor in his adult life is left unanswered. But fans of Francois Truffaut will find him even more engaging than in his role of Claude Lacombe in "Close Encounters of the Third Kind". The roles are similar in many ways. If Lacombe could have taken home the child-like aliens to instruct, I'm sure he would have been much like Dr. Itard.

The film is well made with good performances by Victor the wild child as well as Truffaut as his doctor and father figure.

Truffaut's main concern is studying what humans really are when you strip away the socialization process. Do we have morals? Language abilities? Compassion? This was also the main question for Dr. Itard who raised the boy after he was found.

However, the legitimacy of the wild child is called into question early in the film. Is Victor a normal human child or was there something abnormal about him that caused his family to abandon him? If he was abnormal to begin with, then we really can't conclude anything about what humanity would be like without the socialization process.

Reading through Dr. Itard's notes, many have concluded that Victor was an autistic child. His parents probably found him uncontrollable and abandoned him in the woods. So while Dr. Itard believed he was seeing the results of a normal boy with no socialization, he was probably seeing the results of a normal autistic child.

Despite this problem, the film is still interesting to watch but it ends up raising more questions than it answers.

This austere ,black and white movie might be Truffaut's peak.Recalling sometimes,in its spirit,Penn's "miracle worker",the work suffuses with humanism,belief in dignity of man .The child ,for Truffaut,is a frail human being,who needs (and deserves ) education.Hence,some critics called "wild child" the positive side of "the 400 blows".Perhaps so,but ,in my humble opinion,the 1969 effort is much stronger than the rather academic first attempt.Following Doctor Itard's report with absolute fidelity,and portraying him with gusto,Truffaut is a much better actor here than he 's in Spielberg's "close encounters".The production is pared down to the essential,using old-fashioned techniques,recalling silent movies.I do not think,like M.Maltin,that it "loses steam half-way through".On the contrary,the most important scene in the whole movie comes in the last third:Victor,the wild child ,unfairly punished,rebels.He can see the difference between good and bad.Might it be possible that moral conscience should be innate? Does society,as Rousseau believed it pervert man? At the beginning of the movie,remember how cruel was our civilized populace to the different child: showed in public,like a queer animal,to make dough. All teachers in the world should see this masterpiece.

NB:In France,in primary school,a lot of pupils read Victor's story.

L'Enfant sauvage, Dir François Truffaut - 1969

Reviewed by Ollie - December 19th 2003

Three hunters discover a naked child, living in a forest. Capturing him, he is taken to an institute for deaf and mute children. From there he is used as little more than an exhibit.

Having read of his story, Jean Itard, a Parisian doctor, played by Truffaut himself, makes it his goal to integrate this 'wild child' into society. What follows is an astonishing tale of a boy, completely deprived of all human contact, as he adapt to life in an unfamiliar, structured society. Named simply 'Victor' by Dr Itard, we watch as kindly doctor attempts to educate and communicate with this unusual child. We see Victor's first smiles; we hear his first intelligible sounds, and witness, for the first time, his tears.

This is a deeply powerful film, directed brilliantly by Truffaut, and far surpassing his earlier, and much more critically acclaimed '400 Blows'. Jean-Pierre Cargol plays Victor with a remarkable passion, and is absolutely convincing as this child of the forest. His mannerisms, his posture, his very presence would have one believing he genuinely was a 'wild child'.

Truffaut follows this story with startling accuracy - based on the real life journals of Dr Itard, his adaptation is faithful to the last. His portrayal of the Doctor is filled with compassion, and a tenderness rarely seen in films.

This is genuine pleasure to watch, and is a testament to enduring spirit of mankind. The main criticism I have is the abrupt ending. We are left with so many unanswered questions. In truth, the real 'Victor' died approximately 28 years after his first encounter with Itard. I know little of what happened during the time span between the end of the film and his death, but I intend to find out. This film is only a glance at a boy being introduced to a strange, frightening and unfamiliar world.

It is not without its moments of humour. The scene where Victor practically throws the doctor tending to Itard from the house is both funny and charming, while remaining delicately underplayed.

Everything about this film works so well, from the minimalist photography to the classical score. The casting could not have been better. Truffaut presents himself as not only an accomplished director, but also as an inspired actor. Jean-Pierre Cargol is utterly believable, and thoroughly likeable as Victor, and mention must go to Françoise Seigner, as Madame Geurin, Itard's housekeeper, and the child's carer.

This is a very special film, which deserves a great deal of respect. The visual transfer to DVD is accurate and crisp, and the mono soundtrack subtle, clear and effective. This is one DVD which would have greatly benefited from some extras. Perhaps some insight into Victors' life from adolescence to his death, and some information on what became of Itard. Lack of extras notwithstanding, this should still be very high on anyone's shopping list, and is highly recommended. I believe this was Truffauts' crowning achievement, and is a truly beautiful and inspiring film.

Reviewed by Ollie.