La sfida degli invincibili campioni

Fang Gang and XiaoMan are living peacefully as farmers. Brothers Black and White Swordsman deliver him an invitation to a gathering by the Eight Warlords. Each warlord with their own minions fight using specific weapons and techniques. The Black and White brothers kill anybody unwilling to attend. Fang Gang refuses and rebukes the brother. The various masters who submit are slaughtered with some imprisoned. The Eight Warlords order the students of these sword clans to cut off their right arm before retrieving the bodies of their masters. In desperation, some of the students come to Fang Gang for help.

This sequel has far more swordplay and action than the original. There are more stunts, bigger stunts and even rudimentary wire work. The various fighting styles are fun. The story does have a few minor problems. The story isn't quite as compelling. It's relatively straight forward. It's still plenty of fun to battle each one of the Warlords.

Fang Gang says that he suspected Hua Niangzi (the Thousand Hands King) all along but he allow her to walk around killing so many men. He could have just searched her for her swords. Even worst, he allowed her to kill his badly injured man telling him to finish her off. The guy needed immediate medical attention. There are also a lot of coincidences and too convenient moments. I'm willing overlook all of those flaws for some some pretty awesome fun fights.

Having never seen the sequel to The One-Armed Swordsman (1968), I was in for quite a shock. To put it simply, this is one of the best kung fu follow-ups I have ever seen. Knowing that the one-armed character is by this time firmly established (and a box office success), director Chang Cheh opts for full-blown action this time around. It is basically The Road Warrior (1981) to the first film's Mad Max (1979), pumping up the action quotient ten fold and rarely slowing down from beginning to end.

Sword fights come at you every five minutes or so, resulting in some amazingly bloody action. I had no idea that any kung fu film from the 60s was so bloody. This effect is remarkably enhanced by the use of palm squibs to send bloody flying and the heroes all white outfits. Another exciting aspect of the film (which would later become a Wang Yu staple) is the use of unorthodox weapons by the heavies. With eight super villains there is a lot of room for some creativity and Cheh and co. don't fail. My personal favorite is the sinister female demon that pulls any numbers of knives from under her flowing robe.

But it is not to say that the film abandons the dramatic aspects of the story. Cheh spends a decent amount of time focusing on Fang Gang's reflection of his violent ways, both past and present. Fang essentially wants to be left alone with his wife but, to employ an overused quote, every time he thinks he is out, they pull him back in. He is a complex character and it is good to his emotional complications played out on screen, especially after the final battle during a celebration. The relationship between Fang and his wife is also highlighted, with both Wang Yu and Chiao Chiao performing well.

After defeating The Long-Armed Devil and his armies, our nubbed hero has been living in retirement as a farmer, but circumstances causes him to come out of retirement and take on The Eight Kings, each warrior with their own unique fighting style. The time has come for the one armed swordsman to return.

Before Chang Cheh was making his "Five Deadly Venoms" films, he was perfecting the wuxia with the One-Armed Swordsman series. Is part two better than the first? Maybe, maybe not. But it is at least as good, with some more solid villains -- including a woman with a thousand blades! The martial arts genre, at least under the direction of Chang Cheh, is interesting in how steady and consistent it remained -- even up through the 1980s, the use of scenery, camera tricks and more remained largely unchanged. But, as they say, if it ain't broke, why fix it?

RETURN OF THE ONE-ARMED SWORDSMAN (1968) is a direct sequel to ONE-ARMED SWORDSMAN (1967), a seminal Hong Kong martial arts film that, unlike earlier swordplay films with Wang Yu (e.g. TWIN SWORDS, MAGNIFICENT TRIO), placed the emphasis on technique and training in order to defeat a superior enemy.

Also directed by Chang Cheh and starring Jimmy Wang Yu, RETURN dispenses with the whole training routine and focuses on a turn of events designed to get the title character out of voluntary retirement and back into action for a series of swordplay battles. A martial arts tournament is set up by Unknown Nemesis (Tien Feng) as a pretext to lure rival martial artists into a trap. Word of this treachery reaches Wang Yu and he reluctantly leaves his farm and wife (Chiao Chiao, returning from the first film) to free the imprisoned swordsmen and wreak vengeance on Unknown Nemesis. After the first half-hour the film is virtually nonstop bloodshed and swordplay, all beautifully photographed on lavish Shaw Bros. studio sets.

Future kung fu star Ti Lung appears as an ill-fated fighter in an early scene with crafty villainess Essie Lin Chia. The fight choreography is by Tang Chia and Liu Chia Liang (Lau Kar Leung), who would both have a great impact on the kung fu films of the 1970s. While Wang Yu went on to star in ONE-ARMED BOXER, he never again played a one-armed fighter in a Shaw Bros. film. When Wang Yu left Shaw Bros., Chang Cheh made THE NEW ONE-ARMED SWORDSMAN (aka TRIPLE IRONS, 1971) with David Chiang in the title role and Ti Lung in support.

A great sequel to the original film 1967 with the two main characters husband and wife reprise their role but went straight to the plot a against the eight dagger clan more action less drama more blood shedding and fight scene... it's already built up all the storyline in the first one... the second one is just smooth sailing onwards

Smooth transition from the original to the sequel... great antagonist and protagonist.