Non uccidevano mai la domenica

Yet another tale of renegade ex-Confererate soldiers with a noisy guitar score, here led by a satanic Jack Palance; this fairly stylish, kill-happy cash-in on Sergio Leone was shot in Spain, hence the incongruous mixture of Americans like Neville Brand and Brits like Kenneth Cope (most incongruous of all being English rose Sylvia Syms, who makes her first appearance decorously topless).

Jack Palance is horrible in this film. He gives what I call a "berserk" performance which is so over the top, that it is hard to watch. George Maharis and Christian Roberts are equally as bad in their acting; both sound ridiculous using Southern accents and they also grossly over act their roles as psycho lunatics. However, if you don't take this garbage too seriously, it does provide some late, rainy night, entertainment.

Unknown and tragic Western with unexpected final and ordinary actors as Vince Edwards and important appearance by the great Jack Palance who does an excessive playing . Passable Western in which Civil War deserters ravage the Old West ; it packs sad atmosphere , wonderful musical score and spectacular outdoors . It deals with a family whose father named Parson Galt (Jack Palance) is leader a violent bunch similarly to Quantrell-Bill Anderson's guerrillas , they are burning buildings , grisly raids , torching planted fields and shooting down livestock to deprive northern people of food , fodder, and support . Parson's men rode out in a little town and most of buildings were burning, including all businesses, his raiders looted indiscriminately and robbed the town's bank . The film is set during American Civil War when the eldest son named David Galt (Vince Edwards) decides the massacre needs to stop . David murders one of his own soldiers by accident during an attack and he is detained and condemned to death in a family run court . Anyway, Edwards getaway after fighting his brother Jacob (George Maharis) ; both of whom hate until death since one of them committed a crime . David goes to Texas, turning his name and living the good life with a spouse (Sylvia Syms) and a newborn. The ex-gunman hopes to settle down with his wife and son , but his old enemies have other plans for him . In Texas, only sheriff (Neville Brand ) knows Edwards' new identity . And his visions of a quiet life are doomed by the re-appearance of enemies from his past . David is taken prisoner and is humbled , beaten, shot, before he either changes certain elements of his character or learns the secret necessary to ultimately get revenge . Later on , there takes place a spectacular struggle between David and Jacob on Austin-Fort Bend train .

Here is a thinking person's Western with elements of Greek tragedy that deals with one ex-guerrillero who also is unable to shake his past and whose ultimate goal for taking root again is impeded by killing and subsequent vengeance . Acceptable twilight Western with interesting dialogue , splendid cinematography by Sam Leavitt and memorable musical score by David Whitaker . This Cain/Abel Western results to be a typical story with Spaghetti influence in which blends the common scenarios , as vengeful and tough antiheroes , difficult and fast showdowns and raids with numerous deceases , some quick zooms and habitual Spanish scenarios . The mixture of action and drama is well balanced . Watch out for the final duel it's outstanding for a Western with unexpected resolution . The revenge as main theme might be usual for this genre but with all these dreamlike flashbacks about his mother from the key character it's a fresh look . Good main cast as Vince Edwards and overacting by Jack Palance ; the support cast is full of good British actors as Sylvia Syms , Kate O'Mara and Christian Roberts . Besides, good set decoration and art direction by Jose Alguero , filmed in Spanish studios and of course 'Almeria' and Las Rozas , La Pedriza , Madrid . Levin shows a dark, depressing, and sadly realistic face of the west. In fact, the entire movie is a drama of characters and family confrontation . But watching the film, you would be able to feel how Levin equates victory with redemption .

This violent western well produced by Irving Allen and professionally directed by Henry Levin failed at Box office ; however , nowadays is best considered . Ex-actor ,director Henry Levin was a previous stage player who had a prolific and long career as filmmaker entering the directing in 1943 about every genre over the next 36 years . His heyday was in the 1960s , when he turned out several bright and frothy sex comedies, notably ¨Belles on their toes , Come fly with me , Honeymoon hotel¨ , his greatest films were on the adventure genre as ¨Genghis Khan , The wonderful world of Brothers Grimm , The bandit of Sherwood Forest , The return of Monte Cristo and Journey to the center of the earth¨ . Although Levin's forte was light comedies, one of his most interesting films was a dark, brooding western ¨Lonely man¨ (1957) and ¨Desperados¨ , both of them with Jack Palance. He finished his career piloting made-for-television movies, and died on the final day of shooting Scout's Honor (1980) (TV). If you are looking for Westerns with action , violence but also story and atmospheric scenes "Desperados" should be for you.

Some American, some British players went to the plains of Spain where it stayed dry for the filming of this European horse opera. The story centers on a family named Galt who with patriarch Jack Palance have a Quantrill like connection to the Confederacy. But they operate pretty much on their own plundering as they please.

Two of the sons George Maharis and Christian Roberts are pretty much chips off the old block. But Vince Edwards has sickened of the life and left them after a Kansas raid and has settled in Texas with wife Sylvia Sims and his young son.

Try as they may no one can keep up with Jack Palance who overacts outrageously in his role. He so dominates this film the others barely get their innings in.

Not the greatest of westerns, but Palance fans will love it.

What could have been an interesting tale of marauding renegade Confederates out for revenge becomes a slapdash, tawdry mess of a film. Ringleader Palance (a former parson!) and his sons Edwards, Maharis and Roberts, along with a huge gaggle of violent rebels blaze a path across the southwest frontier robbing, raping and burning anything in their midst. It's all because their own loved ones were brutalized when they were out killing Union soldiers on a raid. Finally, Edwards decides he's had enough and he and his wife (Syms) start over in a new town with an assumed name. They also have a son. However, it's only a matter of time before the relentless Palance and his band of un-merry men make their way to this heretofore quiet town. Edwards (his svelte, muscular days as a posing strap model long behind him) gives an exceedingly wooden performance. His character's motivations rarely make sense because of the weak script and because it's never really clear what he's thinking! Outfitted with Elvis-style porkchop sideburns, he mostly stares blankly and expressionless at the events around him (unless constipation can be considered an expression.) At the other end of the spectrum is Palance, who mercilessly overacts with an abandon not likely to be found anywhere outside the movie "Mommie Dearest". His ungodly performance has to be seen to be believed. Inexplicably drawing out certain words and syllables, screaming at the top of his lungs and throwing over-the-top tantrums every few minutes, he is a profound embarrassment. Maharis is given little to do as the middle son, but Roberts, as the youngest son, gives Palance a run for his money in the ham acting department. It is excruciating to watch Roberts mug and cajole incessantly through the film. O'Mara pops up rather briefly as a lame hooker (!) who hobbles around everywhere when she ought to be doing her job. She finally gets a little more to do near the end. Brand turns up as the rotund, but caring Marshall of the town Edwards has settled in. He pays for his friendliness with a sound beating. The lovely and talented Syms is FAR out of place in a movie this crass and tasteless. She provides the one ounce of class that the picture has. The sets look like something that Bonanza would reject as inauthentic, the camerawork is distractingly busy, the editing is choppy to say the least and the music is alternately abysmal and inappropriate. On good thing the film has going for it is a series of pretty decent action sequences. Some of the raiding is arrestingly done and there's a nifty scene onboard a moving train. The dynamic of the son turning against the father and having a fateful reunion could have been a great one, but unfortunately there were too many weak elements involved to sell it properly. Another oddity is the prevalence of British actors in the cast (playing Americans.)