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IMDbPro

Ultimo domicilio conosciuto

Titolo originale: Dernier domicile connu
  • 1970
  • T
  • 1h 45min
VALUTAZIONE IMDb
6,9/10
2030
LA TUA VALUTAZIONE
Marlène Jobert and Lino Ventura in Ultimo domicilio conosciuto (1970)
CrimeDramaMysteryThriller

Aggiungi una trama nella tua linguaPolice inspector Léonetti, a tough, efficient policeman, has been sent to a second-rate police station after being reprimanded. There he is given a partner, young and beautiful Jeanne Dumas.... Leggi tuttoPolice inspector Léonetti, a tough, efficient policeman, has been sent to a second-rate police station after being reprimanded. There he is given a partner, young and beautiful Jeanne Dumas. The duo are soon assigned a very difficult mission: to find a man whose evidence is instr... Leggi tuttoPolice inspector Léonetti, a tough, efficient policeman, has been sent to a second-rate police station after being reprimanded. There he is given a partner, young and beautiful Jeanne Dumas. The duo are soon assigned a very difficult mission: to find a man whose evidence is instrumental in convicting a murderer. They start searching throughout Paris...

  • Regia
    • José Giovanni
  • Sceneggiatura
    • Joseph Harrington
    • José Giovanni
  • Star
    • Lino Ventura
    • Marlène Jobert
    • Michel Constantin
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,9/10
    2030
    LA TUA VALUTAZIONE
    • Regia
      • José Giovanni
    • Sceneggiatura
      • Joseph Harrington
      • José Giovanni
    • Star
      • Lino Ventura
      • Marlène Jobert
      • Michel Constantin
    • 17Recensioni degli utenti
    • 14Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 vittoria in totale

    Foto10

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    Interpreti principali56

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    Lino Ventura
    Lino Ventura
    • L'inspecteur principal Marceau Leonetti
    Marlène Jobert
    Marlène Jobert
    • Jeanne Dumas
    Michel Constantin
    Michel Constantin
    • Greg
    Paul Crauchet
    Paul Crauchet
    • Jacques Loring
    Alain Mottet
    • Frank Lambert
    Béatrice Arnac
    Béatrice Arnac
    • Silvia
    Guy Heron
    • Soramon
    Albert Dagnant
    • Arnold
    Monique Mélinand
    • Mme Loring
    Marcel Pérès
    Marcel Pérès
    • Lenoir
    Germaine Delbat
    • Madame Lenoir
    Hervé Sand
    • Gravel
    Pascal Gillot
    François Jaubert
    • Le braqueur
    Régine Lovi
    Paul Beauvais
    Aude Olivier
    • Thelma
    Philippe March
    Philippe March
    • Roger Martin
    • Regia
      • José Giovanni
    • Sceneggiatura
      • Joseph Harrington
      • José Giovanni
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti17

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    Recensioni in evidenza

    8dierregi

    Procedural thriller with a heart

    Ventura is the seasoned cop who gets punished by his boss and transferred to a secondary precinct and Jobert the idealistic trainee, who must support him during a relentless chase.

    A key witness to a mafia crime disappeared five years previously and the guilty mafia boss may get acquitted without the witness evidence.

    With five days to go before the end of the trial the unlikely couple run around Paris, trying to find the witness and betting everything on retracing his daughter, a pale, sick but remarkable girl who left an impression on whomever met her.

    Unfolding before the digital era, the investigation takes place in the field, which means hundreds of schools, chemists and doctors visited. All this, while the mafioso's gang is following closely, eager to eliminate the witness before the police finds him.

    The story is filmed in the suitably melancholic autumn season in rainy Paris and enhanced by suitable score. The twist at the end came unexpectedly to me, but it makes a lot of sense. Very good, no frills, believable story.
    6GodeonWay

    Lino Ventura and Marlène Jobert are the whole show...

    In a nutshell, I'd call this police drama 'pretty good'. But not nearly as excellent as some reviewers have made it out to be. On the plus side are the standout performances of tough cop Lino Ventura and his rookie assistant, the enchanting Marlène Jobert.

    In the early 1970s Jobert was probably France's most in-demand actress, so lovely and so endearing that it was hard not to fall in love with her. I succombed immediately on seeing her irresistible performance in René Clément's classic Rider on the Rain, where she is perfectly paired with the redoubtable Charles Bronson.

    Also on the plus side are many gorgeous glimpses of Paris, by day and by night. On the minus side though, is the contrived drama of the movie. Like many French police films of the period, it tries too hard to be more than a police story. It strives to be a meaningful essay on modern society, morality and lost illusions.

    Still, it's pretty good, and if you're a fan of directors like Sidney Lumet, Arthur Penn and Elia Kazan, you'll probably find a great deal to like in Dernier domicile connu.

    But if your taste runs more toward Alfred Hitchcock and Fritz Lang, you can skip this one and go directly to Rider on the Rain.
    9almontin

    Beautiful and well paced

    First of all, this is the first time I have watched a Lino Venture movie, so seeing it with new eyes has perhaps conferred it a special shine. But it is truly a very beautiful movie shot in a 1960s Paris in which only the cars have changed over the years. But the beauty also applies to the cast of actors and to their sensitive acting.

    Lino Ventura is the fallen cop who doesn't bare a grudge and is dedicated as ever to his job, landing him into a painful fist fight with some thugs, and dealing chivalrously with his bright-eyed assistant Marlène Jobert who truly delivers as a newcomer to the job of crime fighting, aptly portraying both excitement and disillusion. The supporting cast, good and evil, deliver very well and accurately depict Paris' diversity (often through gritty character depictions and photography) 40 years back.

    The plot flows well, sometimes interspersed with dream sequences which are beautifully rendered. Never cheesy (like so many movies of the time), well paced and acted, truly a great cop movie which has aged very gracefully.
    7ma-cortes

    Exceptionally realistic and cold Noir film in which Lino Ventura as stubborn Police Inspector is awesome .

    Classic French Polar film with two greatest stars of the seventies : homely , craggy-looking mug Lino Ventura and attractive Marlene Jovert . Rude police inspector Léonetti (brutish, burly-framed presence Lino Ventura) , a two-fisted , violent cop detains a son of powerful lawyer and this one seeks vengeance . As soon as chief inspector to be aware , Leonetti has been sent to a suburban district after being reprimanded . Leonetti is angry to be moved a second-rate police station but he is assigned to form a peculiar team . There he meets young and beautiful Jeanne Dumas (Marlene Jovert) who is given as his colleague . Both of whom join forces to catch small-time delinquents . Later on , the duo formed by the efficient policeman and the rookie cop are soon assigned a very difficult assignment : to find a missing witness whose evidence is instrumental in convicting a killer called Soramon (Heron) . They start searching throughout Paris , asking neighbours , finding several tracks and red herrings . Meanwhile , they are pursued by a mysterious gangster called Greg (Michael Constantin) .

    This is a suspense ¨Polar¨ or French Noir film in which intrigue and thriller is continuous . From the beginning to the end it turns out to suspenseful , including well developing of interesting characters , and for that reason is entertaining . The movie has great loads of emotion , dark-edged drama , tension and intriguing events . Exciting and thought-provoking screenplay by the same Jose Giovanni , based on the novel titled ¨Dernier Domicile Connu¨ written by Joseph Harrington . Studio-character about unsettling characters damned to inevitable tragedies , powerful finale , stylized set pieces heightens the suspense and tension have place in all Jose Giovanni's film-making . One of his favourite actors was Lino Ventura , whom Jose directed many times . Actors' interpretation is excellent , as Lino Ventura , as Marlene Jobert . Ventura as a serious as well as tough cop with dark past is magnificent . Lino was a big French star and ex-boxer , looking for gangster types for his next film , director Jacques Becker gave the inexperienced 34-year-old his first acting job as bad guy support to star Jean Gabin in the crime thriller ¨Hand off the loot¨ (1954) . Lino went on to appear with Gabin in several of the star's subsequent movies , often playing a gangster , including "Crime and Punishment" , ¨Speaking of Murder¨ and ¨Maigret¨. Lino came into his own as a tough-nut character star in the 1960s playing both sides of the moral fence , as policeman or mobster . Lino appeared in scores of films now considered classic French cinema . His peculiar aspect took the form of various criminals types as in ¨Second Breath¨ (1966) and ¨Happy New Year¨ (1973) as well as dogged , good-guy inspectors in ¨The incorruptible¨ (1975) or ¨The French Detective¨ , ¨Illustrious Corpses¨ (1976), and ¨The Grilling¨ . He played other unforgettable films , such as ¨The Three penny Opera¨ , ¨Modigliani¨, ¨The adventurers¨ , The slap¨, ¨Jailbird's vacation¨ , ¨The army of shadows¨ , ¨Witness in the City¨ and ¨Joe Valachi's papers¨ . Support cast is pretty good , as Paul Crauchet , Michael Constantine and uncredited Serge Marquand .

    Evocative and atmospheric cinematography by Etienne Becker is simply riveting . Special mention for musical score by François De Roubaix , it's sensitive and agreeable , including a feeling leitmotif . The motion picture was well produced by Jacques Bar and compellingly written/directed by Jose Giovanni , making a memorable work , though sometimes results to be slow-moving . Giovanni participated in the French Resistance during World War II . Worked as a lumberjack , diver , mountain guide and coal miner . Jose wrote 20 novels, 2 memories' books , 33 scripts , and directed 15 movies and 5 TV movies . His novel, "Le Trou," ("The hole", slang for prison) , which became a classic film , was based on his own escape attempt from a Paris prison . Director Jacques Becker bought the rights of the book and directed it in 1959 , considered to be the best prison movie . That's how José Giovanni entered the cinema world . He became a well-known dialoguist , scenarist too, working many times with Jacques Becker . Then he directed his first movie in 1966 , "La Loi Des Survivants" , while he was still writing novels about gangsters , cops , prison and manly friendship . He was a purveyor of a certain kind of noir movie , creating his own company and a tiny studio . Some of his films , many are based from his own novels , include Le Rapace (1968), La Scoumoune (1972) , The gypsy (1975) , Boomerang (1976) , and Le Ruffian (1983). Giovanni directed some great French actors as Alain Delon , Jean Gabin , Jean-Paul Belmondo , and , of course , Lino Ventura .
    8christopher-underwood

    faultlessly put together and never lets up

    Very good, solid French thriller from Director, Jose Giovanni, who also wrote the script. Police are supposed to be searching for key witness in an important trial and give the task to an out of favour cop, known for a tendency to get the job done by whatever means. The marvellous, Lino Ventura is that cop and almost as an aside he's given a rookie assistant played by Marlene Jobert. It is an early film for her but she had already been in Louis Malle's, Thief of Paris and Godard's, Masculin Feminin! Both are great in this and just as well because they are the film as we follow them around the outskirts of Paris, following clue by clue. Much of the film is clearly shot in the streets and is really well done. Being French there is always time to stop off in a cafe or bistro and these slower scenes are also very well done. This doesn't sound particularly thrilling but it is faultlessly put together and never lets up as we race from corner to corner of those charming Parisian streets.

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    Trama

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    Lo sapevi?

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    • Quiz
      Marlène Jobert tells in her biography that she and her co star Lino Ventura barely spoke to each other on the shooting because she refused to accept the role after she first accepted. But she eventually went back on her decision and she and Ventura forgot the incident several years later.
    • Blooper
      The film ends with a quotation: --- car la vie est un bien perdu quand on n'a pas vecu comme on l'aurait voulu and claims it is by Eminescu, a Romanian poet. This is wrong. The quotation is from the work of another Romanian poet, Gheorghe Cosbuc.
    • Connessioni
      Referenced in Robbie Williams: Supreme (2000)

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    Dettagli

    Modifica
    • Data di uscita
      • 30 aprile 1970 (Italia)
    • Paesi di origine
      • Francia
      • Italia
    • Lingua
      • Francese
    • Celebre anche come
      • Last Known Address
    • Luoghi delle riprese
      • Boulevard Exelmans, Paris 16, Parigi, Francia(Leonetti brings drunken driver to police precinct)
    • Aziende produttrici
      • Valoria Films
      • Cité Films
      • Parme Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 45 minuti
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.66 : 1

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