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IMDbPro

Ultimo domicilio conosciuto

Titolo originale: Dernier domicile connu
  • 1970
  • T
  • 1h 45min
VALUTAZIONE IMDb
6,9/10
2030
LA TUA VALUTAZIONE
Marlène Jobert and Lino Ventura in Ultimo domicilio conosciuto (1970)
CrimeDramaMysteryThriller

Aggiungi una trama nella tua linguaPolice inspector Léonetti, a tough, efficient policeman, has been sent to a second-rate police station after being reprimanded. There he is given a partner, young and beautiful Jeanne Dumas.... Leggi tuttoPolice inspector Léonetti, a tough, efficient policeman, has been sent to a second-rate police station after being reprimanded. There he is given a partner, young and beautiful Jeanne Dumas. The duo are soon assigned a very difficult mission: to find a man whose evidence is instr... Leggi tuttoPolice inspector Léonetti, a tough, efficient policeman, has been sent to a second-rate police station after being reprimanded. There he is given a partner, young and beautiful Jeanne Dumas. The duo are soon assigned a very difficult mission: to find a man whose evidence is instrumental in convicting a murderer. They start searching throughout Paris...

  • Regia
    • José Giovanni
  • Sceneggiatura
    • Joseph Harrington
    • José Giovanni
  • Star
    • Lino Ventura
    • Marlène Jobert
    • Michel Constantin
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,9/10
    2030
    LA TUA VALUTAZIONE
    • Regia
      • José Giovanni
    • Sceneggiatura
      • Joseph Harrington
      • José Giovanni
    • Star
      • Lino Ventura
      • Marlène Jobert
      • Michel Constantin
    • 17Recensioni degli utenti
    • 14Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 vittoria in totale

    Foto10

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    Interpreti principali56

    Modifica
    Lino Ventura
    Lino Ventura
    • L'inspecteur principal Marceau Leonetti
    Marlène Jobert
    Marlène Jobert
    • Jeanne Dumas
    Michel Constantin
    Michel Constantin
    • Greg
    Paul Crauchet
    Paul Crauchet
    • Jacques Loring
    Alain Mottet
    • Frank Lambert
    Béatrice Arnac
    Béatrice Arnac
    • Silvia
    Guy Heron
    • Soramon
    Albert Dagnant
    • Arnold
    Monique Mélinand
    • Mme Loring
    Marcel Pérès
    Marcel Pérès
    • Lenoir
    Germaine Delbat
    • Madame Lenoir
    Hervé Sand
    • Gravel
    Pascal Gillot
    François Jaubert
    • Le braqueur
    Régine Lovi
    Paul Beauvais
    Aude Olivier
    • Thelma
    Philippe March
    Philippe March
    • Roger Martin
    • Regia
      • José Giovanni
    • Sceneggiatura
      • Joseph Harrington
      • José Giovanni
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti17

    6,92K
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    Recensioni in evidenza

    8dbdumonteil

    Endearing movie.

    This might be my Jose Giovanni favorite.His third movie,it is perhaps his most endearing one.A really unusual thriller,which uses urban landscapes with great skill.We often seem to be lost in an ocean of windows ,which makes sense,because the plot is actually a search.

    Two cops,a man and a woman, (Ventura and Jobert)are looking for a witness for the prosecution .That man seems to have disappeared.So their investigation looks like a treasure hunt.They meet a lot of people,some of whom have known the mysterious guy.They learn that he is a widower living with his daughter.The girl herself is an enigma,being described as a fairy tale princess by some (Paul Crauchet) or a vicious Lolita (the woman with the cat).The woman cop even dreams of them,and that sequence is really excellent,as they seem more and more to be a mirage.

    There is something of John Huston in the conclusion of "dernier domicile connu" (last known address).It deals with cowardice ,sadness and despair,one of the harshest endings Giovanni ever filmed.Even if they succeeded in their mission,the two cops realize that they have been manipulated and that they have completely destroyed two human beings' happiness.

    Marlène Jobert has perhaps never been better than here.Once a enthusiastic rookie ,her despair is intense when the movie ends.Ventura portrays a fallen cop from the beginning: He was relegated to a local police station after having arrested a drunken rich kid.Disillusioned ,but still believing in what he's doing,he will become a broken man as the last lines read:life is lost when you did not live your life as you would have liked to.

    Good directing,fine acting,and as usual ,wonderful score by François de Roubaix.
    8christopher-underwood

    faultlessly put together and never lets up

    Very good, solid French thriller from Director, Jose Giovanni, who also wrote the script. Police are supposed to be searching for key witness in an important trial and give the task to an out of favour cop, known for a tendency to get the job done by whatever means. The marvellous, Lino Ventura is that cop and almost as an aside he's given a rookie assistant played by Marlene Jobert. It is an early film for her but she had already been in Louis Malle's, Thief of Paris and Godard's, Masculin Feminin! Both are great in this and just as well because they are the film as we follow them around the outskirts of Paris, following clue by clue. Much of the film is clearly shot in the streets and is really well done. Being French there is always time to stop off in a cafe or bistro and these slower scenes are also very well done. This doesn't sound particularly thrilling but it is faultlessly put together and never lets up as we race from corner to corner of those charming Parisian streets.
    6GodeonWay

    Lino Ventura and Marlène Jobert are the whole show...

    In a nutshell, I'd call this police drama 'pretty good'. But not nearly as excellent as some reviewers have made it out to be. On the plus side are the standout performances of tough cop Lino Ventura and his rookie assistant, the enchanting Marlène Jobert.

    In the early 1970s Jobert was probably France's most in-demand actress, so lovely and so endearing that it was hard not to fall in love with her. I succombed immediately on seeing her irresistible performance in René Clément's classic Rider on the Rain, where she is perfectly paired with the redoubtable Charles Bronson.

    Also on the plus side are many gorgeous glimpses of Paris, by day and by night. On the minus side though, is the contrived drama of the movie. Like many French police films of the period, it tries too hard to be more than a police story. It strives to be a meaningful essay on modern society, morality and lost illusions.

    Still, it's pretty good, and if you're a fan of directors like Sidney Lumet, Arthur Penn and Elia Kazan, you'll probably find a great deal to like in Dernier domicile connu.

    But if your taste runs more toward Alfred Hitchcock and Fritz Lang, you can skip this one and go directly to Rider on the Rain.
    9almontin

    Beautiful and well paced

    First of all, this is the first time I have watched a Lino Venture movie, so seeing it with new eyes has perhaps conferred it a special shine. But it is truly a very beautiful movie shot in a 1960s Paris in which only the cars have changed over the years. But the beauty also applies to the cast of actors and to their sensitive acting.

    Lino Ventura is the fallen cop who doesn't bare a grudge and is dedicated as ever to his job, landing him into a painful fist fight with some thugs, and dealing chivalrously with his bright-eyed assistant Marlène Jobert who truly delivers as a newcomer to the job of crime fighting, aptly portraying both excitement and disillusion. The supporting cast, good and evil, deliver very well and accurately depict Paris' diversity (often through gritty character depictions and photography) 40 years back.

    The plot flows well, sometimes interspersed with dream sequences which are beautifully rendered. Never cheesy (like so many movies of the time), well paced and acted, truly a great cop movie which has aged very gracefully.
    10udar55

    Excellent examination of the role of police

    Inspector Marceau Leonetti (Lino Ventura) gets demoted after arresting a young kid whose father has connections. He is assigned to a small town where the biggest crime is helping a kid locate his stolen pigeons and, later, working alongside newbie Jeanne Dumas (Marlène Jobert) to bust perverts in movie theaters. Their careers take an upswing when, unbeknown to Leonetti, his former boss assigns him the futile task of finding a witness in 8 days before a major murder trial. What his superiors didn't count on was Leonetti's tenacity in finding this uncooperative witness and the fact that the accused also has some men out with the same task. This is the third film from director José Giovanni (writer of THE SICILIAN CLAN) and it proves to be a pretty grim affair. There is a lot of commentary on the rat (or should I say ant) race as Leonetti is just a cog in the wheel of justice (at one point Jeanne event comments on his unending searching, asking if he is a robot). Audiences will probably feel the most connection with Jobert's character as she is tackling the assignment with a fresh belief in "the system." Ventura is awesome in the lead role of the seen-it-all vet and he has a great fight scene toward the end. You'll probably see the end coming, but it still has quite an impact thanks to a matter-of-fact presentation by Giovanni.

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    Trama

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    Lo sapevi?

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    • Quiz
      Marlène Jobert tells in her biography that she and her co star Lino Ventura barely spoke to each other on the shooting because she refused to accept the role after she first accepted. But she eventually went back on her decision and she and Ventura forgot the incident several years later.
    • Blooper
      The film ends with a quotation: --- car la vie est un bien perdu quand on n'a pas vecu comme on l'aurait voulu and claims it is by Eminescu, a Romanian poet. This is wrong. The quotation is from the work of another Romanian poet, Gheorghe Cosbuc.
    • Connessioni
      Referenced in Robbie Williams: Supreme (2000)

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    Dettagli

    Modifica
    • Data di uscita
      • 30 aprile 1970 (Italia)
    • Paesi di origine
      • Francia
      • Italia
    • Lingua
      • Francese
    • Celebre anche come
      • Last Known Address
    • Luoghi delle riprese
      • Boulevard Exelmans, Paris 16, Parigi, Francia(Leonetti brings drunken driver to police precinct)
    • Aziende produttrici
      • Valoria Films
      • Cité Films
      • Parme Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 45 minuti
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.66 : 1

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