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IMDbPro

Così dolce... così perversa

  • 1969
  • VM18
  • 1h 32min
VALUTAZIONE IMDb
6,0/10
1435
LA TUA VALUTAZIONE
Jean-Louis Trintignant, Carroll Baker, and Erika Blanc in Così dolce... così perversa (1969)
Guarda Complete Lenzi/Baker Giallo Collection Official Trailer
Riproduci trailer3: 12
1 video
41 foto
MisteroOrroreThriller

Jean, un ricco uomo di mondo parigino, viene in aiuto di una giovane donna spaventata che è sotto il controllo asfissiante del suo violento fidanzato, Klaus. Sebbene sia già sposato, Jean sv... Leggi tuttoJean, un ricco uomo di mondo parigino, viene in aiuto di una giovane donna spaventata che è sotto il controllo asfissiante del suo violento fidanzato, Klaus. Sebbene sia già sposato, Jean sviluppa una relazione romantica con lei.Jean, un ricco uomo di mondo parigino, viene in aiuto di una giovane donna spaventata che è sotto il controllo asfissiante del suo violento fidanzato, Klaus. Sebbene sia già sposato, Jean sviluppa una relazione romantica con lei.

  • Regia
    • Umberto Lenzi
  • Sceneggiatura
    • Massimo D'Avak
    • Luciano Martino
    • Ernesto Gastaldi
  • Star
    • Carroll Baker
    • Jean-Louis Trintignant
    • Erika Blanc
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,0/10
    1435
    LA TUA VALUTAZIONE
    • Regia
      • Umberto Lenzi
    • Sceneggiatura
      • Massimo D'Avak
      • Luciano Martino
      • Ernesto Gastaldi
    • Star
      • Carroll Baker
      • Jean-Louis Trintignant
      • Erika Blanc
    • 26Recensioni degli utenti
    • 24Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Video1

    Complete Lenzi/Baker Giallo Collection Official Trailer
    Trailer 3:12
    Complete Lenzi/Baker Giallo Collection Official Trailer

    Foto41

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    Interpreti principali18

    Modifica
    Carroll Baker
    Carroll Baker
    • Nicole Perrier
    Jean-Louis Trintignant
    Jean-Louis Trintignant
    • Jean Reynaud
    • (as Jean Louis Trintignant)
    Erika Blanc
    Erika Blanc
    • Danielle Reynaud
    Horst Frank
    Horst Frank
    • Klaus
    Helga Liné
    Helga Liné
    • Helene Valmont
    Ermelinda De Felice
    • Hotel Proprietor
    Giovanni Di Benedetto
    • Monsieur Valmont
    • (as Gianni Di Benedetto)
    Irio Fantini
    • Party Guest
    Dario Michaelis
    • Police Commissioner
    Renato Pinciroli
    • Porter
    Gianni Pulone
    • Press Photographer
    Lucio Rama
    • Party Guest
    Paola Scalzi
    • Helene's Friend
    Luigi Sportelli
    • Party Guest
    Beryl Cunningham
    Beryl Cunningham
    • Black Stripper
    Marcello Bonini Olas
    • Party Guest
    • (non citato nei titoli originali)
    Anna Scalzi
    • Jean's Secretary
    • (non citato nei titoli originali)
    Alessandro Tedeschi
    • Uomo Della Commissione
    • (non citato nei titoli originali)
    • Regia
      • Umberto Lenzi
    • Sceneggiatura
      • Massimo D'Avak
      • Luciano Martino
      • Ernesto Gastaldi
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti26

    6,01.4K
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    Recensioni in evidenza

    7Bezenby

    A film that runs out of twists

    It seems that prior to Dario Argento's The Bird With The Crystal Plumage that normal template for gialli was the 'mystery amongst devious people' rather than the 'loads of babes being sliced up'. This is yet another one of those films, with a rather low body count (two!).

    Jean (he's a fanny rat, but hard to like, because he's French), is a rich playboy who is not getting any of his wife (Erika Blanc - she looks like David Bowie), so looks for other avenues to explore. When the film opens, he's banging his mate's wife, but soon he discovers a new blonde has moved into the apartment above his.

    There's something strange going with this new blonde too, because Jean is hearing the scraping of furniture and what sounds like someone being slapped around, but when he goes to the front door of his new neighbour, no one answers. When he does finally get to meet her she claims that her boyfriend Klaus loves beating her up and stuff.

    Soon the two fall in love (queue montage!) much to the dismay of Blanc and the delight of Klaus, and it's roughly about the halfway mark that the twists start happening so I'll stop there. Needless to say that one character goes from being vulnerable to evil, allegiances changes again and again and the hippy vibe of the late sixties shines through loud and clear.

    However, Lenzi seems to have had a vision of the state of Italian film ten years later and injected the film with scenes that make no sense whatsoever, for instance the credits sequence. Jean drives about with a rifle in his car and we get flashes of one of his lovers but this has nothing to do with the rest of the film. Plus, Carrol Baker has a velvet lined cabinet in her apartment full of instruments of torture. This has nothing to do with anything either.

    On the other side, Lenzi also injects an amazingly high amount of style into the film too, what with an early example of the use of primary colours (soon to be a trend in the gialli) - there's one scene that's stands out when Jean is forced to snog Carrol Baker while someone keeps changing the lighting to various colours, Nicely done.
    7The_Void

    One of Lenzi's best Giallo's!

    Umberto Lenzi Giallo's range in quality from sublime to trash, but his earlier genre entries tended to be the best; and So Sweet...So Perverse is certainly at the higher end of Lenzi's Giallo achievements. One of the trademarks of Giallo is a high dosage of sex scenes; but despite the fact that this film has the word 'perverse' in it's title; So Sweet...So Perverse is actually not all that perverse at all, especially not by Giallo standards. Rather, the film focuses more on the plot details than perversity, and it just about serves it well. Italian directors were famous for ripping of successful films from other countries, and the plot here is clearly lifted from the French classic 'Les Diaboliques'. We focus on a couple with marital problems; Jean and Danielle. When Jean hears a woman screaming in the upstairs apartment one day, he immediately decides to investigate. There he finds Nicole; a woman frightened of her boyfriend Klaus. The pair soon begin to fall in love, but it later transpires that this was just a trap set to snare Jean...

    So Sweet...So Perverse is a classy little thriller and much unlike later Lenzi Giallo's such as Eyeball, almost everything about the film is well done. The film benefits from a good cast, which feature early Lenzi muse Carroll Baker in the central female. Baker's role here initially appears to be a lot like her role in the earlier 'Orgasmo', but she soon gets to switch to a more interesting character. Baker is joined by the sexy Erika Blanc, and like most Giallo's with two sexy leading women; the pair do get to get it on, although you shouldn't go in expecting a full blown lesbian sex scene. Jean-Louis Trintignant rounds off the cast, but isn't given as much to do as the ladies. The plot does get a bit slow at times, but the film never slows down to the point of becoming boring. The second half is much more exciting than the first as that is when the plot gets into full flow. When the twists start to come into play, So Sweet...So Perverse really is an intriguing thriller and unlike many Giallo's, this one also features an ending that wraps most of the plot up nicely. This film is highly recommended to Giallo fans!
    8christopher-underwood

    Carroll Baker, excellent as ever

    Great title and if not particularly appropriate for the film, no matter, for this is a fine film. Carroll Baker, excellent as ever, although she does keep herself fairly well covered here and not always in the most stunning of outfits, Jean-Louis Trintignant does pretty much what he always does, well and Erika Blanc puts in a very strong performance. Solid directing by Lenzi, might have been stylish but pan and scan print ensures it does not appear so, and for the first half we have a rather fun, colourful and bright story of an extramarital affair. Things change, however, just as we begin to wonder if all is as it seems things change very much indeed. Hardly any blood or bare skin for that matter but a most involving tale, exceedingly well told, that certainly starts to flip about towards the end. Indeed until the very end!
    dbdumonteil

    Diaboliques II

    Caroll Baker :from Elia Kazan and John Ford to Umberto Lanzi:what a fall!to be fair,you must underline she played opposite Nicholson -quite well- in the overlooked "ironweed" ;this is not the kind of movie Jean Louis Trintignant must be very proud of !two years after Claude Chabrol's "Les Biches " in which he slept with two bisexual women too.

    The first part recalls a poor man's Chabrol,depicting the luxury world of the bourgeoisie .Trintignant ,a very earnest thespian,seems ill at ease ,but the women often strip bare ,to the viewer's great enjoyment.

    The second part is Lenzi trying to make his own "Diaboliques" :the heroine 's first name is Nicole ,like in Clouzot's classic ;it's almost absolute plagiarism -except for the mediocre ending- ,including the "clues" Baker scatters to frighten her mate and to make her believe that her dear husband might possibly be still alive .

    Take Dario Argento's movies instead:their screenplays ,though influenced by Hitchcock ,are much more exciting and original.
    lazarillo

    Great Giallo! (I think)

    This movie (not to be confused with another Carroll Baker vehicle "Kiss Me, Kill Me" aka "Baba Yagi--the Witch")is Umberto Lenzi's follow-up to his groundbreaking classic "Paranoia". It came out the same year as Dario Argento's "The Bird with Crystal Plumage" (the film which started the deluge of Italian gialli) and was produced by the Martino brothers, who later made a number of interesting giallo films (usually featuring Eugenio Martino's alluring mistress, Edwige Fenech). It stars Carroll Baker, demonstrating her acting chops here by playing a character that is the exact opposite of the naive victim she played in "Paranoia", and it also features two excellent, native European actors--Jean Loius Trintignant and the gorgeous Erica Blanc. The script is surprisingly well-written and full of suspense and genuine surprises. It is a clever variation on the classic French film "Diabolique" with a decadent, high-society husband (Tritignant), wife (Blanc), and mistress (Baker) all crossing and double-crossing each other. It cleverly plays with the viewers awareness of the earlier film before throwing in an unexpected curve.

    It also seems to be very well filmed. (It's hard to believe that years later Lenzi would be making nauseating and inept cannibal films like "Cannibal Ferox" or just plain inept American slasher movies like "Hitcher in the Dark"). I say seems, however, because this film is only available on second or third generation copies of Greek videotapes that are not only panned-and-scanned, but are very badly panned-and-scanned so that the characters are often halfway off the screen. Trying to appreciate this movie is like trying to appreciate a beautiful painting that has both sides cropped off and is covered with really murky cellophane (and burnt-in Greek subtitles). If Lenzi's crap movies like "Ferox", "Hitcher", and even, god help us all,"Eaten Alive", can get the star DVD treatment, why can't "Paranoia" or this little gem?

    Oh, but I almost forgot--despite the title there isn't too much perversity here. Baker has a lot more nude scenes in "Paranoia". There is some Blanc-related nudity (although, in my opinion, you can never have enough of that), but the lesbian relationship between the two of them is unfortunately only hinted at. Of course, it may just have been cropped out. . .

    Altri elementi simili

    Paranoia
    6,2
    Paranoia
    Orgasmo
    6,0
    Orgasmo
    Il coltello di ghiaccio
    6,0
    Il coltello di ghiaccio
    La tarantola dal ventre nero
    6,3
    La tarantola dal ventre nero
    Spasmo
    6,0
    Spasmo
    Sette orchidee macchiate di rosso
    6,3
    Sette orchidee macchiate di rosso
    Gatti rossi in un labirinto di vetro
    5,9
    Gatti rossi in un labirinto di vetro
    Le foto proibite di una signora per bene
    6,2
    Le foto proibite di una signora per bene
    La morte cammina con i tacchi alti
    6,5
    La morte cammina con i tacchi alti
    Giornata nera per l'ariete
    6,6
    Giornata nera per l'ariete
    La coda dello scorpione
    6,7
    La coda dello scorpione
    Una farfalla con le ali insanguinate
    6,3
    Una farfalla con le ali insanguinate

    Trama

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    Lo sapevi?

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    • Quiz
      Second part of a trilogy also including Orgasmo (1969) and Paranoia (1970).
    • Blooper
      Aerial shots of Jean skiing behind a boat show the stunt double jumping the wake, and skiing, one-handed, far to the side on the open water, switch back and forth between close-ups of Jean-Claude Trintingant, but in the close-ups he is always in the wake, both hands on grips, directly behind the boat.
    • Citazioni

      Black Stripper: Taking your clothes off isn't any problem, you know, when there's enough loot.

      Monsieur Valmont: They say she can be great when she's tight.

    • Connessioni
      Featured in Yellow Fever: The Rise and Fall of the Giallo (2016)
    • Colonne sonore
      Why
      Sung by J. Vincent Edwards (as J. Vincent Edward)

      Music by Riz Ortolani

      Lyrics by Norman Newell

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    Dettagli

    Modifica
    • Data di uscita
      • 31 ottobre 1969 (Italia)
    • Paesi di origine
      • Italia
      • Francia
      • Germania occidentale
    • Lingua
      • Italiano
    • Celebre anche come
      • So Sweet... So Perverse
    • Luoghi delle riprese
      • Punta Ala, Castiglione della Pescaia, Grosseto, Tuscany, Italia(scene by the sea)
    • Aziende produttrici
      • Cedic
      • Flora Film
      • Rapid Film
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 32 minuti
    • Colore
      • Color
    • Mix di suoni
      • Mono
    • Proporzioni
      • 2.35 : 1

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