I lunghi giorni delle aquile

Perhaps not many new viewers of this gigantic recreation are aware of the fact that this movie was filmed almost 30 years after the actual events took place.

The efforts to put History on screen were huge. Everything in this account of the facts, comes directly from those who were actually involved in it: from the British and German fighter aces to private Londoners, they all contributed to make this not just another "war movie", but rather a dramatized documentary with accurate precision.

This by no means signifies that it is just that. The sky battles were very carefully choreographed, in accordance to rules of combat, which were followed in the 1940s. Some planes were flown by the same veterans, so that when you see a Messerschmitt Bf-109 followed by Spitfire Mk 1, you know it's for real.

The technical efforts were immense and although the Messerschmitts have reworked engines and even the Heinkel He.111s have different aerials and engine specs, because they were updated by the Spanish Air Force for later use after World War Two, the difference is barely noticeable when one watches one of those spectacular aerial battles.

On the whole, this is a history lesson about how a people, isolated from the rest of the world, and in a minority position, withstood the overwhelming crushing machine of the Axis: the Luftwaffe.

More than a movie, this is a celebration to those brave people, both civilian and military, who did commit themselves against all odds, to resist and fight back a very aggressive and dangerous enemy.

This, together with "The Longest Day", "Sink the Bismarck!", "Tora! Tora! Tora!" and "A Bridge Too Far" is one of those rare examples to make history come to life again and should be considered as didactic material for schools.

An excellent multi-national cast and a skillful direction, make this a masterpiece of its genre.

Being a WWII buff for 25 years, I found this movie to be easily one of the best ever filmed. From the very start of the film, Guy Hamilton's direction and the great musical score left me spellbound even when I knew how the story ended. The casting was flawless. Olivier looked like Dowding. Trevor Howard could pass for Keith Park's twin brother and I swear Goering himself had a small part in the film too. I've always wondered if Robert Shaw's role of the squadron leader "Skipper" wasn't patterned after famed RAF pilot A.G. "Salior" Malan. If it was, Shaw looks alot like Malan. "War in the Air" is one of my favorite pieces of music and it flows beatufully through the film. Great acting by Christopher Plummer, Michael Caine, and one of my favorites, Edward Fox makes this movie a must see for any WWII buff.

This has some of the best aerial fight scenes ever - 'Top Gun' nothwithstanding. If it has faults it is that it can sometimes be a bit dull as it is very historically accurate, as it was a very well documented battle and presumably because when it was made many of the participants were still alive (and some still are).

It might have been better if like the 'Dam Busters' it had adopted a rather more documentary style, rather than having ground based ficticious sub-plots.

There are no particular stars (save the aircraft) but many cameos and it is even handed to the Germans as well, who lost many brave men.

The bits I liked were, as one other has commented, British diplomat Ralph Richardson telling German Curt Jurgens (over tea of course) that we wouldn't be dictated to and the scene in the RAF command bunker as one of the biggest daily air battles develops, where Churchill (suggested only by a puffing cigar but very much a hands on war leader), on surveying the plotting board showing hundreds of attacking German aircraft, orders more reserves into the battle only to be told there are none left, everything we had was in the air or on the ground being refuelled.

If the technology looks dated now, we must not forget that at the time radar was ultra secret and definitely cutting edge - this was the start of electronic warfare.

I believe I am correct in saying the film opened on 15th September 1969, celebrated in the UK as Battle of Britain day and the actual anniversary of the Churchill incident above.

This was truly the finest hour of those young pilots and we did it all without American help or even a Yank guest star..........

PS Christopher Plummer is Canadian!

A movie commonly praised while in the air but damned once the scenes move to the ground. I found it all watchable and quite inspiring. Not every actor rises above cameo level, but Michael Caine is good, and I would follow Robert Shaw into the thick of any battle fought in human history. The battle scenes are still the best aerial combat sequences on celluloid.

It's odd that Maltin gives this movie fewer stars than the Europroduction "Blue Max", with its staged-looking combat sequences and campily awful dialogue.

Never knew this movie existed until I happened upon it at the local video store. I decided to give it a chance. This movie can be compared to "Tora! Tora! Tora!" in that it gives one the factual perspective of the Battle of Britain and not some love story or "shoot'em up" action adventure set around the Battle of Britain. It is the absence of such elements that makes some viewers not enjoy this kind of film. However, if you are interested in seeing history played out on the screen, or are a history buff like me, you will enjoy this movie. The characters are not deep or complex and there is little character development, but in a movie like this, it is not necessary. There is a pretty useless subplot involving a man and his wife, but other than that, this film is not to be missed by those who enjoy WWII history.