I lunghi giorni delle aquile

Perhaps not many new viewers of this gigantic recreation are aware of the fact that this movie was filmed almost 30 years after the actual events took place.

The efforts to put History on screen were huge. Everything in this account of the facts, comes directly from those who were actually involved in it: from the British and German fighter aces to private Londoners, they all contributed to make this not just another "war movie", but rather a dramatized documentary with accurate precision.

This by no means signifies that it is just that. The sky battles were very carefully choreographed, in accordance to rules of combat, which were followed in the 1940s. Some planes were flown by the same veterans, so that when you see a Messerschmitt Bf-109 followed by Spitfire Mk 1, you know it's for real.

The technical efforts were immense and although the Messerschmitts have reworked engines and even the Heinkel He.111s have different aerials and engine specs, because they were updated by the Spanish Air Force for later use after World War Two, the difference is barely noticeable when one watches one of those spectacular aerial battles.

On the whole, this is a history lesson about how a people, isolated from the rest of the world, and in a minority position, withstood the overwhelming crushing machine of the Axis: the Luftwaffe.

More than a movie, this is a celebration to those brave people, both civilian and military, who did commit themselves against all odds, to resist and fight back a very aggressive and dangerous enemy.

This, together with "The Longest Day", "Sink the Bismarck!", "Tora! Tora! Tora!" and "A Bridge Too Far" is one of those rare examples to make history come to life again and should be considered as didactic material for schools.

An excellent multi-national cast and a skillful direction, make this a masterpiece of its genre.

This film was an attempt to deal with the crucial events of 1940, when Britain might have been invaded and oppressed by Nazi Germany. Had this succeeded then subsequent history might well have been very different, a Europe subjugated by the dark evil of that regime.

As a straight historical account this film fails rather badly. Most of the characters are artificial, created for the Stars and stars involved. Dowding and Park, historically absolutely crucial, never develop properly - a pity. Goering is cartoonised, but at least reflects his total failure to conduct a strategic assault on the UK.

The flying sequences are, mostly, superb. It was a huge achievement to bring together the aircraft used. As an enthusiast I can pick massive holes in those used. None of the 'German' aircraft have correct engines - they were post-war Spanish Air Force stand ins. And that's before we start on the late war mark Spitfires etc. But who cares? The point is the conflict in the air. It is not close enough to 'real' aerial combat - 10 seconds of terror in 60 mins of boredom. But that is the nature of the cinema medium.

The distraction of Suzanne York (BTW she's not trying to get divorced!) in full 40's u/wear was very exciting when I was 16. At 52 I suppose it still gives me the odd moment!

And look for the hanger being 'bombed' behind Suzanne York and Kenneth More, it really WAS blown up at Duxford - boy, were they cross!

The revisionist historians like to claim that the (actual) Battle of Britain was not that important. That the Germans couldn't have crossed the Channel anyway because of the Royal Navy (probably, but not necessarily so. With air supremacy JU87s would have massacred RN vessels). That the Germans already had eyes on Russia and really wanted to ignore GB as a sideline, possible and a fatal mistake. That the Germans lost the battle, rather than the RAF won it (no statistical basis for this, the Luftwaffe smashed itself against the RAF).

But the Battle WAS fought, and won by the RAF.

Which is why I believe this film is worth a viewing.

Especially the Walton scored sequence, where the Luftwaffe's bombers are hacked down by the Hurricanes and Spitfires of the RAF. An impressively moving sequence of the horror of war in the air. To which the music adds enormously.

I place this film well ahead of the 1990's Memphis Belle travesty in depicting the reality of war. It is certainly on a par with 12 O'Clock High.

This has some of the best aerial fight scenes ever - 'Top Gun' nothwithstanding. If it has faults it is that it can sometimes be a bit dull as it is very historically accurate, as it was a very well documented battle and presumably because when it was made many of the participants were still alive (and some still are).

It might have been better if like the 'Dam Busters' it had adopted a rather more documentary style, rather than having ground based ficticious sub-plots.

There are no particular stars (save the aircraft) but many cameos and it is even handed to the Germans as well, who lost many brave men.

The bits I liked were, as one other has commented, British diplomat Ralph Richardson telling German Curt Jurgens (over tea of course) that we wouldn't be dictated to and the scene in the RAF command bunker as one of the biggest daily air battles develops, where Churchill (suggested only by a puffing cigar but very much a hands on war leader), on surveying the plotting board showing hundreds of attacking German aircraft, orders more reserves into the battle only to be told there are none left, everything we had was in the air or on the ground being refuelled.

If the technology looks dated now, we must not forget that at the time radar was ultra secret and definitely cutting edge - this was the start of electronic warfare.

I believe I am correct in saying the film opened on 15th September 1969, celebrated in the UK as Battle of Britain day and the actual anniversary of the Churchill incident above.

This was truly the finest hour of those young pilots and we did it all without American help or even a Yank guest star..........

PS Christopher Plummer is Canadian!

This dramatized biography to my mind represents one of the most difficult sorts of film to make. I believe the makers of "The Battle of Britain" succeeded in making it a stirring war film, and one that deserves to be watched and remembered often. Many people find the battle scenes in the air in this film among the best ever staged. Cliff Richardson deserves praise for his special effects; and Guy Hamilton, director in charge, has frankly done marvelous work of a very difficult-to-achieve sort. He has interiors, intimate scenes, outdoor lectures, strafings, bombings, aerial battles, airplane landings, group shots and conferences to handle.Wilfred Greatorex and James Kennaway. In addition, Ron Goodwin and William Walton supplied memorable music, veteran Freddie Young the lucid cinematography and Maurice Carter wonderful art direction. The story-line chronologically follows the "Battle of Britain", No aspect is overlooked. The success of Luftwaffe air attacks on forward bases is noted; and so is the lucky decision by Hitler to start bombing Londoners instead that caused a shift it tactics and saved Britain's radar towers, key to targeting incoming attackers for interdiction by British aircraft. We hear a lecture by an Air Marshal, see firefighting squads and female drivers in action; we see both sides talking in their own languages--the Germans being subtitled; and we see action in the British War Room and at the highest levels of military planning. A couple is followed to illustrate what pilots and their wives, she being part of the war effort also, had to undergo and the pressures they faced. The pilots are also seen waiting between sorties at their bases; and finally when none come, the first phase of WWII, the expedition and subsequent Battle of Britain is over. In the huge cast are most of the leading male actors in England, including Laurence Olivier as Hugh Dowding, chief of the air effort, Trevor Howard as Keith Park, Patrick Wymark as Mallory, their chief opponent within the air corps,, plus Christopher Plummer and Susannahh York as the troubled couple, Harry Andrews, Michael Caine, Ian McShane, Kenneth More, Curd Jurgens, Nigel Patrick, Michael Redgrave, Robert Shaw, Robert Flemyng, Michael Bates, Ralph Richardson, Isla Blair and Edward Fox. This is a splendid, well-paced and beautiful recreation. The music is superb; the combat footage unexcelled and the acting far-above-average. I rate this film on many counts above anything else ever done concerning the defense of Britain by its air forces during the late war.

Battle of Britain which depicts same owes a lot of its inspiration not only to The Longest Day, but to The Magic Box. In that film Robert Donat played William Friese-Greene who many in the United Kingdom and Commonwealth claim to be the real inventor of motion pictures. It was a biographical film in which as many stars of British cinema that were available got to play even bit parts.

Here as many stars as could be gotten under one roof paid tribute to the valiant fighting heart of the United Kingdom's Royal Air Force which did nothing less than save civilization itself in their defense of their 'blessed isle.' Such folks as Christopher Plummer, Michael Caine, and Robert Shaw portrayed RAF squadron commanders who had to be mobilized at an instant notice to face the German Luftwaffe which outnumbered the Royal Air Force 4 to 1. As Laurence Olivier put it just to stay even our young men will have to shoot down their young men at a rate of 4 to 1.

Olivier plays the guy ultimately responsible for the success of the RAF as Fighter Command chief Air Marshal Hugh R. Dowding. Olivier did very well in capturing the essence of character that was Dowding who was a brooding pessimistic sort not given to wild claims of bravado. That in itself did not near and endear him to his Prime Minister who liked a great show of spunk from his military commanders. Dowding was also into spiritualism and after retiring in 1942 claimed contact with the spirits of dead RAF men from the other side.

Dowding had to referee between dueling Air Vice Marshals Keith Park and Trafford Leigh-Mallory played by Trevor Howard and Patrick Wymark. Leigh-Mallory wanted a more offensive type strategy and Park was for husbanding what resources the RAF had. Good arguments were put forth by both men. Dowding came down eventually on Park's side though after Dowding was retired by Churchill, Leigh-Mallory got his way. By that time through Lend-Lease, Britain had enough planes to do what Leigh-Mallory envisioned. The conflict between these guys was a great deal nastier than portrayed here. But Olivier, Howard, and Wymark give you some insight into the character of each.

My favorite bit in Battle of Britain is not any of the aerial combat sequences which are spectacularly done, nor is it the conflict in the higher command. It's a scene that takes place in Geneva where the ministers from Great Britain and Germany meet. The German minister is not a Nazi party hack, but a career diplomat. Yet he's real full of himself when he tells Ralph Richardson that you British might just as well surrender because we got the resources to take you out right now.

Classical actor that Ralph Richardson was, his reply was in the spirit of John Wayne when he tells them if you think you can, you're welcome to try, just don't make with the mouth. Minister David Kelly was echoing the bulldog defiance of his prime minister who was stiffening the backbone of his people for the long haul.

One thing I wish had been showed in Battle of Britain. There was reference to Buckingham Palace being bombed and it did get hit a few times over the course of the next five years. King George VI and his family stayed there, they certainly could have left for the relatively safer areas where Sandringham, Windsor, and Frogmore were. But they chose to stay as well. Not enough is ever spoken about the King and the other royals in that period. They too were an inspiration to their subjects. I wish that the Royals had been portrayed here, it might give some insight to non-Commonwealth people about why the Monarchy is held in such respect despite recent antics by some of its members.

Of course the Germans took Ralph Richardson's invitation to step up and get the job done and they failed. Thanks to some 600 RAF pilots which included volunteers from other commonwealth countries, from exiles from such places as Poland and Czechoslovakia and even from the USA, Great Britain kept control of its skies and a planned invasion never took place. Although aerial attacks took place over the United Kingdom for the length of the war, the threat of invasion was officially over when Hitler turned his attention east and southeast.

Battle of Britain is a wonderful tribute to the 20th century's noble 600.