I lunghi giorni delle aquile

Being a WWII buff for 25 years, I found this movie to be easily one of the best ever filmed. From the very start of the film, Guy Hamilton's direction and the great musical score left me spellbound even when I knew how the story ended. The casting was flawless. Olivier looked like Dowding. Trevor Howard could pass for Keith Park's twin brother and I swear Goering himself had a small part in the film too. I've always wondered if Robert Shaw's role of the squadron leader "Skipper" wasn't patterned after famed RAF pilot A.G. "Salior" Malan. If it was, Shaw looks alot like Malan. "War in the Air" is one of my favorite pieces of music and it flows beatufully through the film. Great acting by Christopher Plummer, Michael Caine, and one of my favorites, Edward Fox makes this movie a must see for any WWII buff.

A movie commonly praised while in the air but damned once the scenes move to the ground. I found it all watchable and quite inspiring. Not every actor rises above cameo level, but Michael Caine is good, and I would follow Robert Shaw into the thick of any battle fought in human history. The battle scenes are still the best aerial combat sequences on celluloid.

It's odd that Maltin gives this movie fewer stars than the Europroduction "Blue Max", with its staged-looking combat sequences and campily awful dialogue.

The Battle of Britain deserves it place in the great World War II films!

In Australia this one has beeen dragged out on Saturday afternoon TV ever since its debut to educate generations of young boys - a great when one discusses 'Warries'.

Made early enough to use (reasonably) accurate aircraft, with the de rigeur sixties ensemble (when all the good warries really had a stellar cast), original and actual dog-fight footage (even if they do slip up repeating the same crash 3 times), a stirring score and even Michael Caine's black lab waiting in vain for his return.

This flick isn't afraid to show the rivalries amongst the top brass, the German fighting man in a good light (with a big poke at 'fat Herman'), the realities of romance with flaming death around the corner(groan from the kiddies), - and they even switch to a poetry of the air without screenplay for a while! There are so many brilliant scenes that are pulled together masterfully into a cohesive, stirring story.

8/10

This film was an attempt to deal with the crucial events of 1940, when Britain might have been invaded and oppressed by Nazi Germany. Had this succeeded then subsequent history might well have been very different, a Europe subjugated by the dark evil of that regime.

As a straight historical account this film fails rather badly. Most of the characters are artificial, created for the Stars and stars involved. Dowding and Park, historically absolutely crucial, never develop properly - a pity. Goering is cartoonised, but at least reflects his total failure to conduct a strategic assault on the UK.

The flying sequences are, mostly, superb. It was a huge achievement to bring together the aircraft used. As an enthusiast I can pick massive holes in those used. None of the 'German' aircraft have correct engines - they were post-war Spanish Air Force stand ins. And that's before we start on the late war mark Spitfires etc. But who cares? The point is the conflict in the air. It is not close enough to 'real' aerial combat - 10 seconds of terror in 60 mins of boredom. But that is the nature of the cinema medium.

The distraction of Suzanne York (BTW she's not trying to get divorced!) in full 40's u/wear was very exciting when I was 16. At 52 I suppose it still gives me the odd moment!

And look for the hanger being 'bombed' behind Suzanne York and Kenneth More, it really WAS blown up at Duxford - boy, were they cross!

The revisionist historians like to claim that the (actual) Battle of Britain was not that important. That the Germans couldn't have crossed the Channel anyway because of the Royal Navy (probably, but not necessarily so. With air supremacy JU87s would have massacred RN vessels). That the Germans already had eyes on Russia and really wanted to ignore GB as a sideline, possible and a fatal mistake. That the Germans lost the battle, rather than the RAF won it (no statistical basis for this, the Luftwaffe smashed itself against the RAF).

But the Battle WAS fought, and won by the RAF.

Which is why I believe this film is worth a viewing.

Especially the Walton scored sequence, where the Luftwaffe's bombers are hacked down by the Hurricanes and Spitfires of the RAF. An impressively moving sequence of the horror of war in the air. To which the music adds enormously.

I place this film well ahead of the 1990's Memphis Belle travesty in depicting the reality of war. It is certainly on a par with 12 O'Clock High.

Perhaps not many new viewers of this gigantic recreation are aware of the fact that this movie was filmed almost 30 years after the actual events took place.

The efforts to put History on screen were huge. Everything in this account of the facts, comes directly from those who were actually involved in it: from the British and German fighter aces to private Londoners, they all contributed to make this not just another "war movie", but rather a dramatized documentary with accurate precision.

This by no means signifies that it is just that. The sky battles were very carefully choreographed, in accordance to rules of combat, which were followed in the 1940s. Some planes were flown by the same veterans, so that when you see a Messerschmitt Bf-109 followed by Spitfire Mk 1, you know it's for real.

The technical efforts were immense and although the Messerschmitts have reworked engines and even the Heinkel He.111s have different aerials and engine specs, because they were updated by the Spanish Air Force for later use after World War Two, the difference is barely noticeable when one watches one of those spectacular aerial battles.

On the whole, this is a history lesson about how a people, isolated from the rest of the world, and in a minority position, withstood the overwhelming crushing machine of the Axis: the Luftwaffe.

More than a movie, this is a celebration to those brave people, both civilian and military, who did commit themselves against all odds, to resist and fight back a very aggressive and dangerous enemy.

This, together with "The Longest Day", "Sink the Bismarck!", "Tora! Tora! Tora!" and "A Bridge Too Far" is one of those rare examples to make history come to life again and should be considered as didactic material for schools.

An excellent multi-national cast and a skillful direction, make this a masterpiece of its genre.