Anna dei mille giorni

in a special manner. for acting. for accuracy. and for Bujold. a great film not about history of a king choices but about values, forms of cruelty and love, about measure and desire. it is a classic but not just for the passing time . but for delicate nuances of performance - not a really surprise from an impressive cast ( Anthony Quayle, Irene Papas, Michael Hordern or William Squaire ) - for costumes and atmosphere, for the art to be key to discover testimonies of past. in many scenes, it can be second part for The man for all seasons. in same time, it remains proof for force of characters of Richard Burton. more than a film, it is a meeting. with a page of past, with the brilliant manner to translate tension of a time, for universal message and, sure, for art to do a real remarkable film.

With a surprisingly strong script and good performances, the film delivers as a late 1960s production that reveals a cinema that was in transition into the modern era. As a historical drama it deserved its one Oscar win and 9 other nominations. It avoids the plodding performances of most costume dramas of the time, while not quite delivering the stunning intimacy that was achieved by the BBC two years later in its landmark "Elizabeth R" mini-series 1971 - (achieved through micro-direction, dedication to detail and precision use of the small screen close-up - who ever said film is the same medium as broadcast television?)

Richard Burton turns in arguably the best performance of his career as Henry VIII. Had his performance revealed just a shade more gravitas and reflection, he surely would have picked up an Oscar.

I'm glad to say that British commercial TV managed to air a decent print of this picture over the Christmas season 2006, even though the cinema-scope frame edges were cut off. Well worth watching, but if you shop for a DVD, do make sure it is in the correct format so the full 35mm squeeze / 70mm letterbox frame is visible. A classic from the '60s and a rare achievement.

Based on the play by Maxwell Anderson, Anne of the Thousand Days is one of those great historical dramas they do not make anymore. Rich in color, costumes and settings, and supported by the superb performances of the whole cast (outstanding Richard Burton as King Henry VIII and Genevieve Bujold as Anna Boleyn) make this a still fine and shining piece of a historical drama. Like The Lion in Winter published one year earlier, Anne of the Thousand Days is another great game of love, drama and intrigues at the Court of a English king.

Burton and Bujold are majestic in this brilliant costume epic about King Henry VIII's relationship with wife Anne Boleyn. The period is captured beautifully in its set design and costuming. There is great support from Irene Pappas, John Colicos and Anthony Quayle as Cardinal Wolsey. This would be a nice film to double up "A Man for All Seasons" with.

Despite historical inaccuracies necessarily prevalent in historical dramas (i.e. not documentaries), this film is exquisitely conceived, written, directed, and performed. In my opinion, it is perhaps one of the best historical dramas ever produced, and both Bujold and Burton are remarkable. It's a pity that this film is not more widely known. I highly recommend it.