Aggiungi una trama nella tua linguaA mysterious hypnotist is suspected by the police of being responsible for a wave of female mutilation victims.A mysterious hypnotist is suspected by the police of being responsible for a wave of female mutilation victims.A mysterious hypnotist is suspected by the police of being responsible for a wave of female mutilation victims.
- Regia
- Sceneggiatura
- Star
- King of the Beatniks
- (as Eric 'Big Daddy' Nord)
- Emergency Doctor
- (as James Lydon)
- Waiter serving Desmond and Marcia
- (non citato nei titoli originali)
- Audience Member
- (non citato nei titoli originali)
- Observer at Scene
- (non citato nei titoli originali)
- Audience Member
- (non citato nei titoli originali)
- Mrs. McNear
- (non citato nei titoli originali)
- Audience Member
- (non citato nei titoli originali)
Recensioni in evidenza
As with other movies from the era, this originally came complete with a gimmick designed to lure people away from their TV sets and into the theatres. In this case, that would be "Hypno-Magic". Overall, the movie is pretty amusing, with the suave, handsome Bergerac doing a fine job of taking centre stage. The makeup effects are fairly good for the time this was made, and some of the methods of self mutilation are a hoot, even if we don't see all of them: flammable shampoo, lye cocktail, face pressed into fan blades, etc. One has to wonder if Herschell Gordon Lewis was somewhat inspired by this one when he made "The Wizard of Gore" 10 years later.
The cast keeps it watchable, particularly the striking Ms. Hayes, who does have a (not terribly surprising) twist in store for us right near the end. The filmmakers also get some credit for not over explaining things; for example, not giving us a back story for Desmond and Justine. The movie takes a brief detour into beatnik culture at the start of the second half, showcasing poet Lawrence Lipton and bongo drummer Eric Nord. Jimmy Lydon plays an emergency doctor, and in another doctor role the real life "Great Impostor" Fred Demara is cast.
"The Hypnotic Eye" is agreeable goof ball entertainment for people looking for a vintage "shocker".
Six out of 10.
Jacques Bergerac is probably best known as being middle-aged Ginger Rogers' ex-gigolo...I mean, husband. He became an actor after their marriage. A couple of years after they divorced, he married Dorothy Malone. He's kind of creepy which works for the part. B movie queen Allison Hayes has the best role as his sexy assistant. Hayes is a favorite of mine. She made every one of the low-budget movies she appeared in better. Joe Patridge is the incompetent and obnoxious detective who couldn't find his ass with both hands and a flashlight. This guy is such a jerk and he's supposed to be the hero! Not to mention he's such a poor detective his girlfriend has to do his job for him. Guy Prescott is his psychiatrist sidekick. He's moderately smarter than his buddy and he seems to be a bit of a voyeur, judging by the stakeout scene. Marcia Henderson plays the girlfriend and amateur sleuth.
Schlocky horror-thriller that's better than it has any right being. The "HypnoMagic" stuff is great. There are also a couple of pretty effective shocks that pushed the boundaries for 1960. A woman sets her head on fire, another washes her face with acid, and something else that happens in the climax. I mean it's not gory but still pretty rough for the time. Love the campy beatnik scene. It's an imperfect but fun movie. A nice way to pass the time but nothing extraordinary. Allison Hayes fans will definitely want to see it.
A lot of what appears in the movie is fun, although "The Hypnotic Eye" is barely 70 minutes long, and a lot of this is padding, featuring several needlessly long looks at the "hypnosis" act, as well as a very tiresome sequence set in a beatnik bar where we have to watch the whole show of beatnik music and poetry. It's a shame, because these really slow down the action. Surely it would not have been to difficult to make the actual storyline events take up some more time.
The acting is ok, although a little hammy. The story actually has a really brutal side to it, as the methods the ladies use to self-harm are all pretty twisted. We don't witness many of them happening, but seeing somebody screaming with their hair fully ablaze is quite something for 1960 (even if it's not very realistic). Some of the "after" make up of the others victims is also pretty good.
If all the padding was stripped out, this would rattle along and be a lot more fun, but it would be over in less than an hour! The plot really is tiny and there is barely any quality time given to the climax, in fact events dash to the closing credits with far too much haste...a little time spent on a proper ending and explanation would have been nice. Still, it's pretty entertaining while it lasts.
Lo sapevi?
- QuizShot in 12 days.
- BlooperWhen Dodie is suspended in air, wires holding her body up can clearly be seen near Desmond's head. This is an unfortunate side effect of modern film restoration; things that were unseen in the original 35mm prints now become visible because of the increased sharpness.
- Citazioni
King of the Beatniks: [reading his poem at a nightclub] I have just written a poem... Confessions of a Movie Addict. Or, The Holy Barbarian Blues. - - "I was a teenaged movie monster. I cut my teeth on Clara Bow. I dug Rudolph Valentino. I was hooked on all the vampire movie queens. I rode with the posse, and cut 'em off at the pass. I was thrilled by The Thing from Outer Space. Man, I was a mess. And I was turned on by Shakespeare, Plato, Aristotle, Edgar Guest. I saw "Charley's Aunt" in the original, uncut version. Crazy, man, crazy. One day I wandered drunk, dazed, wild-eyed, into an art movie house - you know, loose smocks, with subtitles... Now I'm cool, man, cool. I've kicked the movie habit. I'm off to make the interstellar scene. Aloha, dosvedanya, au revoir, goodbye. Later, man, later."
- Curiosità sui creditiRather than listing the character he plays, one actor is listed in the main credits as "FRED DEMARA (THE GREAT IMPOSTER)" to emphasize that he was the real life subject of the popular movie "The Great Impostor" (1960) that was released the same year.
- ConnessioniFeatured in It Came from Hollywood (1982)
I più visti
Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- El ojo diabólico
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 365.000 USD (previsto)
- Tempo di esecuzione1 ora 19 minuti
- Colore
- Proporzioni
- 1.78 : 1