Entrando nel palazzo di famiglia della fidanzata, un uomo scopre una crudele maledizione familiare e teme che il futuro cognato abbia seppellito prematuramente la sua promessa sposa.Entrando nel palazzo di famiglia della fidanzata, un uomo scopre una crudele maledizione familiare e teme che il futuro cognato abbia seppellito prematuramente la sua promessa sposa.Entrando nel palazzo di famiglia della fidanzata, un uomo scopre una crudele maledizione familiare e teme che il futuro cognato abbia seppellito prematuramente la sua promessa sposa.
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Recensioni in evidenza
Vincent Price stars as Roderick Usher, a man obsessed with the tragic history of the Usher clan, filled with psychopats, murderers of all kinds and people who die of incurable illnesses. He forces his sister Madeline (Myrna Fahey) to stay in the house waiting for death to spare the world the horrors of the Usher family in years to come and even builds two separate coffins for them. Madeline´s fiancee (Mark Damon) goes looking for her to the house and is received by the obedient butler Bristol (Harry Ellerbe). From there on this four characters will go through a lot of arguing, running around the House (which, like in the Poe tale, is a character itself, one of a really menacing nature) and digging on ancient secrets. Any Corman or Poe afficionado can figure out the rest of the story by himself, but it´s a joy to watch it evolve here.
The star of the show is Vincent Price, of course. He puts in a black robe or a red silk suit and speaks in a low, soft, modulated voice, throwing his overwrought dialogue while the others just stare at him with surprise and fear. He has a special weakness of the hearing (I have the same problem, BTW, although not to this extent) and in one scene the fiancee screams at him hard enough to make him twitch in pain. In that scene you realize just what a genius he is. The set decoration is also to be noted (you won´t forget easily the paintings of the Usher family members by Burt Schonberg), as is the music and practically everything that sets the unbelievable mood this movie has.
Roger Corman's adaptation of the Edgar Allan Poe story is alternately beautiful and terrifying, with grandiose views of the house's interiors, a fantastic dream sequence that was well ahead of its time in 1960, and colorful images that seem to leap from the screen.
But Corman's direction would be meaningless without the powerful performance of Vincent Price, who fits the tortured role of Roderick like a corpse fits a casket.
The mansion, surroundings and atmosphere bring a chill. The evasive Price is very convincing in his role as doting brother and master of the house. Great spooky movie to watch on a rainy night.
But this film was part of his early 60s formula - get a bankable horror star - in this case Vincent Price, make the film a period piece and borrow at least the theme from Poe, have at least one beautiful lady who has an affliction or is in danger or both, and have some handsome knight in shining armor show up who feels he just has to save the girl. This film has only a loose association with the Poe story - siblings Madeleine and Roderick (Price), their strange physical afflictions of an unnamed origin, and their decaying house.
Price is always fun to watch in these late 50s early 60s horror films. His character Roderick Usher has menace, but he is just so interesting it is impossible to dislike him. Even though these Corman films have a low budget, they always seem to deliver plenty of atmosphere. I'd recommend it.
Lo sapevi?
- QuizRoger Corman learned that there was an old barn in Orange County, CA that was about to be demolished. He was able to strike a deal that would allow him to burn the barn at night and film it. The resulting footage was so good that it was used not only in the climax of this film but in later "Poe" films as well.
- BlooperRoderick is shown playing a lute, but the sound we hear is a muted harpsichord.
- Citazioni
Roderick Usher: Last night you asked me about the singular aridity of the land around this house. Once this land was fertile, farms abounded. Earth yielded her riches at harvest time. There were trees and plant life, flowers. Fields of grain. There was great beauty here. At that time this water was clear and fresh. Swans glided upon its crystal surface. Animals came to its bank, trustingly, to drink. But this was long before my time.
Philip Winthrop: Why do you tell me these things?
Roderick Usher: And then something crept across the land and blacked it. The trees lost their foliage. The flowers languished and died. Shrubs grew brown and shrivelled. The grain fields perished. And the lakes and ponds became black and stagnant. And the land withered as before a plague.
Philip Winthrop: [puzzled] A plague?
Roderick Usher: Yes, Mr. Winthrop: a plague of evil.
Roderick Usher: [showing some pictures of his ancestors] Anthony Usher: thief, usurer, merchant of flesh. Bernard Usher: swindler, forger, jewel thief, drug addict. Francis Usher: professional assassin. Vivian Usher: blackmailer, harlot, murderess, she died in a madhouse. Captain David Usher: smuggler, slave trader, mass murderer.
Philip Winthrop: [reluctant] Mr. Usher, I don't see that this has anything to do with Madeline and myself. I don't believe in the sins of the fathers being visited upon the children.
Roderick Usher: [ironic] You do not, Sir?
- Versioni alternativeThe original UK cinema version was cut by the BBFC to remove a shot of Madeline's bloodstained hands held to her face. All later versions were uncut.
- ConnessioniEdited into Il serpente di fuoco - Il viaggio (1967)
I più visti
Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- The Fall of the House of Usher
- Luoghi delle riprese
- California, Stati Uniti(burning barn)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 270.000 USD (previsto)
- Lordo in tutto il mondo
- 84 USD
- Tempo di esecuzione1 ora 19 minuti
- Colore
- Proporzioni
- 2.35 : 1