Il diavolo in calzoncini rosa

For the only western in the film credits of George Cukor he sure couldn't be faulted for the source of his material. This film is taken from one of the books by the great western novelist Louis L'Amour. It concerns the escapades of a traveling theatrical troupe in the west headed by Anthony Quinn with the leading lady being Sophia Loren. This was her only trip to the American west on film also.

Theatrical people did not exactly have the same kind of prestige back in those days as they do now. We first meet our players fleeing across the state/territorial boundaries of Nebraska and Wyoming evading a sheriff with a writ. They arrive in Cheyenne and get themselves involved with the villainous doings of Ramon Novarro and his hired gunman Steve Forrest.

After Forrest does a couple of jobs for him, Novarro tries a doublecross maneuver similar to the one Laird Cregar tried on Alan Ladd in This Gun For Hire with the same sorry results. Forrest of necessity joins the theatrical troupe and both get an opportunity to use their respective skills to help each other out of some tight spots.

This film had potential to be better. Maybe in the hands of someone like George Marshall or John Ford it might even have become a classic. George Cukor was not the director for it.

The film marked the last feature film appearance of both Ramon Novarro and Edmund Lowe. Novarro did do some television work until his tragic murder in 1968. Here he's a smooth and polished villain. Edmund Lowe does quite well as an old ham actor which at that point in his life was I'm sure one easy role for him.

Heller in Pink Tights is enjoyable enough, but no classic.

An unusual title for an unusual film.

A troupe of actors travels around the Wild West, putting on shows and shilling for loose dollars from the men they meet along the way. Sophia Loren and Anthony Quinn are the improbable leads in this curious film, and they are surprisingly adept at filling the roles, but the story rambles from one dramatic point to the next. Such exposition is fitting, I think, for a Louis L'Amour novella, but I think it reads better than it fills the big screen, despite strong and colorful production values,

Though it is somewhat disappointing, I am glad I saw this film. It is rather novel.

Watch for Margaret O'Brien playing the role of "the child actor" past her prime, but being marketed photographically to cowpokes and gamblers, Steve Forrest is strong in his role as a hired gun who aligns himself with the traveling thespians, protecting his interests.

It is somewhat difficult to believe that Sophia Loren's releases for 1960 include both this film and the dramatic "Two Women", as well as three others. She had more range than some would give her credit for.

This film is introduced with the words: "When the great American frontier was resounding with the names of such gunman and outlaws as Wyatt Earp, Jesse James, Bat Masterson and Doc Holliday - a beautiful and flirtatious actress swept through the west with her theatrical troupe. A 'hellion in pink tights,' she was the toast of every settlement from Cheyenne to Virginia City - and became a legend of the old west. This is her story." And, after a creative title sequence, we meet beautiful actress Sophia Loren (as Angela "Angie" Rossini) in a blonde wig, running lines with co-star Anthony Quinn (Thomas "Tom" Healy)...

As the theatrical troupe arrives to perform in Cheyenne, Ms. Loren and ruggedly handsome Steve Forrest (as Clint Mabry) exchange mutually sexy glances. However, Loren decides to remain faithful (at least temporarily) to Mr. Quinn. Their relationship is threatened when Loren loses herself to Mr. Forrest in a poker game. When Loren, Quinn and company are suddenly run out of town, Forrest joins them, protecting his "property." They are threatened by bloodthirsty Native American Indians and respectable gangster Ramon Novarro (as De Leon). Forrest helps with the Indians, but has trouble with Mr. Novarro...

Loren and Quinn are okay, but surprisingly lack chemistry as a couple. Despite his lower billing, Forrest comes across as more like the story's leading man. The supporting cast is very strong: Novarro, a former "silent screen" idol, is exceptional as the main villain; former child star Margaret O'Brien and Eileen Heckart are a delightfully naughty mother/daughter duo; and Edmund Lowe (as Manfred "Doc" Montague) is a bonus, in his last acting appearance. Director George Cukor and his team make it very stylized, with an emphasis on garish color. The film's jarring attitude was later common on television.

******* Heller in Pink Tights (1/1/60) George Cukor ~ Sophia Loren, Steve Forrest, Anthony Quinn, Ramon Novarro

Heller in Pink Tights is directed by George Cukor and adapted to screenplay by Walter Bernstein from the novel "Heller With a Gun" written by Louis L'Amour. It stars Sophia Loren, Anthony Quinn, Margaret O'Brien, Steve Forrest, Eileen Heckart and Ramon Novarro. Music is by Daniele Amfitheatrof and cinematography by Harold Lipstein.

In simple terms this is Cukor trying to be clever whilst doing his only Western film. Plot basically follows The Great Healy Dramatic and Concert Company as they represent civilisation and culture coming to the Wild West. It's part spoof, part period farce but always narratively shallow. The costuming and colour lensing are sublime, undeniably, but these can't compensate for such a turgid story being performed by miscast stars.

Quinn called the picture unfortunate, Loren (looking painfully thin and sporting an unfortunate blonde mop on her head) was unhappy with the direction she received and serves solely as a clothes horse, while Cukor himself bemoaned cuts made by Paramount that further damaged what he thought was already a weak story. Receiving mixed reviews upon release, "Heller" was a box office flop, and really it's not hard to see why. Even if there's some value for Loren and Edith Head (costumes) fans. 4/10

The look alone is worth the trouble. Rich, colorful, slightly baroque. Sophia Loren is as good as when she's directed by a great actor's director, this time is not Vittorio De Sica but George Cukor and her timing, her intention as a character is total perfection. Her sympathy is not merely believable but contagious and sympathy was Loren's secret weapon. True, it's not your Ford or Hawks western if anything it's closer to Sergio Leone with a slightly more refined if not feminine sensibility. The showdowns here are not of gun powder but of love power. The Art Direction is superb and the film shouldn't be dismiss because it doesn't fulfill the rules of the genre. This is a Cukor film and that in itself makes it a cut above most movies. Anthony Quinn is also traveling unknown territory very successfully. Eileen Heckart is, as usual, a scene stealer: "She's only sixteen!, only sixteen, do you hear?" she shouts trying to protect her most valuable asset, her daughter, played by Margaret O'Brien wanting to be accepted as a 20 year old. An extra plus for film lovers is a glimpse of Ramon Novarro one of the biggest stars of the silent era.