All'inferno per l'eternità

Hell to Eternity

This is the first movie (from Hollywood) to deal with the incarceration of Japanese Americans in 1942 during WWII. Eighteen years is a long time for someone to get a feature together about the problem but in 1960 most of the country didn't know about (or care about) the injustice of this mass sweep of American citizens of Japanese descent. You might say this movie is required viewing just to put that piece into perspective.

The big flaw of the movie is the simplistic way it presents the situation beginning in the 1930s. An honest, decent (indeed, admirable) Japanese family in California takes in a non-Japanese kid name Guy who comes from a bad home and needs a family. The point is clear: the Japanese family is amazing, generous, and rather typical of immigrant families where the older generation doesn't know English very well and the kids are all assimilated. As stiff as it is in some ways, it's truly touching and a warming, disturbing story.

Jump ahead to Pearl Harbor and you can see where the conflict is coming. Guy is now enlistment age (as are his Japanese foster brothers, who are fighting in the European theater). What follows is a war movie based somewhat on fact-the unit he eventually joins fights the Japanese, and there is doubt, heroism, and tragedy and it's a well done story. I wonder whether audiences in 1960 quite got into it, so long after the events. (Other WWII movies were still being made, but many are about the exceptional parts of the war, like D-DAy in "The Longest Day" in 1962 or Nazi trials "Judgement in Nuremberg" in 1961.)

The main character is supposed to be based on a Mexican-American kid, but the actor (Jeffrey Hunter) is a very white American, which adds to the contrast (and meld) between cultures. (Hunter's big fame? He was the captain in the very first Star Trek episode, before Shatner.) He makes a visit to what is supposed to be Manzanar (but they show painfully little of what it would have been like). And he ends up fighting the Japanese because he knows the language.

Exactly half of the movie is about the lead-up to fighting-lots of chummy interactions, girl chasing in military clubs, and kind of 1960s lightweight entertainment. David Janssen is one of Hunter's sidekicks, and he's really good (he was famous for being the TV star in "The Fugitive"). When the fighting starts the movie clicks into place -in fact, director Phil Karlson is great with smaller budgets and yet keeping an honest intensity to the acting. The fighting is very realistic (mixing in only a small amount of archival footage). And the final impressive crisis between Guy and the remaining Japanese troops is unique and compelling. And the movie builds to this point believably.

A great movie this is not-but it has great parts, which is more than many movies can offer.

Guy Gabaldon died Thursday August 31, 2006 at his home in Old Town, Fla. He was 80. The cause was a heart attack.

From an L.A. Times Article:

The actions that earned Gabaldon the nickname "the Pied Piper of Saipan" took place in June 1944 on the 25-mile-long island in the Northern Marianas in the western Pacific Ocean. Marine Pvt. Gabaldon killed 33 Japanese soldiers on his first day of combat, he said. Later he changed tactics.

Disobeying orders, Gabaldon went behind enemy lines by himself looking for Japanese. He "daringly entered enemy caves, pillboxes, buildings and jungle brush, frequently in the face of hostile fire," reads the citation that went along with his Navy Cross. The goal was to get the Japanese to surrender.

Years later, Gabaldon called his actions foolish, but back then he had reasons to believe he would succeed.

Many years before, in Boyle Heights (Los Angeles, CA), a Japanese American family had taken in Gabaldon — a wayward boy, prone to trouble — and raised him. He experienced Japanese language, food and culture firsthand.

During the war years the family was sent to an internment camp and Gabaldon joined the Marines. He used his limited Japanese language skills in his contacts with Japanese soldiers and civilians.

When the United States of America went to war with Imperial Japan, many a Japanese national joined the armed forces and served the U.S. with distinction and honor. Among those who stood out was this story of a young Chicano from Los Angeles. Good looking Jeffrey Hunter, plays Guy Gabaldon who was raised by a Japanese foster family. Despite the discredit of government officials who interned Japanese/American citizens at the beginning of World War II, the people endured their imprisonment with dignity and patience. Gabaldon, turned down by his own draft board, nevertheless, joins the Marines and meets two close friends, played by David Janssen and Vic Damone. The three make this story touching and believable and their combat experience creates a worthwhile saga. The movie centers on the volatile hard fought conflict on the island of Saipan, where a determined enemy refuses to surrender. Interestingly enough, Guy Gabaldon risks life and limb, saving the lives of thousands of America soldiers and Japanese civilians, yet fails to be nominated for the Medal of Honor. A great and Noble film which has since become a war-time Classic. ****

This is a war bio-pic about Guy Gabaldon of the USMC . It's a strange film featuring two distinct halves . One of Gabaldon newly arrived in the Marine Corps and the second half concentrating on the battle of Saipan . When I say strange what I mean is that it's heavily clichéd but for someone reason it manages to hide the clichés very well

The first half features those loud American who constantly feature in these type of movies . They're drinkers , gamblers , womanisers and heaven help anyone who has no concept of the alpha male . What makes this part of the film interesting is that there's a nightclub scene that has rampant sexuality featuring a female character and Gabaldon played by Jeffrey Hunter which must have seemed somewhat explicit at the time

The second half features the bloody battle of Saipan and one interesting thing about the landings is that Japanese characters speak to Japanese characters in Japanese without the benefit of subtitles . Compare this to films at the time had Germans speaking to one another in English and characters speaking in their native tongue must have appeared unusual back in the day . The battle scenes are relatively graphic though little children turning reminded me of THE GREEN BERETS

The problem with this movie is that for something that is marketed as a war film it takes a long time to reach its destination of the battlefield and with the exception of the nightclub scene the film is very talkative with little in the way of incident which stops it from becoming a great film . As it stands it's okay though it helps if you watch it of the era of when it was made

I remember seeing this movie many times in the 60's and 70's at the theater, on television, and on VHS. I grew up watching WWII movies and remember this as one that had a special appeal to me. I guess because I lived in Japan in the 1950's and visited some of the locales from the movie. The acting was well done and the story was well told and realistic. It is interesting to view the cast when they were relatively new to movies. David Janssen and Vic Damone stand out in my memory and Jeffrey Hunter was always a class act in films. I highly recommend seeing it if possible. I do find it hard to believe that it is called a "lost classic" and runs so high for a copy. Anyone know where I could get a cheaper copy, I would like to hear from you.