Un venditore porta a porta con la parlantina e delle maniere loquaci e affascinanti convince una sincera evangelista che lui può essere un giusto predicatore per la sua causa.Un venditore porta a porta con la parlantina e delle maniere loquaci e affascinanti convince una sincera evangelista che lui può essere un giusto predicatore per la sua causa.Un venditore porta a porta con la parlantina e delle maniere loquaci e affascinanti convince una sincera evangelista che lui può essere un giusto predicatore per la sua causa.
- Regia
- Sceneggiatura
- Star
- Vincitore di 3 Oscar
- 11 vittorie e 14 candidature totali
- George F. Babbitt
- (as Ed Andrews)
- Salesman in Saloon
- (non citato nei titoli originali)
- Mac - Bartender
- (non citato nei titoli originali)
- Cornerman
- (non citato nei titoli originali)
- Congregation Member
- (non citato nei titoli originali)
Recensioni in evidenza
Burt Lancaster seemed born to play the role of the lustful traveling salesman whose desire for the Aimee Semple McPhearson-like Sister Sharon turns him into a charismatic preacher, (his performance here is a virtual reprise of his performance as Starbuck in "The Rainmaker" a few years earlier). As Sharon, Jean Simmons gives a luminous performance, all fragility and repressed sexuality and singer Shirley Jones is a revelation as a trampy prostitute; (both she and Lancaster were rewarded with Oscars). Not great then, but several cuts above what it might have been.
I first saw this movie as a kid on TV not that long after it came out. It hasn't aged one bit. That it came out the same year as Inherit the Wind, another masterpiece, is interesting but not surprising. Hollywood was turning the spotlight on the dangers of religious fundamentalism that have since become far more powerful in this country.
Everything about this movie is first rate. Lancaster's acting isn't acting; it is better than that. He simply becomes Gantry, and you believe in him - as he believes in himself, from time to time - completely. The script is powerful, the directing first rate.
This is one of those movies that I sit down and watch when it shows up on TV, no matter how many times I have seen it before. It really is one remarkable movie.
Burt Lancaster gives such a big performance. It is so big that it always has a tinge of falsehood. His laugh is so outrageous that it plays both sides of the divide. It's this big performance that is so memorable. Jean Simmons is the perfect compliment. She is the embodiment of purity of spirit. Burt definitely deserves his Oscar win. I can see some people taking offense from the depiction of religious revival. However I see a great role model in Sister Sharon. It's also a tale of salvation for Elmer Gantry.
My rule for telling whether I watched a good movie or not is by seeing how often I notice the outlining of the screen that the movie is displayed on and I barely noticed it when watching Elmer Gantry because I was so into it. The director of the film, Richard Brooks, did a fine job with choosing the camera angles and transitioning. Take it from someone who loves everything about film and is trying to become a prominent film director when I say you can learn a lot from watching Mr.Brooks film. Brooks displayed professional frame balance practically throughout every scene.
Overall, after watching Citizen Kane I kinda became bored of watching old-school films but Elmer Gantry has restored my enjoyment of old- school films once again. I just began enjoying older films a lot more than what is being produced today in the film world. I thought the script for Elmer Gantry was exceptional; I loved every quote in the movie especially, "One minute you're a howling banshee,the next, you're cold potatoes." Everyone should watch Elmer Gantry because it is simply a great movie.
Lo sapevi?
- QuizWhen he first learned that Richard Brooks was interested in adapting his novel, Sinclair Lewis told him that he should change it significantly, advising him to read all the criticisms of the book and use them as a way to improve on it.
- BlooperThe location where Sister Sharon confronts the police captain and fire chief over erecting her tent is purported to be in Lincoln Nebraska. The opening part of the scene shows mountains in the background. There are no mountains around Lincoln.
- Citazioni
Lulu Bains: Oh, he gave me special instructions back of the pulpit Christmas Eve. He got to howlin' "Repent! Repent!" and I got to moanin' "Save me! Save me!" and the first thing I know he rammed the fear of God into me so fast I never heard my old man's footsteps!
- Curiosità sui creditiScrolled before the opening credits: "We believe that certain aspects of Revivalism can bear examination- that the conduct of some revivalists makes a mockery of the traditional beliefs and practices of organized Christianity! We believe that everyone has a right to worship according to his conscience, but- Freedom of Religion is not license to abuse the faith of the people! However, due to the highly controversial nature of this film, we strongly urge you to prevent impressionable children from seeing it!"
- ConnessioniFeatured in Hollywood: The Fabulous Era (1962)
- Colonne sonoreI'm On My Way to Canaan Land
(uncredited)
Traditional
Arranged by Mahalia Jackson
Sung by Patti Page and the audience at a revival meeting
Reprised by her at the end
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Elmer Gantry, ni bendito ni maldito
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 3.000.000 USD (previsto)
- Lordo in tutto il mondo
- 64 USD
- Tempo di esecuzione2 ore 26 minuti
- Proporzioni
- 1.66 : 1