VALUTAZIONE IMDb
7,7/10
3123
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA young woman is deemed a goddess when her father-in-law, a rich feudal land-lord, has a dream envisioning her as an avatar of Kali.A young woman is deemed a goddess when her father-in-law, a rich feudal land-lord, has a dream envisioning her as an avatar of Kali.A young woman is deemed a goddess when her father-in-law, a rich feudal land-lord, has a dream envisioning her as an avatar of Kali.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 1 candidatura in totale
Soumitra Chatterjee
- Umaprasad
- (as Soumitra Chattopadhyay)
Karuna Bannerjee
- Harasundari
- (as Karuna Bandyopadhyay)
Purnendu Mukherjee
- Taraprasad
- (as Purnendu Mukhopadhyay)
Arpan Chowdhury
- Khoka - Child
- (as Shriman Arpan Chowdhury)
Anil Chatterjee
- Bhudeb
- (as Anil Chattopadhyay)
Recensioni in evidenza
After watching Satyajit Ray's The Apu Trilogy (1955-1959), which are now my favourite films of all time, I was looking forward to watching Devi, the next film Ray directed after The Apu Trilogy. Although I couldn't feel the same kind of emotional connection with the characters in Devi that I felt in The Apu Trilogy, this film was thought-provoking and very intriguing to watch.
Devi dealt with a serious issue in Bengali society at the time in a mature manner and Ray's direction and cinematography for this film was just as superb as The Apu Trilogy. It starred Soumitra Chatterjee and Sharmila Tagore once again as a married couple, like in Apur Sansar (the final part of The Apu Trilogy). However, whereas it was Soumitra who played the lead role in Apur Sansar, this time it's Sharmila who plays the lead role in Devi. Her performance was very subtle for the first half but her delusional performance towards the end was very convincing. Overall, I'd highly recommend this movie to any Satyajit Ray fan.
8/10
Devi dealt with a serious issue in Bengali society at the time in a mature manner and Ray's direction and cinematography for this film was just as superb as The Apu Trilogy. It starred Soumitra Chatterjee and Sharmila Tagore once again as a married couple, like in Apur Sansar (the final part of The Apu Trilogy). However, whereas it was Soumitra who played the lead role in Apur Sansar, this time it's Sharmila who plays the lead role in Devi. Her performance was very subtle for the first half but her delusional performance towards the end was very convincing. Overall, I'd highly recommend this movie to any Satyajit Ray fan.
8/10
'Devi' is so good I went out and bought the whole 'Apu Trilogy.' Which was expensive, and I'm poor. 'Devi' is so good that I've watched it enough times to be able to mouth along to it in Bengali, and I don't speak Bengali. "Khoka khotay?" "Aaaa... cheko ta." (I'm now learning Bengali because I love this movie so much!)
There is such an intricate web of relationships between the characters, that it reminds me of Macbeth. The story is very specifically about the Indian culture (it's revealing investigation into Hinduism could have happened nowhere else) but its tale of strife between generations is something anyone can understand and feel.
If you would like to talk about this film, please email me! "Namoskar." (I'm pretty sure that means 'goodbye!')
There is such an intricate web of relationships between the characters, that it reminds me of Macbeth. The story is very specifically about the Indian culture (it's revealing investigation into Hinduism could have happened nowhere else) but its tale of strife between generations is something anyone can understand and feel.
If you would like to talk about this film, please email me! "Namoskar." (I'm pretty sure that means 'goodbye!')
This film was made in 1960. This is interesting because it is highly doubtful that the same film could be made in India today, in spite of India's massive film industry. The film does a great depiction of the crisis faced by people struggling to be modern yet encumbered with the traditional systems and the specter of having been colonized.
The younger son is ready to walk away from the bondage of traditional and as he sees, the superstition of the traditional life. Of course, he is reaping the benefit of life as a high caste. His young wife becomes the Devi - the embodiment of the goddess. This film also works well for its psychological content for the way we see the father project his desires onto those around him, and the choices faced by each character. In light of the fundamentalism worldwide - Christian, Muslim & Hindu - it is hard to image that this film could be made today in India since it leans to a skeptical view of Darsan and the goddess.
The younger son is ready to walk away from the bondage of traditional and as he sees, the superstition of the traditional life. Of course, he is reaping the benefit of life as a high caste. His young wife becomes the Devi - the embodiment of the goddess. This film also works well for its psychological content for the way we see the father project his desires onto those around him, and the choices faced by each character. In light of the fundamentalism worldwide - Christian, Muslim & Hindu - it is hard to image that this film could be made today in India since it leans to a skeptical view of Darsan and the goddess.
Being a Bengali, I had the privilege to read the original story by Prabhat Kumar from which the screenplay was adapted, and the story had a concrete conclusion with a deep impact where Ray finished it with surrealism and abstraction. Mostly he avoided the actual ending to bypass the social stigma which prevailed at that time. Also the story provides a very intimate adoration between the lead couple which was also avoided for probably the same reason.
Apart from that it possesses all the characteristics of Ray's direction with thrilling music, cinematography and screenplay. Definitely a must watch.
Apart from that it possesses all the characteristics of Ray's direction with thrilling music, cinematography and screenplay. Definitely a must watch.
A film that explores the line between the good aspects of faith (e.g. humility) and the bad (e.g. ignorance) when an elderly man has a dream that his daughter-in-law is the incarnation of the goddess Kali, and immediately begins venerating her. In Hinduism the idea of one of the deities from its pantheon incarnating as a mortal is fairly common and has some interesting and profound philosophical implications, but here we feel a deep sense of falseness and unease. When the young woman's husband returns to find her on a dais surrounded by chanting worshippers he eventually tries to get her out of there, but she begins to wonder whether she might indeed be Kali, and if leaving may cause the gods to inflict their wrath upon him. It all seems a little crazy - a single fleeting moment in an old man's dream, and suddenly streams of people are coming to a trapped young woman, some bearing sick children and expecting her to heal them.
Before the dream, the old man has a somewhat creepy relationship with her - for example, calling her 'mother' and praising her while she waits on him and tenderly washes his feet. Later we find out she's just 17 years old, and has been married for 3 years, causing some uncomfortable internal math even if it is based on the reality of 19th century India (and apparently a true story). Sharmila Tagore plays the conflicted aspects of the part well, and she was only 16 years old. I found that the film was an interesting look into the culture - and director Satyajit Ray's criticism of blind faith - but the pace of the film was a little too slow for what is a pretty simple story. It finishes strong though, and with some powerful images of Tagore.
Before the dream, the old man has a somewhat creepy relationship with her - for example, calling her 'mother' and praising her while she waits on him and tenderly washes his feet. Later we find out she's just 17 years old, and has been married for 3 years, causing some uncomfortable internal math even if it is based on the reality of 19th century India (and apparently a true story). Sharmila Tagore plays the conflicted aspects of the part well, and she was only 16 years old. I found that the film was an interesting look into the culture - and director Satyajit Ray's criticism of blind faith - but the pace of the film was a little too slow for what is a pretty simple story. It finishes strong though, and with some powerful images of Tagore.
Lo sapevi?
- QuizSharmila Tagore was just 15 when she filmed this role.
- Citazioni
Kalikinkar Roy: [while Doyamoyee strokes his feet] Do you know who I'm worried about? I'm worried about your Christian husband. You never know the intention of boys today.
- ConnessioniFeatured in Storia del cinema: Un'odissea: Sex & Melodrama (2011)
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 93.215 USD
- Tempo di esecuzione
- 1h 33min(93 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.37 : 1
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