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Le ciel et la boue

  • 1961
  • 1h 32min
VALUTAZIONE IMDb
7,1/10
318
LA TUA VALUTAZIONE
Le ciel et la boue (1961)
Documentary

Aggiungi una trama nella tua linguaIn September, 1959, six Europeans leave Cook's Bay on the southern coast of Dutch New Guinea, now West Papua or Irian Jaya, to trek north to the far side of the island. The journey (450 mile... Leggi tuttoIn September, 1959, six Europeans leave Cook's Bay on the southern coast of Dutch New Guinea, now West Papua or Irian Jaya, to trek north to the far side of the island. The journey (450 miles, as a crow flies) across unmapped territory took seven months; three Muyu porters died. ... Leggi tuttoIn September, 1959, six Europeans leave Cook's Bay on the southern coast of Dutch New Guinea, now West Papua or Irian Jaya, to trek north to the far side of the island. The journey (450 miles, as a crow flies) across unmapped territory took seven months; three Muyu porters died. Near both coasts, the expedition met villagers who invited them to observe rituals and liv... Leggi tutto

  • Regia
    • Pierre-Dominique Gaisseau
  • Sceneggiatura
    • Pierre-Dominique Gaisseau
  • Star
    • Gerard Delloye
    • Tony Saulnier
    • Herve de Maigret
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,1/10
    318
    LA TUA VALUTAZIONE
    • Regia
      • Pierre-Dominique Gaisseau
    • Sceneggiatura
      • Pierre-Dominique Gaisseau
    • Star
      • Gerard Delloye
      • Tony Saulnier
      • Herve de Maigret
    • 11Recensioni degli utenti
    • 3Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Vincitore di 1 Oscar
      • 1 vittoria e 1 candidatura in totale

    Foto3

    Visualizza poster
    Visualizza poster
    Visualizza poster

    Interpreti principali5

    Modifica
    Gerard Delloye
    • Self
    Tony Saulnier
    • Self
    Herve de Maigret
    • Self
    William Dexter
    • Narrator (English version)
    • (as William Peacock)
    Jan Sneep
    • Self
    • Regia
      • Pierre-Dominique Gaisseau
    • Sceneggiatura
      • Pierre-Dominique Gaisseau
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti11

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    Recensioni in evidenza

    8solarblast

    wimps? Hardly. An Impressive Adventure.

    I see dogbowl thought these explorers were wimps. I believe they traveled 700-1000 miles in seven months, three people died, they were near starvation several times, several people had to be air lifted to the hospital near the end of their journey, they were lost many times, ran out of supplies (eventually resupplied from the air), among head hunters many times, endured high and low temperatures with rain and wind (and mud), and bitten by leeches and flying insects for days at a time. The territory they went through had never been explored by anyone other than some native tribes, and I doubt some of them had even explored much of the isolated and wild jungle traveled in this story.

    New Guinea is the second largest island on the planet. Yes, they had help from bearers, and were funded by the Dutch government. I don't see how they could be called rich. The support was necessary. It was a large and bold scientific exploration. They did receive air support of food and supplies, which were delivered at the peril of the pilots on several occasions. It's a very good story, which is probably the last of such adventures of its type. Yes, the story is missing the modern cinematography touch, and the narration is somewhat matter of fact, but it's still quite an impressive story.
    10gulag

    The Truly Other!!!

    The Sky Above The Mud Below is an absolutely stunning film. This was made about 1960. It is basically one of the last journeys of its kind: A trek into unexplored territory meeting uncontacted tribes in New Guinea. Where can you go today this remote? As our world grows closer and closer in its current media saturated configuration the possibility of real geographic and ethnographic discovery by anyone is becoming more and more remote. The tribes are all accounted for. This film is the only real glimpse we can get of what it was like for explorers of the past to encounter the UNKNOWN. Yes as it is modern times they do have a radio. But no plane can land anywhere to find them. As their rickety little boat motors up river suddenly the voyagers come up a huge band of cannibal headhunters chanting intensely in canoes downstream straight towards them, hundreds and hundreds. It is compelling and eerie, Truly Other. One of the blessings of this film is that it is NOT made by anthropologists or any of the politically correct interpreters of the present, the kind of people who say "Well everyone has their own culture you know." Thus the tribal natives appear truly other in a way that preserves their mystery and uniqueness. The explorers may not understand what they are seeing but then again neither do we. The rites are truly hard to enter from the outside. Men sleep on skulls. Human skin is cut to seal a lizard skin drum. Young boys are readied to spend a night alone with a freshly cut head. Tribal warfare lurks everywhere. Malarial jungles invade the explorers' minds with frightening efficiency. Ghosts and spirits haunt everything. This film captures the dream of the exotic, the fear of the jungle as a central archetype better than any film I can think of. This is a glimpse of the true heart of darkness. This is a chance to look into a cannibal's face and to see both the humanity and that which lurks within us all. As we move towards our own neo-pagan dreams of burning men in the Nevada desert and frat house orgies captured for the Internet. New Guinea whispers to us. Paganism isn't just a few incantations of cosmic energy. There is always the blood. It must return if we move that way. Our postmodern cargo cults need to look to this part of the world to understand many things. Otherwise our rituals will bring fear lest we perform them the wrong way. I am so glad this film exists to leave a cracked door open on a world that has nearly completely vanished. They do listen to rap music now in New Guinea. You can take a tour. But New Guinea requires deep thought.

    (By the way it is available on DVD now. It was made to be watched in French with English subtitles. It is on the same DVD as Black and White in Color. I wish it had a DVD of its own. A triple bill of The Sky Above The Mud Below with Dead Birds and Cannibal Tours would be outstanding.)
    10chrislawuk

    Tough people

    You have to commend the crew and the tribal people. Hard as nails. I don't really have much to say, that has not already been said in the other reviews, but I felt like I had to leave a review to show my support.

    I am a fan of much lesser films in the mondo cinema genre. It is hard to define this film as mondo, as it is not really exploitational. It is just the terrain and the cultures shown in the movie are so primal and harsh. You are spared the really violent parts, which other movies in said genre tend to glorify. This however doesn't seem forced, like modern cinema is toned down, and benefits the movie as they strike the right balance.

    Anyone who can cut down a tree with a stone tool must be hard as nails anyway. You wouldn't want to mess with those blokes, even if they're 5ft high max. A miracle all the crew came back with their heads still attached to their bodies by the sounds of things. Don't worry, only a few skulls on display, no severed heads. A true story of perseverance.

    Will inspire the explorer in anyone who has the inclination.
    dogbowl

    Help is only a radio away...

    When I was growing up I imagined adventurers to be fearless daredevils who travelled into unknown lands by themselves. Boy was I wrong. Apparently the only people who could afford to travel in the older days were rich society men who you can bet would never carry anything by themselves. This documentary was the academy award in 1960, but when viewed by today's standards looks like it is full of a bunch of whimps. The "adventurers" never lift a finger themselves and when any sort of danger arrives they radio for help. Having supplies airlifted to you at the drop of a dime isn't very impressive if you ask me.
    10lee_eisenberg

    the past in the present

    Watching "Le ciel et la boue" (called "The Sky Above, The Mud Below" in English), I got the feeling that it may have been one of the last chances that the documentary makers had to do this; after all, how many indigenous cultures still live their traditional ways? At times, the filmmakers use some pre-conscious terms such as "savage" and "civilization", but we understand that they aren't actually trying to attack the people on whom they're focusing.

    I will say that the parts about airplanes flying supplies in gave me the impression that the filmmakers wimped out sometimes. But overall, the documentary is a fascinating look at cultures which may not have survived much longer. I recommend it.

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    Trama

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    Lo sapevi?

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    • Quiz
      During a stay with an aboriginal tribe, the explorers use the radio and the natives and the team hear 'C'est à Hambourg' sung by Édith Piaf. The aboriginals are intrigued by that machine.
    • Connessioni
      Referenced in Max, der Taschendieb (1962)
    • Colonne sonore
      C'est à Hambourg
      Music by Marguerite Monnot

      Lyrics by Claude Delécluse and Michelle Senlis

      Performed by Édith Piaf

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    Dettagli

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    • Data di uscita
      • 5 maggio 1961 (Francia)
    • Paesi di origine
      • Francia
      • Liechtenstein
    • Lingua
      • Francese
    • Celebre anche come
      • The Sky Above, the Mud Below
    • Aziende produttrici
      • Ardennes Films
      • Michael Arthur Films
      • Société Parisienne de Cinéma (SPC)
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 32 minuti
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.66 : 1

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