VALUTAZIONE IMDb
6,3/10
2646
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaIn 1896 Paris, a female nightclub proprietor fights against the forces of public morality for the right to feature her performers doing the risqué dance, the Can-Can.In 1896 Paris, a female nightclub proprietor fights against the forces of public morality for the right to feature her performers doing the risqué dance, the Can-Can.In 1896 Paris, a female nightclub proprietor fights against the forces of public morality for the right to feature her performers doing the risqué dance, the Can-Can.
- Regia
- Sceneggiatura
- Star
- Candidato a 2 Oscar
- 5 vittorie e 7 candidature totali
Frank Baker
- Party Guest
- (non citato nei titoli originali)
Benjie Bancroft
- Club Patron
- (non citato nei titoli originali)
Herman Belmonte
- Waiter
- (non citato nei titoli originali)
Shirley Blackwell
- Townsfolk
- (non citato nei titoli originali)
Eugene Borden
- Police Officer Chevrolet
- (non citato nei titoli originali)
Buddy Bryan
- Dancer
- (non citato nei titoli originali)
Carole Bryan
- Gigi
- (non citato nei titoli originali)
Recensioni in evidenza
What does an old musical set in France need? Maurice Chevalier and Louis Jourdan, of course! And since there's also singing and a cute dancer who likes showing off her legs, what else does it need? Frank Sinatra and Shirley MacLaine! Can-Can has Shirley, both French charmers, and Ol' Blue Eyes.
Set in the 1800s, when the can-can dance was forbidden in France because it was too risqué, Shirley MacLaine decides to buck the system and allows her and her nightclub dancers show off their legs. Lots of dancing from choreographer Hermes Pan, lots of pretty costumes, lots of Cole Porter songs, and a love triangle that will keep you on the edge of your seat the entire time, Can-Can is definitely one to see if you like old musicals. I've seen them all, and while this one doesn't make it to the top shelf in my collection, I'm glad I saw it. Many famous songs come from this movie, including "I Love Paris", "Let's Do It", "Just One of Those Things", and "It's All Right With Me", so if you like any of those, rent it during your next musical-fest weekend.
Set in the 1800s, when the can-can dance was forbidden in France because it was too risqué, Shirley MacLaine decides to buck the system and allows her and her nightclub dancers show off their legs. Lots of dancing from choreographer Hermes Pan, lots of pretty costumes, lots of Cole Porter songs, and a love triangle that will keep you on the edge of your seat the entire time, Can-Can is definitely one to see if you like old musicals. I've seen them all, and while this one doesn't make it to the top shelf in my collection, I'm glad I saw it. Many famous songs come from this movie, including "I Love Paris", "Let's Do It", "Just One of Those Things", and "It's All Right With Me", so if you like any of those, rent it during your next musical-fest weekend.
'Can-Can' from personal opinion is one of Cole Porter's best later musicals, and there was so much talent involved in this film. It's just sad that something that should have sparkled like diamonds fell as flat as over-egged soufflé despite some very great things.
There's more to the problem than it being a butchered treatment of the Broadway hit, including a mangled re-written story with an additional character to cater Frank Sinatra, omitted songs and changes to lyrics. Pretty much all of the problems with 'Can-Can' are to do with how it fared on its own terms, which is while nowhere near one of the duds in musicals it's one of the classics either, if anything a missed opportunity.
Despite how this all sounds there is a good amount to like about 'Can-Can'. The film is visually stunning, opulently produced and photographed with spectacular gorgeousness. Porter's music and songs, even with how they're treated (most inexplicable being the lyric liberties in the title song, the original ones are brilliant and part of what makes 'Can-Can' one of Porter's better later musicals), are still superb. Especially the very touching "It's All Right With Me", sung (or crooned) beautifully by Sinatra.
Parts of the script has wit and charm, especially with Maurice Chevalier. Chevalier and Louis Jourdan give the film's two best performances, the former performing with a humorous twinkle and effortless charm and the latter having an urbane likability. Juliet Prowse also proves herself to be a wonderful dancer, and the choreography and musical numbers are really where 'Can-Can' really picks up in the interest value.
Yet, 'Can-Can', despite the music, Chevalier and Jourdan and the production values, never makes one properly feel like they've been transported to late 19th century Paris. Part of it is to do with the mostly anachronistic and talky script (especially in the courtroom parts that really dragged the film down pace-wise), and a larger part is do with the miscasting of the two leading roles. There is no denying that Sinatra sings beautifully with impeccable phrasing and breath control, but he is too contemporary and completely fails to bring personality, let alone any endearing traits, to a total sleazebag of a character. Shirley MacLaine is also too American, annoyingly shrill and doesn't look like her heart was completely in it.
As a result of the numerous changes, despite some moments, the story suffers consequently, the material needed more wit, emotion and life than what the film provides. Sluggish pacing in the non-musical moments and a rather too overlong length doesn't help. It's indifferently directed, the "Garden of Eden" sequence despite great dancing and choreography is overblown and goes on for far too long and the ending, with Simone's decision completely ringing false, feels like a cheat.
On the whole, some definite great things but considering the source material and talent 'Can-Can' should have sparkled so much more. 5/10 Bethany Cox
There's more to the problem than it being a butchered treatment of the Broadway hit, including a mangled re-written story with an additional character to cater Frank Sinatra, omitted songs and changes to lyrics. Pretty much all of the problems with 'Can-Can' are to do with how it fared on its own terms, which is while nowhere near one of the duds in musicals it's one of the classics either, if anything a missed opportunity.
Despite how this all sounds there is a good amount to like about 'Can-Can'. The film is visually stunning, opulently produced and photographed with spectacular gorgeousness. Porter's music and songs, even with how they're treated (most inexplicable being the lyric liberties in the title song, the original ones are brilliant and part of what makes 'Can-Can' one of Porter's better later musicals), are still superb. Especially the very touching "It's All Right With Me", sung (or crooned) beautifully by Sinatra.
Parts of the script has wit and charm, especially with Maurice Chevalier. Chevalier and Louis Jourdan give the film's two best performances, the former performing with a humorous twinkle and effortless charm and the latter having an urbane likability. Juliet Prowse also proves herself to be a wonderful dancer, and the choreography and musical numbers are really where 'Can-Can' really picks up in the interest value.
Yet, 'Can-Can', despite the music, Chevalier and Jourdan and the production values, never makes one properly feel like they've been transported to late 19th century Paris. Part of it is to do with the mostly anachronistic and talky script (especially in the courtroom parts that really dragged the film down pace-wise), and a larger part is do with the miscasting of the two leading roles. There is no denying that Sinatra sings beautifully with impeccable phrasing and breath control, but he is too contemporary and completely fails to bring personality, let alone any endearing traits, to a total sleazebag of a character. Shirley MacLaine is also too American, annoyingly shrill and doesn't look like her heart was completely in it.
As a result of the numerous changes, despite some moments, the story suffers consequently, the material needed more wit, emotion and life than what the film provides. Sluggish pacing in the non-musical moments and a rather too overlong length doesn't help. It's indifferently directed, the "Garden of Eden" sequence despite great dancing and choreography is overblown and goes on for far too long and the ending, with Simone's decision completely ringing false, feels like a cheat.
On the whole, some definite great things but considering the source material and talent 'Can-Can' should have sparkled so much more. 5/10 Bethany Cox
Strangely enough, the weakest aspect of this musical is the quality of the songs. Most of them are fairly mediocre, and fail to stay in the memory for long. But otherwise, "Can-Can" is a smashing entertainment. Lavishly produced and gorgeously photographed, this is one expensive movie where the money were spent with care and taste (unlike, for example, "Gentlemen Prefer Blondes" which, despite its big budget, looked cheap). The story may be a little thin, but it's suspenseful, too: you can never predict with absolute certainty if MacLaine will choose Sinatra (who is wonderful) or Louis Jourdan (who is as sly and charming as he was when he played the villain in "Octopussy"). But above everything else, this movie is a feast for the eyes!
Well, Can-Can is not a total loss, but it's not a 10-star gem of a movie either, but - it IS entertaining, but the biggest problem that I see with the film is that everyone looks like they're embarrassed to be in the movie with each other because no one is actually looking at each other when they're saying their lines. Look at the scene where Shirley McClain is making up the story as to how Louis Jourdan was trying to overcome her sexually and the scene goes something like this:
SHIRLEY: And I fought him and fought him and stuggled, but what could a person do? MAURICE: [embarrassed to say] Uh - submit - of course! SHIRLEY: [slightly glances at thim and them says loudly] SUBMIT?
The film just kinda lays there and doesn't do anything. Come on - it's not Gigi! It was really a re-uniting of Louie and Maurice because of their hit movie Gigi and that's about where the uniting ends, but there are some highlights to the film. Shirley McClaine's apache dance with the guys while Louis Jourdan looks on is a great number, and the Adam and Eve Ballet is quite good and Shirley's line before the ballet is wonderful when she says something like this: "Be it known that sin may have been invented in the Garden of Eden, but it was perfected in Monemart!"
It just seems like all they're doing in the film is walking through their dress rehearsal without putting any oomph into the acting, and at the same time the some of the costumes are so tacky that they look like we did as kids when we played dress-up as adults! And, look at the scene before Maurice and Louis sing "Live and Let Live". It looks like it was inserted on purpose so that they could have the opportunity to sing the song, and the scene in which Maurice sings "It Was Just One of Those Things". Even that looks like it was inserted on purpose just to give him a chance to sing a song, but the songs are great even though most of them were never in the original broadway play such as "You Do Something To Me", "Let's Do It", and "It Was Just One of Those Things", "It's Alright With Me" [which is slow and a very boring rendition], and oddly enough "I Love Paris" a duet between Frank Sinatra and Maurice Chevalier was deleted from the movie and only heard in the the original soundtrack album, and the Oveture and beginning Credits of the video, that is if you have the first video version of Can-Can in which you get the Oveture, Intermission Music, and Exit Music with all the musical numbers letter-boxed, and why they deleted "I Love Paris" from the movie is beyond me since it was the hit of the show. Again, Hollywood has been known to do some dumb stuff!
Juliet Prowse's big number "Maids From France" is quite good, but it's obvious why she's in the scene with Frank Sinatra when he sings "It's Alright With Me" because at that time they were having an affair, and I guess if it was alright with them it should be alright with us, but later he would marry Mia Farrow and since Frank was Italian it was only obvious that his kids would call her "Uh-Mama Mia"!
Anyway, I sure wish they would re-release the original video version of "Can-Can" or a whole widescreen version on D.V.D.. Other songs from the Broadway Show were deleted from the movie such as "Never Give Anything Away" "Al-e-Vou-Zon" [which is only used in Shirley McClains apache dance as a melody] "There Is No Trick To A Can Can" which is just used as a melody for the Can-Can at the end of the movie, and again even though they deleted a singing version of the hit of the play "I Love Paris", at least they use the melody of it in the Adam and Eve Ballet, but Shirley McClains drunken version of "Come Along With Me" is delightful, and here goes the insanity of Hollywood again, at the end of the film when the Paddy-Wagon is pulling away with Shirley and Frank in it - the chorus is singing the last lines of "I Love Paris"!
So - why didn't Louis get Shirley in the end? Well, it's obvious that she was in love with Frank Sinatra all the time, but more than that; "Once a Rat Packer; always a Rat Packer"!
SHIRLEY: And I fought him and fought him and stuggled, but what could a person do? MAURICE: [embarrassed to say] Uh - submit - of course! SHIRLEY: [slightly glances at thim and them says loudly] SUBMIT?
The film just kinda lays there and doesn't do anything. Come on - it's not Gigi! It was really a re-uniting of Louie and Maurice because of their hit movie Gigi and that's about where the uniting ends, but there are some highlights to the film. Shirley McClaine's apache dance with the guys while Louis Jourdan looks on is a great number, and the Adam and Eve Ballet is quite good and Shirley's line before the ballet is wonderful when she says something like this: "Be it known that sin may have been invented in the Garden of Eden, but it was perfected in Monemart!"
It just seems like all they're doing in the film is walking through their dress rehearsal without putting any oomph into the acting, and at the same time the some of the costumes are so tacky that they look like we did as kids when we played dress-up as adults! And, look at the scene before Maurice and Louis sing "Live and Let Live". It looks like it was inserted on purpose so that they could have the opportunity to sing the song, and the scene in which Maurice sings "It Was Just One of Those Things". Even that looks like it was inserted on purpose just to give him a chance to sing a song, but the songs are great even though most of them were never in the original broadway play such as "You Do Something To Me", "Let's Do It", and "It Was Just One of Those Things", "It's Alright With Me" [which is slow and a very boring rendition], and oddly enough "I Love Paris" a duet between Frank Sinatra and Maurice Chevalier was deleted from the movie and only heard in the the original soundtrack album, and the Oveture and beginning Credits of the video, that is if you have the first video version of Can-Can in which you get the Oveture, Intermission Music, and Exit Music with all the musical numbers letter-boxed, and why they deleted "I Love Paris" from the movie is beyond me since it was the hit of the show. Again, Hollywood has been known to do some dumb stuff!
Juliet Prowse's big number "Maids From France" is quite good, but it's obvious why she's in the scene with Frank Sinatra when he sings "It's Alright With Me" because at that time they were having an affair, and I guess if it was alright with them it should be alright with us, but later he would marry Mia Farrow and since Frank was Italian it was only obvious that his kids would call her "Uh-Mama Mia"!
Anyway, I sure wish they would re-release the original video version of "Can-Can" or a whole widescreen version on D.V.D.. Other songs from the Broadway Show were deleted from the movie such as "Never Give Anything Away" "Al-e-Vou-Zon" [which is only used in Shirley McClains apache dance as a melody] "There Is No Trick To A Can Can" which is just used as a melody for the Can-Can at the end of the movie, and again even though they deleted a singing version of the hit of the play "I Love Paris", at least they use the melody of it in the Adam and Eve Ballet, but Shirley McClains drunken version of "Come Along With Me" is delightful, and here goes the insanity of Hollywood again, at the end of the film when the Paddy-Wagon is pulling away with Shirley and Frank in it - the chorus is singing the last lines of "I Love Paris"!
So - why didn't Louis get Shirley in the end? Well, it's obvious that she was in love with Frank Sinatra all the time, but more than that; "Once a Rat Packer; always a Rat Packer"!
I was all set to dislike "Can-Can" for a variety of reasons (not the least of which is Frank Sinatra cast in a musical set in 1896 France...Frank Sinatra??), but the film is a lot of fun. Sinatra and Shirley MacLaine are in good spirits throughout this pleasing adaptation of the stage-success about a dance-hall proprietress who defends her right to perform the scandalous title-named dance, deemed lascivious in its day. It runs a little too long, and MacLaine is more comfortable in her love scenes with Ol' Blue Eyes than with Louis Jourdan (who doesn't match up well with Shirley at all--he looks puny next to her), but otherwise it's surprisingly enjoyable and Juliet Prowse gives her small part as a dancer a great deal of zest. **1/2 from ****
Lo sapevi?
- QuizIt is explained in the film that the can-can was considered a lewd and lascivious dance (in reality often performed without panties).
- BlooperAbout 34 minutes in, when Philipe tries to close the window in Simone's boudoir, the whole wall shakes as he struggles with the window, indicating that it is a set wall and not a real building.
- Citazioni
François Durnais: You look like a broken umbrella.
- Curiosità sui creditiOpening credits prologue: Montmartre-1896
- ConnessioniFeatured in 20th Century-Fox: The First 50 Years (1997)
- Colonne sonoreI Love Paris
(uncredited)
Music by Cole Porter
Lyrics by Cole Porter
Sung by chorus over the beginning and end credits
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Jack Cummings' Production of Cole Porter's Can-Can
- Luoghi delle riprese
- Parigi, Francia(stock footage of the evening barge sequences)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 6.000.000 USD (previsto)
- Tempo di esecuzione2 ore 11 minuti
- Proporzioni
- 2.20 : 1
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