Berlino est passaporto falso

This is one of those films where the heroes are all very stiff upper lip and the villains are cold and mysterious, certainly a movie of the cold war period.

When an American plane gets drawn off course because of bad weather it mistakenly flies into East German air space, it's forced to land and the people are taken off the plane. When the authorities let the plane leave the stewardess Karin (Eva Bartok) is detained as she is an East German. She is taken home to live with her mother, whilst this is happening her fiancee Jim (Richard Greene) has arrived in Berlin to bring her back. This could be dangerous as she is being watched by Hans (Marius Goring), who works for the Stasi (the East German secret police). With the help of Linda (Andree Melly) Karin and Jim find her brother Peter (who the police are after) and start their escape to the West.

It all sounds more exciting than it actually is but it's got a great cast, especially Melly in a small role.

I must have watched a different version of the film than some others on here. Richard Greene wasn't flying the aircraft in the one I saw. Also the film I watched was very suspenseful and full of menace in places with believable characters and location (in the main). All in all a good entertaining film well worth seeing.

BEYOND THE CURTAIN is a Cold War thriller that absolutely pales in comparison to that classic of the genre, THE SPY WHO CAME IN FROM THE WORLD, although it does contain a mildly similar, behind-the-curtain type plot. But where SPY excelled, BEYOND THE CURTAIN merely plods along endlessly until a fitfully exciting climax. I'll give this film credit where it's due, however; the early scenes with the plane diversion are quite suspenseful and hide what was obviously a low budget. The ever middle aged-looking Richard Greene (SWORD OF SHERWOOD FOREST) is the solid - or perhaps that should be stolid - hero who gets involved in the life of Eva Bartok (BLOOD AND BLACK LACE), a stewardess with family living in East Germany.

Once the action shifts behind the Iron Curtain it really should be suspenseful and exciting, but instead it just sort of plods along for a little. Don't get me wrong, it's not exactly bottom of the barrel stuff, it's just not particularly exciting. I notice that this film was put out by the unheard-of 'Welbeck Film Distributors' - something to do with the notorious Harry Alan Towers perchance? At least BEYOND THE CURTAIN picks up towards the climax, set in some disused tunnels, which at least has the suspense and action missing elsewhere. Marius Goring (THE CASE OF THE FRIGHTENED LADY) is a good choice for the antagonist although Bartok ends up grating on the nerves throughout with her incessant screaming and stupid behaviour. As Cold War thrillers go, though, BEYOND THE CURTAIN is only average entertainment.

Eva Bartok ("Karin") is an erstwhile air hostess who, when her plane makes an unexpected landing, is compulsorily repatriated to her family home in largely bombed-out Dresden where her mother still lives. Her British fiancé "Jim" (Richard Greene) is soon on the trail as he flies to East Germany to try and rescue her.

A competent and a fairly gripping thriller set in the Cold War. It's well-acted, especially by Eva Bartok, who is forced to face the horror of returning to Dresden and is used as a bait to lead the authorities to her brother. Richard Green plays a dashing hero who is determined to bring her out of the country. It's a rather good film which mixes romance, emotion and intrigue rather well.

This is another of those cold war thrillers with manhunts in the ruins of Berlin, this one from the year before the Berlin wall was put up. For some reason this one has been neglected and almost ignored, presumed to be outdated and totally overshadowed by the earlier masterpieces by Carol Reed ("The Third Man", "The Man Between"), "The Big Lift" 1948 and others, but this is actually in line with them and not much worse although more modern. Eva Bartok makes a fully convincing character torn between east and west, between her loyalties to her background and family in Dresden and her love for an American in West Berlin - the scenes from the night clubs in West Berlin are almost sarcastically reminiscent of the much earlier very decadent Berlin of the 20s and 30s - little seems to have changed since then. The insights in Eastern Germany and Dresden are also very revealing as not much different from the Nazi days - Eva Bartok's aristocratic family villa has been taken over by a former Nazi Gauleiter now in the service of DDR.

Richard Greene looks curiously much like Tom Hanks,and his character is even similar to most Hanks characters. It's an interesting film, Marius Goring as the doctor also torn asunder by his duties and loyalties and weakness for Eva is perhaps the most interesting character. The final tunnel chase is all too reminiscent of the final hunt in "The Third Man" but totally different.